Thinking and Thinking AND WRITING

Order SMM: Opiate in The Ghostly Store:
http://www.theghostlystore.com/products/various-artists-smm-opiate

SMM: Opiate includes tracks from Simon Scott, Noveller, EN, Celer, Black Swan, Jim Haynes, Fieldhead & Pjusk.

A Winged Victory for the Sullen - Ti Prego Memory Man

recording for "Paraphrases"
(unmastered preview)

Quiet Times At The Library

Download: http://www.xlr8r.com/mp3/2014/02/all-i-need

Download

Philip Grass - All I Need

Theme composed for a game based on surrealist cinema of the early 20th century.Three dissonant melodies woven into a single piece.

Cabaret Noir Theme

Track created with The Oscillation's Demian Castellanos

Oscillate

A new piece from my unreleased album "El solitario viento de Dios"

Clavel

'Entanglement' is out on Erased Tapes.
Order the album on CD/LP/DL: http://www.erasedtapes.com/store/index/ERATP067
Or via iTunes: http://geni.us/entanglementitunes

“No click tracks, no headphones, and no film. Just the spontaneity of performance and the sound of musicians hearing, connecting and responding.” 

‘Entanglement’, the debut album by Michael Price fulfils his long-term desire to explore new musical territories, featuring Michael on the piano, with the addition of cello, soprano voice, string orchestra, modular synth, tape effects and electronics.

Throughout the record you will hear street sounds from 'Budapest' captured and processed on Michael’s mobile phone, as well as chamber music recorded direct to tape with vintage microphones in single takes. Album track ‘The Attachment’ was partly recorded onto a 1940s magnetic disc recorder, which immediately connected the piece back to a pre-digital musical age.

The cello and soprano vocal parts throughout the album were written specifically and directly for cellist Peter Gregson and vocalist Ashley Knight, whose expressive voice features on tracks ‘Maitri‘ and ‘The Uncertainly Principle‘. The lyrics for both songs are Japanese poetry sung in English, dealing with age, loss and the inevitable fading of beauty.

‘Entanglement’ was written over a period of two years on paper and by hand with Michael exploring oldest and newest technology at Abbey Road Studios and Snap Studios in London, before most of the recording and mixing took place at Vox-Ton in Berlin.

“I wanted to make an album that sounded like a dark, Berlin record store discovery from the 30s. Something that had timeless emotive power, and pre-digital rawness. Something that I hope would make a deeper connection in superficially networked times. I think there is a duty for artists to be honest, and vulnerable. Because then there is a possibility of real connection. Entanglement is both honest and vulnerable and to go through the two year process of writing, refining and recording an album has been more intense and more beautiful than I could have possibly imagined.

Entanglement is a very personal expression of my obsessions: music, love, physics and the inter-connectedness of things. There is structure and freedom, chaos and control, and the beauty of ancient instruments set against impassive machines." – Michael Price

ABOUT THE ARTWORK: Resembling the inter-connecting parts, the cover art for ‘Entanglement’ was created by South London artist Supermundane, with the packaging’s layout done by long-term Erased Tapes-collaborator Torsten Posselt at FELD in Berlin.

TRACK LISTING:

1. Tape Overture 2. Easter  3. Little Warm Thing 4. Budapest  5. The Attachment  6. Maitri  7. Digital Birds  8. The Uncertainty Principle 9. Entanglement

erasedtapes.com · michaelpricemusic.com

Entanglement

The Attachment

Buy LP/CD/DL

Michael Price – The Attachment

Jasmine Guffond - Useful Knowledge

a winged victory for the sullen 'steep hills of vicodin tears'

A Stream With Bright Fish

Taken from ‘Music for the Motion Picture Victoria’ – released by Erased Tapes on June 15th, 2015
ORDER LP/CD/Digital here:
www.erasedtapes.com/store/index/ERATP071
ORDER DL via iTunes here:
http://snip.ftpromo.net/victoria

ABOUT:

Nils Frahm has always said that he’s just waiting for something real special when being asked if he would ever score the music for a film. And that’s exactly what German director Sebastian Schipper presented to him with his one-take feature ‘Victoria’. Filmed in Berlin, Victoria’s plot sees a runaway party girl, who's asked by three friendly men to join them as they hit the town, but their wild night of partying suddenly turns into a bank robbery as the music changes from techno to subdued piano sounds.

For the recording session at Studio P4 in Berlin, Frahm enlisted the help of long-time collaborator and cellist Anne Müller, violist Viktor Orri Árnason and ambient artist Erik K. Skodvin of Deaf Center on guitar.

‘Victoria’ won the Berlinale Film Festival prize for Best Cinematography and has also received seven nominations including Best Soundtrack for the Deutscher Filmpreis – Germany’s highest movie award, and will be released in cinemas across Germany on June 11th with plans to release it in the UK and other countries soon. 

More info: nilsfrahm.com · erasedtapes.com

Music for the Motion Picture Victoria

Them

Moon Ate the Dark - Ventricles

02 Caden Cotard

03 183 Times

Always Summer

Lakefront

I was excited to see this wonderful collection of little piano vignettes released by Nils, one of my favorite piano players and people. The simplicity of these pieces and the honesty I feel in the music communicated a sense of ease and exploration that I immediately connected with.  This is my rework of a beautiful passage contained in the song "Re". 

http://www.unseen-music.com

http://reworked.nilsfrahm.com/

Thinking and Thinking AND WRITING

Eric Mitchel Brown