A collaboration with composer Harold Peterstofer in Austria and some of my flutes, and some birds in my backyard. Enjoy!

Inside the Bubble

Pennywhistle in D: Forest Of Dreams

In "The Walkabout" I imagined what a soundscape for a traditional Australian Aboriginal's long walking journey through the wilderness, in both a physical sense and a spiritual one, might sound like. I created a nocturnal ambience for the opening with the sounds of crickets and my didgeridoo and from there the piece awakens to a musically rich journey, exploring textures that are more like landscapes. Soon little melodic phrases guide the listener to an eventual unfolding into a beautiful moment of arrival in the joining of acoustic guitar, indigenous flute, and didgeridoo.
https://michellequreshi.com
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Award-winning artist Michelle Qureshi is a composer, multi‐instrumentalist, and classically-trained guitarist who brings a contemporary yet timeless aesthetic to her music. She released her first of fifteen albums and nine singles in 2012. Her music is heard worldwide, with millions of streams on global platforms. Combining her formal training with intuitive and improvisational elements, she performs both as a solo guitarist and a presenter of sound experiences. Her Harmonic Sound Immersion™ is a transformative sound meditation created by the healing vibrations of ancient and modern instruments, which she describes as a kind of horizontal concert. In 2020 she became a myndstream artist and she continues to create and perform music in a wellness modality.

©2014

The Walkabout

Irakli Berika - Lisa Gerrard-Abwoon

My Inner Ascent (excerpt)

I wish I wish (Instrumental)

Singularity  - The Loss of Edo

i dont rlly have anything to say about this. when i made it i was honestly just trying to express my ether in the purest way possible for me, which is music. I didnt add words and i didnt use a 4/4 standard timing because i didnt want any limitations in how i could express myself i wanted the song to be completely me and my soul. The singing/humming is completely improvised and first take since i wanted to make it as authentic as possible, i tend to get super perfectionist and completely change everything i make and if i know others will see it i change it for them aswell, i didnt want to end up doing that for this i wanted it to be completely my own. The birds in the beginning were recorded from my phone on my daily bike ride home, i added it because whenever im on my bike in the woods by myself i feel completely free and myself, at peace, and i wanted to put that feeling into the song. The cover is of a place i go to by myself whenever i feel sad or i want to think or i just want to be at peace and see a nice view (there r cool cows there), sometimes i go there just to scream as loud as i can because of how empty it is, its another place i feel completely free and myself without judgement so i made it the cover, I got the idea to do this from "all about lily chou chou" where they describe what ether is and i tried to replicate that in real life but i cant really explain here what ether really is so i think if anybody reads this you should watch the movie "all about lily chou chou" to understand what ether means to you.. the movie is really good and it has really really good music too. I hope somebody can enjoy this thingy ive crudely made

Myether

Native American Flute  "Free spirit"

wieś Wilcza, kotlina kłodzka, sierpień 2018
night field recording

Tibetian Bowls by the fire.

A cinematic track by Jiano Joel with a few of my instruments.

Erik Sampson's Album

Deep Freeze

I have had the joy of making bamboo flutes for 49 years and have handmade over 150,000 wind instruments. It has been an adventure making flutes in Mexico, Guatemala, Argentina, Brazil, Hawaii, Costa Rica and Fiji, where I got to play for their President. May my music bring you peace and joy. 

Our flutes and saxes are available at ErikTheFlutemaker.com.

Inside the Bubble

Erik the Flutemaker