Stockholm-based composer and musician Linus Hillborg has an interest in compositional techniques born out of limited computing power and sample memory. Residue is a collection of weird, darkened and solitary sounds derived from such practices, including soundtracks and ambiences from early bootleg games - heavy on FM-synthesis, repurposed samples and microtonality - as well as music of past presents and future pasts constructed in a similar vein.

Ksiesyc - Smieszki
Martin Galway - Title (Parallax)
Kanako Kakino - Floe (Ace Combat 3: Electrosphere)
Matt Seldon - Suburban Symphony (DreamWeb)
Paul Ruskay - Great Wastelands (Homeworld)
Minako Hamano - BSL Ambience (Metroid Fusion)
Gregory Alper - BGM 10 (Darkseed)
Steven O’Brien - The Wardrobe (Only If)
Zhèng Yi - Green Hill Zone (Somari)
Keiichi Suzuki/Hirokazu Tanaka - Deeper Into Ness’ Unconcious (MOTHER2 ギーグの逆襲)
Ksiezyc - Dychana
Aydin Esen - Induan
Ellen Meijers - Rupture Farms, extracted ambience (Oddworld: Abe’s Oddysee)
Theodor Kentros - In Girum Imus Nocte Et Consumimur Igni
Kelly Bailey - Town, extracted ambience (Half-Life 2)
László Hortobágyi - Bhairavi
László Hortobágyi - The End
Shahin Souri - Discord
Kelly Bailey - Canal, extracted ambience (Half-Life 2)
Brenda El Rayes - Min dikt tillbaka
Kazunaka Yamane - Doppelganger (Double Dragon II)
Yuzo Kishiro - Tunnelway (Bare Knuckle III)
Haruhiko Souno - Onryou Senki, extracted audio (怨霊戦記)
Mathieu Serruys - Phosphorescent Landscapes
Sonja Tofik - The Earth Spirit
Linus Hillborg - Atlashamnen
Moonilena - Arasole Rain
Zurich 1916 - The Children’s Song
KABLAM - bryt
Keiichi Suzuki/Hirokazu Tanaka - Cave of the Past (MOTHER2 ギーグの逆襲)

Extracted sounds and music have their source game listed in parentheses.

Residue w/ Linus Hillborg - Radio Ma3azef

Erika Gluck - B2 Window

TEMPLEOFJOY 068 - ELVIN BRANDHI

Artist: Amethyst
Track: V Towers Collapse In A Single Moment (Track 02)
Album: '(A Declaration)' Compilation
Released: December 2019
Label: Vienna Press / VAKNAR
Cat: Key to the Fields 38 /VAKNAR 20

V Towers Collapse In A Single Moment

Late July Noods Residency guesting Synalegg mix in 2nd half~~
https://soundcloud.com/synalegg

Tracklist:

Ennio Morricone - Fraseggio senza struttura		
Pontiac Streator - Angelus Spit (feat. Mister Water Wet)		
__-_ - Legato Crying - Legato Crying		
Mark_Leckey - In_This_Lingering_Twilight_Sparkle_Side_A		
Glass - Underperform (OOH-sounds re-work)		
Piezo - 01.OX		
Synalegg - Commuters		
adammmmmmmmmmmm -  i...		
Joanna Brouk - Majesty Suites Entrance of the Queen of Winter Dawn		
Speaker Music - Of Our Spiritual Strivings (ft. Syanide)		
Georgia - Walking Around Soho		
Pontiac Streator - Om Ne Ud		
Mark_Leckey - In_This_Lingering_Twilight_Sparkle_Side_B		
UVB76 - Bakara		
Richard-Craig - Dillon-James		
Shelley Parker - LET THE BODY B		
more eaze & claire rousay - Post-op		
Elysia Crampton - Morning Star-Red Glare-Sequoia Bridge (feat. Jeremy Rojas)		
Oiseau Danseur - Face A		
		
		
		
		
		
		
		
SYNALEGG - guest mix (1:00:15)		
		


Emptyset - Ascent			
 Pavel Milyakov - Industry machine '87			
Voronoi - Gumbody Flash			
Ryoji Ikeda - Test pattern #0100			
Daniel M karlsson - Gaining traction with the local branches			
Ametsub - Over 6633			
Yvanko, Yab - Hydré			
Yves de Mey - Xylo			
Nebulo - Fata Morgana B			
Autechre - Known(1)			
William Fields - Prospection			
Moxus - Mush Space			
Jpegmafia - Dj Snitch Bitch interlude			
Grischa Lichtenberger - 003 0415 03 re 0112 re 0811 08 lv 1			
Bernard Parmegiani - Hors Phase			
Synalegg - Brèche

OOH-sounds W/ Synalegg - Noods Radio 26-7-20

Excerpt from Side A of Cop Tears: "Theodor Adorno - Piano Works", to be released on Reading Group (RG18). More info and ordering at www.readinggroup.co/rg18.html

Cop Tears - Theodor Adorno Piano Works: Side A (Excerpt)

releases November 20, 2020
mastering :: A Campbell Payne
additional mastering on 'Edouard' :: Glyn Maier

all proceeds to Friends of the Nanticoke Lenni-Lenape (Bridgeton, NJ) - nanticoke-lenape.info/friends.htm

"Like entering a palatial hall of mirrors, LXV’s A Screen Memory opens with a baroque, choral synthesis. There are seraphs atop gilded plinths, chandeliers overhead. You’re ushered through an ornate, jeweled backdoor, and outside, it’s a beautiful bright day. Down a mossy path the calm patter of rain begins. A brook gurgles. There are voices too, though indiscernible. You arrive at a well brimming with crystalline data. But then a fog descends from behind. And down you go.

The place you arrive in appears familiar, but something is off. Strange transmissions travel the air. Anomalies all around. Paradox reigns. Notions such as backwards and forwards lose meaning as do sender and receiver. The landscape is littered with softwares, broken bells. Looking up, there, some things in the shrouded distance: sonic objects, unidentified, glowing, you squint to get a good look, but before you can comprehend, the brain change concludes, and your paranoia turns to coursing pleasure.

---

LXV is the most prolific alias of David Sutton, a sound arranger and independent researcher from Philadelphia, Pennsylvania. He also records under the monikers Heaven Copy, Temporal Movement, as well as his full name, David Wesley Sutton.

A Screen Memory

LXV - Edouard (ENMX12)

fmvee - who do u love? (QUEESTE006)
queeste.bandcamp.com/album/who-do-u-love

@f_m_v

01 the way you see yourself
02 everythingUneverKnewUwanted
03 thewayothersseeyou
04 Seed Perfuming (LoLo v665)
05 sobbing

fmvee joins Queeste with who do u love?, an EP of fractious songs recorded over a tumultuous four-month period in Los Angeles. Having debuted in 2018 with a set of club contortions touching on jungle and 2-step, the US artist returns with a work of intense self-reflection. Lived experiences are transmuted into an amorphous bricolage of pummelling kicks, synthetic textures, and diaristic details, what they describe as an act of “remembrance.”

Working and living in LA, the “grind” alongside “aspirational partying,” and the confrontation of depression during an intense relationship, informs the EP on levels both sonic and thematic. The slippery rhythm and melodic stabs of ‘the way you see yourself’ embodies a state of flux, also recalling the early experiments of the LA beat scene. Distant jazz drumming fills its peaceful coda before ‘everythingUneverKnewUwanted’ introduces an echo lifted directly from the artist’s life: a trickling courtyard fountain. This first phase of the release finds resolution with ‘thewayothersseeyou,’ a conceptual mirror to its start, and one which carries a notable shift in tone; gleaming percussion has given way to ominous synths.

Despite the EP’s personal nature, collaboration is crucial. ‘Seed Perfuming (LoLo v665)’ is an fmvee original transformed into a cascading breakbeat by New York producer and engineer Loric Sih AKA LoLo, an ecstatic yet familiar form nestled amidst otherwise bruising encounters. ‘sobbing’ follows, a digital-age ballad of original lyrics exploring dependency: emotional, physical, and otherwise. It’s a poignant conclusion to an appropriately hallucinogenic collection, an intoxicating chemistry of love and loneliness conjured through a fine balance of bass, percussion, discord, and harmony.

On behalf of fmvee, a percentage of all profits will be donated to Baltimore Harm Reduction Coalition, a community-based organisation that mobilises community members for the health, dignity, and safety of people targeted by the war on drugs and anti sex-worker policies.

who do u love?

fmvee - thewayothersseeyou

Superior mirages materialized over planar ice sheets. Halos of light form luminous disks suspended above calving glacial breaks.

Four tracks at 128 BPM reconstituted for infinite playback.

Artwork by Aaron Graham
aaron-graham.com

© 2020 Schmitt Computations
schmitt.computer

Parhelia I + II

UVL is proud to release two new side-long compositions from Max Eilbacher. Edition of 150 three color risograph print.

Digital Sketch For Strings
One morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.

Spectral Masking Room Construction
A work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.

- Max Elibacher, 2020

Max Eilbacher (excerpt)

https://hkcr.live/shows/dead-inside-podcasts-presents-sounds-of-a-post-apocalyptic-landscape-by-george-chua-29-01-2021

Erika Gluck - B2 Window

ERIKA GLÜCK

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