Name: nadia - Jeff Beck by erielake studios
Duration: 4 min 5 s
Description: an all time favorite off of jeff beck's "you had it coming" cd...... solo guitar, bass, and added a kick, snare and crash cymbal to the percussion / keyboard backing track...also upped the tempo a tad

When all's said/done,he's right at the top of the mountain,off to the side on his own highest peak.Nice take on this,tasty guitar,well done.

One of my fave song of all time. A beautiful tune by Jaco Pastorius, bassgod, featured in his debut album.
here's my tribute, my version of the song.

Enjoy the song. viva la Jaco!!

Continuum (Jaco Pastorius)

All Them Witches - Easy (original)

Caipirinha - Mike Patton & Bebel Gilberto

J.J. Cale - Low Down

Previously unreleased, "Key Chain" shows the greasy Southern R&B and Soul of The Martinis, lead by the late great Charles "Packy" Axton. This and more on the first ever anthology of Packy's work: "Late Late Party 1965-1967" (LITA 067 | CD | LP | Digital) OUT NOW!

Born in Memphis, Tennessee, tenor saxophone player and bandleader Charles ‘Packy’ Axton is yet another of the uncelebrated, despite a deep pedigree and funky catalogue of notable grooves. Part of the mighty Stax family through birth—Packy’s mother Estelle Axton and uncle Jim Stewart founded the southern R&B dynasty in the early 1960’s—Packy picked up the sax at a young age, and after linking with future Booker T. & the M.G.’s Steve Cropper and Donald ‘Duck’ Dunn, formed the The Mar-Keys. Almost reaching the top of the R&B and pop charts in 1961 with the classic “Last Night,” friction caused by Packy’s party going ways caused a split. It wasn’t until 1965 that the wild child had another national instrumental hit on his hands, “Hole In The Wall” by the Packers.

http://lightintheattic.net/releases/615-late-late-party-1965-67

The Martinis (Charles "Packy" Axton) - "Key Chain"

This is what it might have sounded like had Jimi survived to play with Miles Davis during Miles' Tutu/Amandla period (1986). For the first time Miles could embrace synthesizers, sequencing, and drum machines. No doubt Jimi would have too. Add to that a producer who could play bass every bit as well as he could produce, Marcus Miller, and you have a recipe for some awesome music.
On this track I play guitars and sequence Miles trumpet. I am ably assisted by the immensely talented Steve Shone https://soundcloud.com/palmgrease on bass. Don't miss his bass solo at 3 minutes in, Marcus would be proud!


download

Jimi meets Miles --- If 6 was 9 (downloadable)

Over the past eight years, Ikebe Shakedown has cemented a reputation as one of the boldest, most creative acts in the Brooklyn instrumental scene. Combining cinematic soul, Afro–funk, deep disco, and an irrepressible groove, Ikebe has forged a style all its own. Each song is anchored in the deep-pocketed pulse of its four-man rhythm section (Barnaby Alter, drums; Dave Bourla, percussion; Vince Chiarito, bass; Robin Schmidt, guitar) and driven by one of the tightest horn trios on the East Coast (Mike Buckley, tenor/baritone sax; Jason Colby, trumpet; Nadav Nirenberg, trombone), with tunes ranging from dance-foor burners to lush, captivating scores.

The band frst came on the scene with 2009’s debut EP, Hard Steppin’, from Colemine Records.  Praised by WNYC’s Soundcheck as “the perfect soundtrack for the unwritten Tarantino movie of your imagination,” the five–song release led to tours up and down both coasts and paved the way for Ikebe Shakedown’s first full-length LP on Ubiquity Records in 2011. Recorded at Killion Sound in L.A. with Orgone’s Sergio Rios and Dunham Studios in Brooklyn with noted producer Tom Brenneck, this self-titled album featured 14 blistering tracks that Okayplayer called, “an adventurous trip through time” and “one of the best releases of the year.” Having toured the record throughout the U.S. and Canada, Ikebe returned to the studio in 2014 for their follow up album for Ubiquity, Stone by Stone.  Recorded at Daptone Studios, the 10–song set let the band become more adventurous than ever before, weaving psychedelic textures and raw soul into powerful compositions, or as Wax Poetics called it, “a greasy and sometimes trippy funk world.”

Now, after hitting major jazz festivals, opening on extended runs for stars like Lee Fields, and touring with acts like Sharon Jones and the Dap-Kings, Charles Bradley and His Extraordinaires, and the Monophonics, the seven members of Ikebe Shakedown are poised for their next big release in 2016. The band’s style has continued to evolve, with material that transports listeners beyond their living rooms and builds on the success that has led to musical features in series such as Eastbound and Down, movies like Our Brand is Crisis, and commercials for brands including Mini Cooper, Van’s Off the Wall, and Surfline. The songs are at once richly familiar and incredibly fresh, paying homage to classic influences while pushing a brand new sound. Defying genre or classification, this album proves Ikebe Shakedown is helping define the next bold wave in instrumental music.

Stone By Stone

Rio Grande

The Best of The Doors  -  Disc One of Two

When The Music's Over - the doors

an all time favorite off of jeff beck's "you had it coming" cd...... solo guitar, bass, and added a kick, snare and crash cymbal to the percussion / keyboard backing track...also upped the tempo a tad

nadia - Jeff Beck

A mix, Some of Franks Finest. Pt1 

live and studio.

http://www.zappa.com/




Frank Zappa.  Zappathon

from One Track Mind on Sacred Bones Records
http://sacredbonesrecords.com/releases/sbr089/

nadia - Jeff Beck

erielake studios

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