I can't breathe but don't need a space travel (A74)

Written and produced by Editor Cole
Out 24th December 2021 - Echoes From the Core EP (Spotify/Apple Music etc)

Stone Circle

Track 7 from the album 'Zijn'

About the album:
I have continued to work with A=432Hz tuning, exploring the possibilities of sustained sounds. I have been working towards an even more static atmosphere than on my previous albums.

I'm very interested in the role of time in this kind of music. The sounds have a different effect and meaning depending on how long they last. To me, the music becomes a vehicle to accomplish a meditative state.

released November 15, 2021

Instruments used on this album: Acoustic guitar, Acoustic guitar with ebow, Sustainer guitar, Soma Lyra 8 synth.
Recording, Production, Photography and Design: Simon van Weelden
© Geluidenfabriek, 2021

Inkeer

Made in Reason 12, with loops of taiko drumming and Korean gayageum.

TaikoGaya (2022)

My submission for Disquiet Junto Project 0592: Better Than One
More on this 592nd weekly Disquiet Junto project, Better Than One (The Assignment: Record the second third of an asynchronous trio), at: https://disquiet.com/0592/
About the Disquiet Junto: https://disquiet.com/junto/

Weekend Away(disquiet0592)

noxpox - Attack Of The Bhang Khalif

Early morning,
One star remaining,
It’s a good day too.

Electric guitars and bass by DD, recorded 2010, reworked and mixed June 2023.

Haiku by Santoka Taneda
Picture by Diego PH

@naviar-records

different version here:
https://soundcloud.com/daniel-diaz/spring-meadow

Early Morning Star (naviarhaiku492)

Se Le Nuvole - 2022/2023
for orchestra  commissioned by Orchestra Sinfonica Nazionale della Rai
with the support by Fondation Mica et Francis Salabert
10.02.23 – world premiere
 Rai Nuova Musica 2023 
Auditorium Arturo Toscanini, Torino 
Orchestra Sinfonica Nazionale della Rai, Marco Angius (conductor)

Se Le Nuvole, orchestra - 2022/2023

Mainly Two - Live Recording @Splendor, Amsterdam

Violins: Marie Schreer, John Garner

Still Life With Violins (2023)

This is my entry for Disquiet Junto 0622. The prompt was a tough one this time: expresse the idea of a shadow in sound or in music.
I pondered that a shadow was the result of the impact of light on the environment, delineating the contours of an object present in its way. I thought that a process with some degree of equivalence could be found in the multiple reflexions of sound on the walls of a room. The "shadow" of the sound played in the room would be the reverberating part, minus the source itself.
Therefore I wrote a short, slow and atmospheric piece I played on my piano, side-chained the piano track to an ample, shimmer-like reverberation that I recorded on a separate track, and then built the final piece by alternating the source (the piano) and its shadow (its reverberating sound), first together, and then letting the source disappear to reveal only its reverberating "shadow".
I hope you like it !

Shadow of a Doubt (disquiet0622)

(Excerpt from a 26’ version. The piece moves fluidly between fixed and open material, fully notated music and music co-created by the members of the ensemble through improvisation.)

List of modules heard: 
DYADS
KLEINE KARLHEINZ
GÖTZENS
Ø
SURFACE
THINKING, DECISION, ACTION
BLINDFLIGHT (+ FRAME)
VXEL
SPLICES (intro)

played by
Wet Ink Ensemble 

Erin Lesser, flutes
Alex Mincek, tenor saxophone
Kate Soper, voice
Russell Greenberg, percussion 
Eric Wubbels, piano
Josh Modney, violin
Sam Pluta, electronics

live recording, first performance
4/1/2019, Roulette, Brooklyn, NY

modules / relationships Roulette [4/1/19] (Wet Ink Ensemble)

Composer, pianist, Co-Director of Wet Ink Ensemble (NYC)

modules / relationships Roulette [4/1/19] (Wet Ink Ensemble)

Eric Wubbels

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