Taken from 'Fringe' LP/Download (E064, Ecstatic 03/09/2021)

A gorgeous swell of intimate soundscaping from Felisha Ledesma on this simmering stunner for Ecstatic, despatching two extended, richly absorbing pieces weft from everyday detritius; synths, strings, voicemail, found sounds - hitting a similar spot for us as Ulla’s diaristic 'inside means inside me’ but with a more defined play of sound-as-light that gently and memorably tugs at the earlobes and heartstrings. 

Exploring a music of presence and ultra subtle inference, ‘Fringe’ is the 2nd release by Ledesma, student of Berlin's estimable Universität der Künste, following from a debut for Enmossed x Psychic Liberation earlier this year. Using AMQR - a software synthesiser built by Ledesma together with Ess Mattisson - both pieces here shimmer with elusive timbres that occupy a realm that feels lost between worlds - neither electronic nor acoustic, but more a sort of observational sound that radiates togetherness and warmth. 

Operating at insightful levels of synaesthesia, Ledesma poetically turns ostensibly humdrum sources into clouds of smoke - emails, voicenotes, walking along the water, a poem attached to an email, walking alone in New York during lockdown, going for a swim at sunset in the desert - all turn into a smudge of memory. When ‘Beamsplitters’ opens with a tangible human presence - a voicemail from a friend - it startles with its earthly pull, eventually getting lost in a tangled spool of found sound leaving just a trace of iridescent, intimate reverie. 

On ‘Golden Mirror’ Felisha gently diffracts a lonesome guitar phrase into a humming thizz with a steeply uncanny ability to jog the memory in a similar way to how olfactory stimulus can conjure feelings of nostalgia. It’s a trick familiar from an emergent new realm of lower case composers creating something like submerged, small scale symphonies that work counter to notions of classical excess or anodyne ambient, instead focusing on microcosmic, highly peronalised sort of worldbuilding that’s impenetrable, yet somehow entirely open.

Felisha Ledesma - Golden Mirror [E064]

Taken from forthcoming album 'Only Love From Now On' - out 25th Feb via Smalltown Supersound. 
Pre-order here: 
https://carmenvillain.bandcamp.com/album/only-love-from-now-on

Written and produced by Carmen Villain.
Mastered by Beau Thomas.

Subtle Bodies

Weavings - Part 1 - With Aho Ssan, Angel Bat Dawid, Dirar Kalash, Ellen Fullman, Księżyc, Laraaji, Nicolás Jaar, Pawel Szamburski, Resina, Rolando Hernández Guzmán, Wukir Suryadi

Weavings

Weavings - Part 1 (With Angel Bat Dawid, Ellen Fullman, Księżyc, Laraaji, Nicolás Jaar and more)

Homie

DADRAS - Earth Don't Stop Here
Off RUBAIYAT II, out now on Human Pitch

Buy, listen, support here:
http://smarturl.it/hp01-digi

© 2015 Human Pitch // www.humanpitch.fm/

DADRAS – Earth Don't Stop Here

Poetry, speech, melody and electronics combine on this limited tape from new sub-label ‘Purely Physical Teeny Tapes’.

A change of pace for PP, ‘Figures’ is also a divergence for the two artists involved. Emerging from Melbourne, 'Figures' is a rare artefact for devotees of both poetry and electronic music. The release marks a protean coming together by two figures with curiosity for each other's practice, forming a union between sound and speech to explore themes of bodies, time, language and power.

Lucy Van, who works as a post-doctoral researcher in English and Theatre studies, offers her poems in spoken form and also transcribed in full for the poster in the release.

Laila Sakini, a DJ who has recently emerged as a songwriter-producer, shapes music around each poem intuitively, adding context with restraint, in an experimental, yet pop-conscious process.

Initially developed as a one track hobby project for a noise and spoken word poetry night (which was cancelled), 'Figures' continued to evolve into a more complete body of work, with Laila leaking the demos on her NTS guest slots, leading to this eventual, finalisation of an EP.

The release is presented on a pro-dubbed all clear tape, packaged with an A2 double sided fold-out newsprint poster, all housed within a PVC heat sealed pouch.

Out June 2nd, 2017.

Mastered by Rashad Becker.

Edition of 100.

Laila and Lucy:

Lucy writes about poetry and photography. She is a post-doctoral researcher in the English and Theatre Studies program at the University of Melbourne, and an editor at Cordite Poetry Review. Lucy also writes lyric and prose poems, and has spoken at venues including The Slow Canoe, Station Gallery, and the National Gallery of Victoria.

Laila's role as a DJ and emerging producer/songwriter has seen her traverse between her home town of Melbourne and London. She has performed across clubs and festivals in  Melbourne and in various venues throughout London, Paris and Belgium along with art spaces including The National Gallery of Victoria, Carriageworks and The Australian Centre for the Moving Image. She presents semi-regularly on NTS Radio, has appeared on Boiler Room and has opened for the likes of Dopplereffekt and Optimo. Laila has recently begun producing, writing and performing live solo and collaborative works.

Laila Sakini & Lucy Van - False Ceiling

Serge 606

Curated by Palmbomen II & Betonkust
Mastered by Brendan Zacharias at Cirrus Audio

MDM P

Palmbomen II - In Bath With A Salmon

Katharina Ernst - X 01 [V_011]

Following the release of his debut record “A Louder Silence” last October on Late Night Lates, Leifur James returns with his new single ‘Wurlitzer’ ahead of a run of dates including a headline show at The Southbank Centre in late March.

Leifur’s debut fused ambient electronica, jazz, classical and soul music, a recording process which was over a 2 year period. ‘Wurlitzer’ is the first piece of music he reveals from a new creative period after those sessions.

“’Wurlitzer’ was kind of a break away from the ambience of the album.” says Leifur. “I was wanting to corrupt the mood of the album with something a bit intense and destructive. I guess there was an unusual balance there for creating something new but in a bit of a destructive mind-set.” 

“I’d been staying at my dad’s in the winter months, he lives in the middle of a rural pre historic stone circle, its quite an intense place in winter. I was playing on the old upright wurlitzer piano there and the wind was shaking the house, I could hear it aggressively whistling in the chimney. The contrast of the wind with the piano was interesting and gave me the idea.” 

The video was created by animator/director Balázs Simon. “We spoke about the video and this balance of creation and destruction in the music. The theme for the video being the duality of creation; creation and destruction and the cross over point between those.” The result is ravishing 4 minutes of piano-fused electronica haunted by ecological currents.

Leifur James – Live

16.03.19
Paradiso, Amsterdam
17.03.19
La Botanique, Brussels
30.03.19
Southbank Centre, London
06.04.19
La Petite Halle, Paris
10.05.19
The Great Escape, Brighton
01.06.19
Inner City Electronic Festival, Leeds (Solo)

Wurlitzer

Leifur James - Wurlitzer

Pre-order the album here: https://smarturl.it/volumemassimo

Amore Amaro is taken from the forthcoming studio album VOLUME MASSIMO. 
Released on Mute 27 September 2019.

Volume Massimo Live-AV tour includes:

30 August - Atonal, Berlin
8 September - Up to Date Festival, Białystok
14 September - Draaimolen, Tilburg
22 September - TBA, Japan
28 September - Sonica, Ljubljana
19 October - Barbican, London
20 October -  LEV Matadero, Madrid
21 October - St Paul`s Sessions, Athens
25 October - Semibreve, Braga
6 November - Slaktkyrkan, Stockholm
8 November - Mira Digital Arts Festival, Barcelona
30 November - KoncertKirken, Copenhagen
6 December - Monk, Rome
7 December - Argo 16, Venice
11 December - Bozar Electronic Series, Brussels
11 April -  Concertgebouw, Bruges

Facebook:  https://www.facebook.com/alessandrocortiniofficial/
Instagram: https://www.instagram.com/alehan/ 
Twitter: https://twitter.com/blindoldfreak 
Youtube: https://www.youtube.com/user/blindoldfreak

AMORE AMARO

We live in confusing times.

The world is on the brink of a meltdown.
Patterns you thought you could rely on are diffusing and new patterns arise. From chaos or from silence.
Should we hold on to certainties from the past? Or should we open up to new and unknown possibilities?
I believe my music reflects this dilemma. Sometimes chaotic, sometimes meditative. Sometimes refreshing and sometimes depressing.
But always open for unexpected surprises

Hoboken based piano tuner with a love for sound and its impact on the body and soul.
Warning: Raw material ::x:: 
No DAW! Non sync! No mastering (maybe a tiny little bit to temper extremities)
Organismic mixes with Lenco L75 turntables (stepless range 16-78 rpm!) and electronic/electroaccoustic instruments with all kinds of sound sources.
All tracks are 1-track improvisations and cannot be repeated

Homie

C°n fuS'°n

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