I used to be a party guy, but now days enjoy doing process improvement in the Stevedoring Industry.

Here to inspire. Lets have fun!

www.ciphasounds.com

DJ GETLIVE! is a native New Yorker hailing from Jamaica, Queens. As a product of NYC’s late ‘90s hip-hop environment, he arrived at DJing first as a b-boy, and then as a practitioner on the turntablist and battle DJ scenes. Now, through his club sets, a weekly radio show, and a mix series GETLIVE! reps his city’s deep music culture while championing new artists and sharing global sounds—connecting styles, genres, and eras in the mix whenever he plays.

All of my platforms: www.linktr.ee/djblighty

Hailed as a “music guru” by Rolling Stone and cited among the “world’s Top DJ’s” by The New York Times, J.PERIOD is a master of his craft: a musical storyteller whose work bridges cultures, generations and styles.

As a DJ & Producer, J.PERIOD's resume boasts collaborations with GRAMMY® winners Nas, Kanye West, Common, John Legend, The Roots, Q-Tip, Lauryn Hill, Mary J. Blige and Pulitzer Prize-winning Playwright Lin-Manuel Miranda on the Billboard #1 album, The Hamilton Mixtape.

His extensive roster of collaborators, combined with a visionary approach to musical storytelling, have earned comparisons to both DJ Khaled and Ken Burns and most recently, a prestigious post as a founding member of The Kennedy Center's Hip Hop Culture Council. “Make no mistake,” says DJ Booth, “as to the power of J.PERIOD’s impact and influence on hip hop culture.”  Music icon Questlove (The Roots, The Tonight Show with Jimmy Fallon) calls J.PERIOD “the most creative mixtape producer of all-time.”

J.PERIOD’s work has also been featured in film and TV (American Gangster, NBA Inside Stuff, The Doctor), earning an EMMY®.  His groundbreaking work as Music Supervisor for the Brooklyn Nets’ debut Barclays Center was lauded as “the new standard” for music in the NBA arena.

For more: http://JPERIOD.com

http://en.wikipedia.org/wiki/DJ_Disciple
The Beat, the Scene, the Sound: A DJ's Journey through the Rise, Fall, and Rebirth of House Music in New York City.
by DJ Disciple, and  Henry Kronk. Foreward by Louie Vega.

A thrilling and tumultuous, behind-the-scenes account of house music in NYC. The Beat, the Scene, the Sound follows DJ Disciple and his behind-the-scenes account of how DJs, promoters, fans, and others transformed house music from a DIY project into an international sensation—dive into the glitzy clubs, underground parties, and the diverse communities who made up the scene amidst the tumult of 1980s/90s-era NYC—between the fall of disco and the rise of EDM. The book unearths many untold stories of the era. When house first rose to prominence in the 1980s, it brought people together—Palladium, Paradise Garage, Tunnel, Zanzibar, Studio 54, and other clubs were going strong. But as DJ Disciple established himself in the scene, he witnessed it shatter. During the crack-cocaine epidemic, he literally dodged bullets bringing his records to and from clubs at night. HIV/AIDS and homophobia threw up fear-based partitions. Then, mayors worked to close the clubs. House music was pushed underground and then abroad to the UK and Europe. Disciple and many other DJs sought to regain a footing in the United States, but that only became possible with the rise of commercialized EDM. With dozens of interviews and historic photographs, The Beat, the Scene, the Sound shows what is possible when you bring people together and what can unravel when you split them apart.
Whether he’s dropping beats or dropping jaws, DJ Disciple is changing the game of modern music forever. David Banks, aka DJ Disciple, is an internationally-touring artist, DJ, radio host, and producer based in Brooklyn, New York. He is most famous for his success on the music charts, including his hit single, "On the Dancefloor," which peaked at #67 in the UK Singles Chart in 1994, and his Grammy-nominated track “Caught Up,” which earned the number one spot on the US Billboard Hot Dance Club Play chart in 2002 and was later featured on the Showtime series “Queer as Folk” in 2006. Disciple has also earned his way to the top in the world of remixes, and won an ARIA music award in Australia for his remix of producer Steven Allkins, aka Love Tattoo’s hit, “The Bass Has Got Me Movin.”

Disciple grew up with music in his genes. His father played piano with Miles Davis and his brother slapped bass for George Benson. Disciple got his start as a gospel DJ and, staying true to his religious roots, coined his name as a constant reminder that “only what you do for Christ shall last”. He started his professional career in 1987 when he worked as a radio host and mixer for WNYE FM, and quickly gained a loyal following of listeners. In the 90’s, he hosted “The Best Kept Secret”, a mix show also on WNYE (FM), where he spun the hottest new underground tracks from rising artists. From there, he moved on to touring as a DJ in 1992 with his eyes set on global success.

Disciple started out strong, and his first professional DJ gig was at the famous Studio 54 in New York. After that, Discple moved onto playing in the UK. As he traveled, his fan base quickly grew in size and diversity. By the time he debuted his first single on Muzik Pushers in 1993, his career was well on its way to the top. Since then, he has toured internationally and led the way for a modern era of DJs.

DJ Disciple is just as much an entrepreneur as he is a musician, and has had great success through starting his own record label, Catch 22 Recordings. The label is consistently putting out quality tracks, but one of the most noteworthy releases on this label was Disciple’s hit single, "Work It Out" featuring Dawn Tallman, which debuted in 2006. This track was also re-released on House Trained Records in the UK and made appearances on MTV and BBC Radio 1.

More recently, Disciple collaborated with Collette Mclaffery on “Birdseye View”. Their track is due out June 2017. Disciple is currently finishing his untitled book. Its publication is set for 2018. In 2017 Disciple’s label, Catch 22, celebrated its 20th year of releasing music. Here’s to the future, and to 20 more years of revolutionizing the music industry.

Eric Soler is following