bro I have been looking for this song for years and years

Live every day like unwrapped present ✨

Y is this song at the end of every youtube doucumentary

Gentle beauty and soft touches of pensiveness.

Classical Bangers 🎹🎻

This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

My SoundCloud Channel: https://soundcloud.com/archie-chen
Official Website: http://www.archiechen.com
Youtube DIPF https://www.youtube.com/c/PianofestivalIe
Youtube Archie https://www.youtube.com/c/ArchieChenPianist
Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
Please share and comment.

An NFT of this track will be available from the artist soon!

Franz Liszt Consolation no. 3 in D flat Major, S. 172

Wolfgang Amadeus Mozart, Vol. 1

Requiem in D minor, K. 626 Lacrimosa

Ballade in G Minor, Op. 23 No. 1

Youtube

Jean Sibelius: Five pieces for piano Op.75 No.5: The Spruce (Kuusi)

Elgar: Cello Concerto in E Minor, Op. 85

Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato

Nocturne in C Minor, Op. 48 No. 1

BO "Midnight In Paris"
Composé Par Jacques Offenbach
Interprété Par The Czech National Symphony Orchestra 
Réalisé Par Woody Allen

Midnight In Paris (Music From The Motion Picture)

Can-Can From "Orpheus In The Underworld"

Oh, Beauty, Thou Art My Teacher

British Royal Wedding: Prince William & Kate Middleton (Traditional Wedding Classics)

Für Elise, Bagatelle No. 25 in A Minor (Ludwig van Beethoven)

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Jazzopédie

🎥 VIDEO

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Sergei Rachmaninoff: Piano Concerto No.2 in C Minor Op.18 
II. Adagio sostenuto
By Dacorum Youth Orchestra

Sergei Rachmaninoff: Piano Concerto No.2 in C Minor Op.18 - II. Adagio sostenuto by DYO

30 Essentials Classics, Volume 3

Requiem: II. Dies Irae - Tuba Mirum

Ludwig Van Beethoven - Piano Sonata No. 8 in C minor, Op. 13 (Sonata Pathétique) III. Rondo: Allegro

I produced this track using midi and EW Gold Pianos in order to perfection the performance as I imagine it.

Franz Liszt - Liebestraum - Love Dream

Erik Satie (1866–1925)
Erik Satie was a French composer and pianist, renowned for his unconventional and often humorous approach to music, which was ahead of its time and played a pivotal role in the development of modern music. Born on May 17, 1866, in Honfleur, France, Satie’s work was marked by a distinctive simplicity, originality, and wit, often challenging traditional forms and musical expectations.

Satie’s compositions are characterized by their minimalist, repetitive structures, unconventional harmonies, and unexpected juxtapositions of moods. His best-known works, such as Gymnopédies, Gnossiennes, and Trois morceaux en forme de poire, are celebrated for their introspective atmosphere, gentle rhythms, and subtle, evocative textures. These pieces, particularly the Gymnopédies, are considered some of the earliest examples of Impressionism in music, and they influenced not only the composers of his time, including Claude Debussy, but also the development of later movements such as minimalism and ambient music.

Beyond his music, Satie was a colorful and eccentric figure, known for his distinctive personality and his willingness to break with tradition. His work often reflected his unconventional philosophy of life, and he frequently infused his music with humor, surrealism, and even absurdity. He coined terms like "furniture music" to describe his experimental, ambient-style compositions, which anticipated the avant-garde developments of the 20th century.

Satie was a key figure in the French avant-garde movement and collaborated with notable artists, including Jean Cocteau and Pablo Picasso. Although he struggled financially and was often overlooked during his lifetime, his influence grew posthumously, and today he is regarded as one of the most innovative and idiosyncratic composers of the early 20th century.

The Erik Satie profile on SoundCloud is dedicated to showcasing his timeless compositions, offering a variety of interpretations of his works. From the iconic piano solos to orchestral arrangements, this profile brings Satie’s unique musical vision to life, allowing listeners to experience the subtle beauty, humor, and innovation that define his legacy.precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.

Jazzopédie

Erik Satie

Recent comments

Cierra G. Rowe

Kijani Burke

دَال 💙

random guy.

Related tracks