Name: Snowfall Elegy by Eric Lownes
Duration: 2 min 54 s
Description: Piano piece which makes heavy use of Locrian mode.

Sensational piece Eric, very expressionist and soothing!👍😎✌🏼

A very beautiful theme played with such expression and grace..

20230424-1208

I have got a new toy!!
Peterlin!!

Fun to play!!

Enjoy!

Peterlin -Ciat- Lonbarde noise machine demo   I love this guy!!

Sonic Structures and Silent Stretches a.k.a. Jo Richter (@sonic-textures) wrote a series of 13 poems or cantos collectively titled Departure. He shared the texts with me, Stonerjazz, and Re-Evolution Cafe Orchestra and we have been working on the project of bringing them alive with music and soundscapes. We are hoping more SC artists will join us! Please reach out if you're interested in doing a reading. Check out the full playlist of Cantos so far here: https://soundcloud.com/sonic-textures/sets/departure-a-long-poem-in

On this track, the poem is read by Jo. He also created much of the soundscape. I contributed the bassier and more synthetic sounding parts.

poem / copyright jo richter

How long he stayed, he could not tell.
He worked ferociously, sounding all
existence that had touched upon him into
being: the smell of meadows, the curl of
ripples, the calm that centers in a storm;
the timbre of voices, the straight lines of buildings,
the aloofness of announcers on the radio.
His desk was cluttered, his mind strove clear.

When he did not write, he‘d read up on
the origins of his ancient art: Vergil and Dante,
Marlow and Shakespeare, Homer and Joyce,
Ovidus, Cervantes, Rabelais and Wieland.
He felt the linguistic seeds, blown from foreign
stems, grow filaments deep in his native soil, he
saw them ripen, flower profusely, yielding
their beauty to ever-changing mentalities.

And as his insight widened and he gained
perspective, the rows of encyclopedias
and dictionaries that lined his shelves
slimmed down, as he gave up consulting
English for French and German, these for
Latin and Greek, those for Persian and Sanskrit,
until he only referred to Indo-European roots.
His desk turned clear, his mind became uncluttered.

Eventually, he also slept and dreamt
whenever the veil sank upon him.
Guarded by the spire‘s safe walls, he would
awaken slowly, remembering outlandish
lore, scribbling notes and poems of bizarre
truthfulness and penning recollections of his
archetypal ties. Some of his realistic verse de-
rived from fragments of prolonged poetic trance.

His muse meanwhile taught him to cook, the
art of mixing individual ingredients to bring about
a taste all of its own that nourishes both mind and
physicality. The painters tend to fixate on surface
and colour, she said, the musicians on timing
the process, whereas the poets never get anything
done, enchanted by words like ‚ginger‘ or ‚yeast‘.
All of their dishes taste awful.

Departure: Canto IV w/ sonic structures and silent stretches

Cast of characters:
Mysterious Decibel--@themysteriousdecibel -MD—lyrics and vocals
TexMex Shaman–@texmex-shaman–Stephen–foundational guitar in first half, solo in the coda, mix, and production
J.J. Terrell–@j-j-terrell– piano, keyboards, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion, minor backup vocals
Llanpsych–@llanpsych–Tez–guitar solo and fills in the main section
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–mandolin, four string fretless bass guitar
This latest Eclectic Collective song was probably the most collaborative in a true sense as we've yet released. The song began with Josh trying to piece together a couple of ideas that he'd come up with on the piano. He sent his ideas to JJ, who took out a connecter section that Josh had no intention of making anything of, and turned it into the body of the song. He returned the song to Josh complete with a signature JJ Terrell climactic coda. Then Josh added the bass to JJ's piano, with some help from the always solid drums from Ken. The way it usually goes is that Josh comes up with a scratch bass line to accompany the song, then Ken adds drums, then Josh goes back and adds the bass to fit the beat. Sometimes they go back and forth, but not this time so much. 
  Then, Stephen added the foundational guitar in the first section, and came up with the idea for the coda. Josh added some mandolin to the coda, too, after which Stephen redid the guitar in the coda to make it very dynamic and part the clouds. Tez finally came along and added the fiery solo and the charming fills in the main section. Most of this time, MD had been working on the narrative lyrics and refining his melodic vocals. Finally, Stephen put it all together for us and mixed it in his expert fashion. 
  We hope you enjoy the thrill of the climax, and also get a chuckle out of the lyrics, which are included below. 
  Let me tell you 'bout a dancer yeah!
A mysterious one
She dances to the decibel
She's a A shape shifter from the stars
She doesn't cast no shadow
The light makes things bizarre
She'll mold a new soul in you
And get your grandmother too
She'll bleed you from afar

It's an Early time and a late night
On a mothership deep in flight
Yeah!
It's an Early time and a late night
When the grays are seeing white!

Yeah, you know what I'm talkin' about 

Oh baby you caught me off guard I think it's gonna be a early time and a Late night

Hubba bubba max
Hubble space snacks
I'm playing galaga 
Waiting for climax
It didn't take long
A few setbacks

One and done in the black hole
With the Shape shifting of my gun
The time was short but the blast quaked
It was all over before it begun
The frown Came over her like a storm cloud dropping down torrential rain
The frown came over me some time later when the little fetus from Mars slopped onto the terrain

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

{Get that thing away from me
Stay on your home planet}

Just One minute altered my universe
My reputation outside of the earth
Flys away in a hearse
Now I'm just the minute man of the cosmos
With an infant out there somewhere they call him... space Frankenstein that's what she knows

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

Early Time Late Night (The Eclectic Collective)

Rainy DayZ 145 Bpm

Original lyrics and vocal performance by Jessica Lowe @user-298062433

[ d o w n l o a d a b l e ]

Things Will All Work Out (Featuring Jessica Lowe)

Lava Dog by Jeamland & WÜST

Piano piece which makes heavy use of Locrian mode.

Snowfall Elegy

mix/master: Mariosyjp

LYRIC
Brought together
in bad weather
Our homes a world away
Hours flew by
We both knew why 
We had no right to stay

You waved as I departed
Let’s finish what we started
Finish what we started

I kept the memory
Deep within me
While life took me elsewhere
It started burning
The thought of returning
To when I saw you there

It’s a course I’d never charted
But let’s finish what we started
Finish what we started tonight

Strolling through the passers by
Keep an eye out  for an eye
One that sees the things you see
I saw you
Did you see me?

If this finds you
And reminds you
Of the promise we let die
Just tell me where
And I’ll be there
We have the right to try

And not live broken hearted
Let’s finish what we started
Finish what we started

It won’t be too late
But we can’t wait
And longer than we have
If yours felt what my heart did
Let’s finish what we started

Finish What We Started

FAT PHAT Wicked Mum

Pantoclast + R.S.Stropharia + A.Schwarzer -  Premonition Of A Dark Time- Live Impro-Set (06.03.2020)

I am a professional mathematician and an amateur pianist and composer. I have many influences but impressionism is important to many of my compositions lately.

Snowfall Elegy

Eric Lownes

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MIAMI JEFF

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