Written by The Wolff Sisters 
Recorded at Dirt Floor
Produced/Engineered by Eric Michael Lichter
Engineered/Mastered by S Wytas 
©℗ 2019 The Wolff Sisters All Rights Reserved

Rachael Wolff: Vocals, Electric Guitar
Rebecca Wolff: Acoustic Guitar, Vocals
Kat Wolff: Keys, Vocals
Will Rodriguez: Drums
Jackson Albert Mann: Bass

On A Road - The Wolff Sisters

written by Paul Adelstein 
performed by Paul Adelstein with Eric M Lichter
recorded at First Floor Recording and Dirt Floor 
video by David Singer

Sunday Sea - Paul Adelstein

Recorded by Eric M Lichter & S Bowden at Dirt Floor(Chester,CT)
Addl. Recording by John Gifford at FAME Studio (Muscle Shoals, AL)
Mixed by Sheldon Gomberg at The Carriage House (Los Angeles, CA)
Mastered by Dave Drago at 1809 Studios (Macedon, NY)
Album Artwork & Direction by Julie Rhodes
Photography by Roberto Terrones

Julie Rhodes - Vocals
Danny Roaman - Guitar
Jonah Tolchin - Guitar
Michael Bosco - Drums & Percussion
Matt Murphy - Upright Bass

Special Guests

Spooner Oldham - Organ & Wurlitzer
Sara Watkins - Violin
'Sonny Jim' Clifford - Harmonica
Greg Leisz - Pedal Steel & Lapsteel
Cindy Richardson Walker - Vocals
Marie Lewey - Vocals
Eric M Lichter - Wurlitzer & Vocals
Will Gramling - Organ

Hey Stranger - Julie Rhodes

Songwriter Ian D’Arcangelo
Song Produced by Ian D’Arcangelo & Eric M. Lichter
“Hey Mah” Mixed by Guido Falivene
Guitars/vocals/bass/keys/whistle: Ian D'Arcangelo
Drums/percussion: Alex Giosa
B3/wah clavinet: Eric M Lichter
Guitar: Adam Eytan
Gang vocals: Sam Donahue, Efrain Colon, Bryan Mester

“Hey Mah” Mastered by Jay Frigoletto

Hey Mah - Ian D'Arcangelo

Recorded and produced at Dirt Floor
Kelly-Vox, Guitar, Harmonies
EML-LinnDrum, Bass, Guitars, Synths, Harmonies.
Produced by EML
Engineered & Mixed by G Falivene
Mastered by S Wytas

Parked Car - Kelly English

Moonshiner - Parsonsfield

Down to Pieces - Marissa Brodie

I feel fortunate to get to produce and arrange records for some of my very favorite artists, who ultimately become my favorite friends.
Kerri Powers is the real deal, and most certainly belongs in the pantheon of the greats as far as i'm concerned.
Much of Starseeds was tracked live, Kerri and her Martin, so the take needed to be right, mostly for the vibe and mood.
Once we got the perfect take, we'd sleep on it , making sure it was the one. I'd then add bass, which is always my finest Rick Danko, Randy Meisner, Dee Murray combo. That's my comfort zone. Nice and bouncy, but subdued.
After that it was pretty easy to build up, adding a simple drum part. I loved being able to do those little fills along with the bass during each chorus, leaning into it, like Levon Helm, another hero.
I played a sparse Hammond organ part, which comes in at the start, along with Kerri's acoustic guitar, and Ed Iarusso's pedal steel. The harmonies were the last thing added to the song. I had an idea for a psychedelic, very Laurel Canyon part, rather than what one would have expected given the chord progression. 
I borrowed from @thedavidcrosby "If I Could Only Remember My Name" album, adding these ascending lines, with some random descending ones as well. She trusted me, and I was able to do these on my own time, at my own leisure, so there was little pressure when experimenting. I recall sending her the track to approve, and it was a done deal.
Ed does this awesome pedal steel thing at the end when Kerri reprises the first line. It's like this call and response which gets me every time. Anyway, we hope you love this record as much as we do!
Produced and engineered by: Eric M Lichter
Mixed and mastered by SW
Please go an purchase the record. Nothing sounds as good as music you actually own!
https://kerripowers.bandcamp.com/track/polly

Polly - Kerri Powers

Somethin' Left To Say - Carlin Tripp

“And I Am” the first single from the new Jack Caldwell album is out on all streaming platforms today! The album will be released in springtime, and it's FANTASTIC.
This was the first song we worked on, testing the waters to see if we could make a record together. We could...We Did.
Covid hit as we gained momentum, keeping us from being in the same room for quite awhile. We got creative and worked past it. The instrumentation for “And I Am” was created off voice memo recordings he’d send over. Once that was done, I’d send a two track mix for him to lay his vocals on at home. It went from acoustic ditty to an anthemic driving song. 
I built it around a Fleetwood/McVie inspired drum/bass part (snare, floor tom) Benmont Tench-esque piano/organ part, Rickenbacker 12 string, and a Tele for the lead part. I tend to prefer getting a lead part in one or two takes. This was the first take.
I may have subconsciously “borrowed” a part from “The Last DJ”, haha.
Jack’s acoustic is up the middle, unchanged from the song’s original direction, and It still works perfectly.
Jack-lead vocal/acoustic guitar.
EML-drums, 12 string Rickenbacker, guitars, organ, piano, bass, harmony vocals.
Assistant engineer- G Falivene

And I Am - Jack Caldwell

Produced by Eric M Lichter and Slate at Dirt Floor, “The Poacher” is a taste from Slate’s forthcoming solo album, The Last Day of Summer. “The Poacher” was recorded in sessions spanning the globe during the pandemic lockdown and features an all-star cast of music veterans.

Featuring Earl Slick (David Bowie, John Lennon) and Steve Cradock (Ocean Colour Scene, Paul Weller) joining Slate on guitars, and a crack all-star band – Joan Chew (Lez Zeppelin) on bass and strings, Adan Ippolito (John Lennon’s Plastic Ono Elephants Memory Band) on piano and Hammond organ, co-producer Eric M Lichter on backing vocals and Paul Weller’s drummer Ben Gordelier – the release of “The Poacher” marks what would have been Ronnie Lane’s 76th birthday with a full-throttle blast of old school mod-style rock and roll.

The Poacher - Jeff Slate

How Is It so Hard - Blue Eyed Blackbird

Hustler Bound - Wise Old Moon

Here Comes The Night - Molly Pinto Madigan

Will Love Grow? - Jessica Flamand

MorganEve (Brown Bird) fiddle and harmonies
Eric M Lichter drums, guitars, Mellotron, bass, harmonies, etc...

No Whiskey - Hannah Fair

Recorded, produced, and mastered by Eric M Lichter and S Wytas at Dirt Floor Recording Studios, Haddam, CT

Redleg Husky:
Tim McWilliams: vocals, guitar, banjo
Misa Giroux: vocals, guitar, mandolin
Son the Bassman: bass, backing vocals

Additional musicians:
James Maple: drums, backing vocals
Eric M Lichter: pedal steel, piano, slide guitar, backing vocals

Katie - Redleg Husky

Produced by Martin, Eric M Lichter, and Jonah Tolchin, Scared Fearless was recorded in a traditional log cabin in the Connecticut mountains, within earshot of the Connecticut River. There, during a four-day tracking session at Dirt Floor Studios, Martin captured the album's basic arrangements in a series of live performances, with help from musicians like Isaac Young, MorganEve Swain, Matt Slobogan, Jim Carpenter, Thor Jensen, Andrew Sovine, Kieran Ledwidge, Tall Tall Trees, and John Faraone.

Rainy Day Women #42 - Daphne Lee Martin

‘Kathleen’ by David Saw 
Vocals/Gtr Left, Vibraphone - DS
Knee Slaps, Gtr Right, Mellotron, Slide, Bass, Harmonies - EML
Produced by Eric M Lichter 
Engineered/Mixed by G Falivene
Mastered by SW
Written by D Saw & P DaRosa 
AVAILABLE NOW

Kathleen - David Saw

Daughter Suite - Eric Michael Lichter

Flet Foxes, Robin Pecknold, Ethan Johns, Jonathan Wilson, Josh Tillman, Eric Michael Lichter, Dirt Floor, analog recording, Newport FOlk,

No Time To Be Tender

A Place For You To Sleep - Ian Fitzgerald

Waitin' - Pete Greco

Good On Ya - Phil Adams

Dirt Floor Recording & Production is a full service recording studio, which serves as home base for producer/multi instrumentalist Eric Michael Lichter, along with Guido Falivene & Steve Wytas.

Dirt Floor Recording & Production

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