Tracklist here: http://www.mixesdb.com/w/2015-01-02_-_Floating_Points_%26_Four_Tet_@_Plastic_People_Closing_Party,_London

Over the past 8 years or so we have had, along with Theo Parrish, the honour of playing the monthly residencies at a small basement club in Shoreditch, London with an impeccable sound system. After 20 years of operation, it was time to move on and close the doors on a place that has a lot to answer for in shaping modern club culture. To say this space along with the owner Ade’s singular vision was fundamental in our personal musical formation would be a complete understatement. 
 
On the day of their closing, manager Charlotte asked us if we’d put the system through its paces for the last time that the club would be open to the public. We set about packing the anthems from our respective residencies and on the night once the people were through the doors played 2 records in turn for the rest of the dance. We included tracks of our own and of friends that were made with that place in mind. Records like Daphni - Ye Ye and Four Tet - Pinnacles were made to first be played at Kieran’s nights there, and the Floating Points - Vacuum EP was born out of the CD-R night at the club, and its launch party was the trigger for Sam’s monthly residency.
 
We set this recording up just before the start of the night and unfortunately it distorts in places, but we make no apology for how joyfully noisy people get! The vibe in the room this night was typical of the club on any given night and we hope this recording captures just a fraction of the spirit of a Plastic People night.
 
A massive thank you from us to everyone that has come down to the nights over the years and supported our music there. We are truly humbled to have shared the music we love with people at this place, and your energy in turn has influenced the way we make music on an unfathomable scale. We also thank the bosses Charlotte Kepel and Ade Fakile for inviting us to the club and having faith in us over  these years! All the best for the future!
 
 
See you in the dance
 
Much Love 
 
Sam &amp; Kieran

Floating Points & Four Tet - Final Plastic People 2 1 2015

Gaiden Opening Act - Tropical Animals (Club21 - Florence) Thursday 27th March 2025 - Techno/Dub

Annuled Music is back with another gem, this time introducing Aawadh - a new alias from French producer and Cielo Records boss JC Laurent. Known for his deep, hypnotic take on techno, JC flips the script on Dyadica, an 8-track debut album that trades 4/4 for halftime pressure and lands somewhere in the 80/85 BPM zone. It’s packed with groove, weight, and that sweet spot between heady and physical. There’s room for ambient detours (Ignys), tribal techno nods (Nyteris), and and straight-up pressure with Oscillia, but the core vibe? Forward-thinking halftime drum & bass with real depth.

We’re premiering the second track from the album, Alkymis, which together with the opener Evolys kicks things off and sets the whole vibe. Eerie and energised, with a kind of ritualistic swing to it. The drums snap, the synths melt, and everything flows just right. There’s a UK breaks feel underneath, but it’s doing its own thing. Big system or headphones, club or commute, it hits. One of those tracks that makes the world move a little faster. 

Dyadica drops May 2 via Annuled Music.

Write by @gilleswasserman

Soundcloud: https://soundcloud.com/aawadh
Soundcloud: https://soundcloud.com/annulled_music

Instagram: https://www.instagram.com/aawadh/
Bandcamp: https://annulledmusic.bandcamp.com

Dyadica

PREMIERE: Aawadh - Alkymis [Annulled Music]

METAFISICA is the foundation for my upcoming album, due out later this year.
In Strauss' music, electronic minimal beats meets delicate ambient synths and organic sounds.

METAFISICA (single)

METAFISICA

For its third release, GRACE is stoked to get @lurka on the dials. On ‘Signal’, the Bristol head serves up a classy four-course menu of bass oddities primed and tested for club misdemeanour. 
The result is a spread of hyperdistinct energies channelled through weirdo wubs, skippy incantations, rude halftime drum power and fast funky bliss.

Pre-order on Bandcamp now. 
Out 6th June 2025

Lurka - Signal EP (GRACE) [Snippets]

FutureUnknown

FutureUnknown (Voxattack)

#iwannaplaypikes

Echoes of the Journey: Vol VI

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions.

There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again.

Parrish's long-awaited debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations, the first of ten mixes this week. Recorded live at fabric last December as part of RA's collaborative party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon. 

The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2020). A capture of the Sound Signature boss on the dancefloor is hard to come back. On RA.1000, you'll hear Theo in his element.

Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by image-driven marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride.

On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. Theo, once again, proves that anything and everything is possible with the right records.

@theoparrish @fabric @soundsignaturedetroit @crownruler

Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

RA.1000 Theo Parrish

For RA.1000, we take it back to the source with two never-before-heard tapes from Frankie Knuckles's private collection, the Godfather of House.

There is no house music without Frankie Knuckles, literally or figuratively. The queer icon's luxurious DJ sets at Chicago's Warehouse gave a rising movement its name. From there, countless offshoots splintered and travelled the globe. But what did the genesis and growth of the sound really feel like?

The Godfather of House left behind not only timeless records, but personalised cassettes with hand-drawn liner notes handed out to friends and family. Two of those, dated to 1989 and 1996, have been digitised especially for RA.1000. (Thank you to the Frankie Knuckles Foundation.)

To put that in context: the first tape predates not only many of today's active clubbers, but the entire existence of jungle, drum & bass, UK garage, French touch, Jersey club, Afrobeats, IDM, baile funk, hardcore, footwork, dubstep, dub techno, tech house, breaks, minimal, maximal, gqom, gabber, grime and hyperpop.

In short… that's a very, very long time ago. The world of dance music was much smaller. DJ culture was functionally unrecognisable from the one we see in 2025. 

And yet, to some degree, what you'll hear on RA.1000 hasn't changed at all. It's a capture of not only what made Frankie Knuckles one of the beloved pioneers of first-generation dance music, but what draws people to club culture in the first place.

The mood on these Frankie Knuckles sets outlasts even its creator: a spirit of optimism that floods the world's best dance floors and keeps dance music pulsing on into the future, nearly 40 years later, in spite of it all. We end our 1000th mix celebrations here because it all starts there.

Find the tracklist at ra.co/podcast/1018. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

RA.1000 Frankie Knuckles

Erik Strauss starts as a DJ and music producer in 2009. Is mostly known for his instrumental trip-hop/downtempo composition.
He has published many singles and EPs under Level One Records, Nuit Blanche, Ubiquity Records and Deep Electronics.
His favourite artists (David Bowie, Massive Attack, Portishead, Tricky, Aphex Twin) push him to experiment and evolve each time. Nowadays, after the 2023 "FTUR" ambient/experimental release, is getting even more minimal/deep tech.