Music like gangster movies, or secret agents from the sixties.                                                      My Spotify listeners link is : https://open.spotify.com/artist/2uemfJJnIjutXUJlk8sI80?si=kOnmzZgXSyKHznafC6rQAw

Rock connection

one upon a time we went to the House of Nanking restaurant and as we sat down a quarter-pounder cockroach strolled down the counter. nobody was bothered and we stayed and ate 'cuz the food was so damn good. still a favorite and inspiration for this exotic musical dish called House of Nanking Blues.

created in Logic audio, guitars by naldo using Rabea plug-in.
artwork by firefly

House of Nanking Blues

https://soundcloud.com/olla-de-insomnio, aka https://soundcloud.com/stranger-something sent me this wonderful instrumental track and later on also that artwork. I enjoyed a lot to write and sing along, a Big Thank You for that, it's been a great pleasure...

Please also, if you like, check out the remix:
https://soundcloud.com/stranger-something/stranger_indie_remix?si=eb3a9b7955334f7aa553d473f02c0b0d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Stranger

As a stranger i arrived
As a stranger i went 							


As a stranger i arrived
As a stranger i went
From anywhere close to somewhere
And then back to anywhere again

Well I could tell a thousand tales
Well i could tell a thousand lies

I could tell  a thousand dreams
That might not be true
Could formulate a thousand lines
You won’t believe that they’re true

Well, I could tell…
I could run a hundred thousand miles and more…

As a stranger i arrived
As a stranger i went 							

As a stranger i arrived
As a stranger i went
From anywhere close to somewhere
And then back to anywhere again…

- solo -

As a stranger i arrived
As a stranger i went
From anywhere close to somewhere
And then back to anywhere again

One thing asking myself,
Has it been true ?
Did i really run a thousand miles
Just to get hold of you ?		
One thing that i must ask again
Has that been true ?
Did i really run a thousand miles
Just to get hold of you ?				

Well, i could tell…
Well, i could tell…

Did i really run a thousand miles
Just to get hold of you ?
Did i really write a thousand lines
Then to get rid of you ?
I could run a hundred thousand miles
Well, i could run a hundred thousand miles and more
With a stone in my shoe…

Stranger (wt Stranger Something, raw edit)

Word's and Music - Graham Williams
An acoustic/stripped down version of this song originally released in time for Valentine's Day last year. (https://soundcloud.com/graham_j_williams/when-you-say-graham-williams) A couple of additional percussive elements have been added together with a new, subtle, acoustic bass line.

When You Say... (Acoustic Version)

Changes - A Pop Rock Journey of Embracing the Unexpected

Sometimes, the best moments in life come from the changes we can’t control. Changes is a high-energy pop rock track that captures the beauty of embracing life’s unpredictable shifts. Built on four distinct hooks—an intricate dual guitar strumming groove and three vocal motifs—this song is all about letting go, moving forward, and discovering something amazing along the way.

🎸 The Story Behind Changes

This song was born from a live demo on Jacktrip, where I was showcasing my typical composing workflow. The foundation started with a layered acoustic guitar collage using the Ample Guitar plugin, setting the stage for the opening vocal line to naturally emerge. As the track took shape, an unexpected but magical moment happened—Solaria’s vocal scat, a spontaneous addition, became a defining element of the song.

At its core, Changes reflects the personal and creative growth that occurs when we surrender to the unknown. The rhythmic interplay of the two acoustic guitars represents the duality of change—sometimes harmonious, sometimes conflicting, but always pushing forward. The vocal hooks, carefully woven into the arrangement, act as guideposts through the emotional landscape of the track, echoing the ebb and flow of transformation.

Solara’s vocal scat wasn’t planned—it simply happened in the moment. This unfiltered expression perfectly embodied the essence of Changes: the beauty of spontaneity and the surprises that come when we trust the creative process. In that sense, Changes is more than just a song; it’s a testament to the way music, much like life, evolves beyond our expectations.

🌤 A Visual Journey

The music video for Changes brings its themes to life with "concrete abstract" imagery—clouds drifting in the wind, forming fleeting pictures in the sky, only to disappear and make way for new ones. This visual metaphor highlights the impermanence of moments and the joy found in experiencing them while they last. Just as the sky is constantly shifting, so too are we, and rather than resisting, we can choose to move with the change.

The color palette of the video reflects this free-spirited energy, incorporating warm, nostalgic hues that evoke a happy, flower-child feel. It’s a visual representation of the optimism and liberation that comes with embracing life's twists and turns.

🎶 For Fans Of:

If you love Fleetwood Mac, classic rock, or progressive rock vibes, you’ll feel right at home with Changes.

✨ How Should You Feel?

Energized. Uplifted. Ready to take on whatever comes next.

🔗 Check Out More Music:

🎵 SoundCloud: https://soundcloud.com/eric-schultheiss-ioniate📺 YouTube: https://www.youtube.com/@EricSchultheiss

📢 Join the Conversation:

Don’t be afraid of change. We can only get better by making a change. Let me know how Changes resonates with you in the comments!

🔥 Hashtags:

#PopRockVibes #FleetwoodMacStyle #EmbraceChange #FeelGoodMusic #GuitarGroove

Changes (Demo 20250218)

Hey, I’ve done a mix of Clive’s @winkandwoo great tune  https://soundcloud.com/winkandwoo/the-great-awakening

Enjoy! 
Dx

The Great Awakening **Wink & Woo & Ricø. REMIX

Composition and Sampling collage by Synline.
Photo by Walkerssk

Veils and Shadows

Sorcerer (2005) Paul Dukas Cover

Produced, Rearranged, Mixed and Mastered by Kawa9

Created with Riffusion

the "CODE" of your "LOVE"

there's a fire 2

Honey With You

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.