1991 Crossmen - ALL rights belong to DCI.

Purchase a copy of the show here!:
http://www.ericpeelmusic.com/time-for-polyrhythms

It seems that the usefulness of polyrhythms has always been questioned. It’s as if musicians are waiting for a time period when polyrhythms will become acceptable to use other than only for special occasions. The goal for this show is to demonstrate that it is not only possible, but advantageous to have a nearly constant flow of polyrhythms from beginning to end.

The show has a safe structure of an Intro/Opener, Ballad, Drum Break, and Closer. The music begins by building slowly and indecisively, attempting several styles before establishing a full decision towards the end of the Opener. Pit helps uncover a unique, emotional melody. Drum Break is packed with varying styles and is very musically expressive. As with the Intro, the Closer starts with some captivating layers. Repeated and modified several times during the Closer is that same curious melody found in the Ballad. The energy of the group is continually increased proven by the tempo markings, the number of “f’s” on the page, and the amount of ink per square inch.

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Time For Polyrhythms - Indoor Show

'CON-FUSION' A jazz fusion collaboration with Andy Grossart (Bass) and Georg Boehme (Winds).
 Marvellous playing from Georg and Andy on this fast moving jazz piece. Always such a pleasure and joy to share another musical journey with both of them.

Alan Hamilton - Composition. main arrangement, production, all keys, drum and percussion programming, brass
Andy Grossart - Bass - https://open.spotify.com/search/Andy%20Grossart
Georg Boehme - All saxes and wind arrangements - https://soundcloud.com/georg-boehme

CON-FUSION

Con-Fusion

Name the Piece 18 - Midnight in the Green House

RMS Titanic arranged, and performed by Adam Young.

Released March 2016 as part of Adam Young Scores.

Read More & Join at: 
www.ayoungscores.com

Sinking

The Cavaliers 2016 - Propaganda DCI Atlanta (High Quality FLAC)

This production at its very essence is about the idea of being in a world where conformity and being societal clones are commonplace. Sometimes it takes the introduction of something different—in this case an antagonist in the form of a flower wielding individual. The struggle between conformity and individuality are the forefront elements. If you want a sophisticated, modern, fresh production for your ensemble, and are up to the challenge, this show is for you!

Originally commissioned by Monarch Independent, the 2017 7th Place PIW finalist

Visaudio Designs Indoor Percussion

ALiKE (World Class)

Disneyland Tomorrowland: Season of the Force Area Music Loop

In everything, there is a sense of Flow, or a lack thereof. This show explores the natural rhythms that guide our lives—how moments of harmony and disarray shape our journey. The performers embody the constant search for balance, shifting between seamless unity and chaotic interruption. As they navigate changing tempos, patterns, and dynamics, the show becomes a metaphor for life itself: an ebb and flow of tension and release, movement and stillness. Through intricate musical layering and visual motion, "Flow" captures the struggle to find—and maintain—a state of harmony in an ever-shifting world.

Flow (Open/World)

DCI 2019 Carolina Crown - FULL SHOW

In an effort to find a new home for humankind after Earth has become uninhabitable, scientists created CB187, a micro-organism capable of establishing a new habitat on a new planet. The show takes the audience on the emotional journey after they have arrived on a new planet.

Copyright permissions for "The Corinthian Song" by Varn Michael McKay required before licensing.

Originally commissioned by Burleson Centennial HS, a 2019 WGI PSW Finalist

The Vessel (Open Class)

I'm Eric, and I compose and arrange instrumental music focusing on percussion. Please help support my writing by checking out my website! http://www.ericpeelmusic.com

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Time For Polyrhythms - Indoor Show

Eric C W Peel

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