DROHNE WELLEN I - 5

Projekt Records - 5

To mark the 10th anniversary of the movie “Drive”, this is my official remix of the Cliff Martinez track “He Had A Good Time”, taken from the movie

Stream & Download:
https://smarturl.it/overdrive-OST

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Overdrive

Cliff Martinez - He Had A Good Time (Futurecop! Remix)

Cryosphere

Crocker Land

Hints of...

Reflection

LINEAR BELLS "there's no man happy"
FROM ALBUM : "OR"
LABEL : SOFT (ST10).
RELEASE DATE : October,18th - 2015
Excerpt from forthcoming 5 tracks album - CD ltd+digital.
Artwork by David Teboul.
Photography by Peter Nejedly.
Mastered by David Teboul.
www.facebook.com/softlabel
softrecords.bandcamp.com/
soft-recordings.com/

ORDER at : https://softrecords.bandcamp.com/album/or

To understand the outcome of this new release “Or” translated as “Gold” in English, listeners and fans need to comprehend certain factors and attributions. A. “Or” is a record that is extremely personal from David Teboul a.k.a [ Linear Bells ]. B. All arrangements of this new release started from spring 2015 right till the end of summer 2015 and C. David also went completely solo on this recording as oppose to a collaboration act like the previous release with [ Sound Awakener ]. Considering those factors when we speak of “Or” we are literally talking about three month’s seclusion, as if gathering all your dedications, ideas, musical thoughts and motivations in one place and withdrawing yourself in solitude to make a record.
Now that we’ve touch based a little as to how it all happened which clearly is impressive, let’s dive to the end result of “Or”. On a musical note the album is more of a drone-wash of infuse ambience from the outset, the album is clear of static noises and majority of beeps and glitches are purified from the inner layers to the outer surface. Yes, I’ll agree to a certain extent we still got the same [ Linear Bells ] sound signature but this time I think we can all admit that David has presented us a more organic delicacy. The meticulous output of the entire album is drowned from layers of guitars + pedals and organs resonating in waves. And while the sound, to my understanding went through a distillation phase, the outcome pertain a solid darkness and a mysterious flow that is rather obscure, acting in accordance to the likes of [ Ember Wreath ], [ Sequences ], [ Ous Mal ], [ Isartum ] and [ Anji Cheung ] but in a more subterranean fashion with accessible arrangements and a sophisticated touch.
Without getting in too much details, I mean although emotions can be translated in words but we have to agree that emotions also varies from listeners to listeners, so what I feel and what I vision while listening to “OR” may not necessary be what you feel and what you experience. That said, various listeners can take different approaches on “OR” but keep in mind that whichever angles you look at it, chances are very like that you’ll end up concluding that “OR” fall somewhere between background music, soundtrack music, relaxation tunes or meditative sound and film noir or independent movie soundtrack. The drone(y) strings on “OR” has a strong tendency to engrave a musical path and the reverberated vibrations holds hazy motifs that float in waves-motion between frequencies offering hints to the album’s advancement and making it impossible to pause midway.
Final note: As dark and as heavy it gets the enhanced melancholy atmospheres have a strong tendency to keep listeners guessing and prying for more. In its entirety “OR” clock’s just over an hour and while in its obscurest form the album offers a murky atmospheres but yet carried out with notions of structure and flexibility in cautious elegant ways that project a great amount of care without the feeling of being laboured, vice versa in its clearest moment “OR” unearth crumble distortions and delays that communicate a collection of glistening tones that create a stylized perspectives and haunting beauty. My best advice on this new release is to schedule it, find a comfy moment and a lonely spot for the next hour is going to be epic guys. We got ourselves some extremely dark yet melancholic listen to indulge our hearing senses. 

LINEAR BELLS - There's No Man Happy (Excerpt from ST10)

Solo Remains are previously unreleased tracks from Nils Frahm’s album Solo, which was recorded on the M370, the world’s largest piano, built by the visionary piano maker David Klavins in 1987.

Nils fell in love with the sound of this giant and joined David for the new project – building an even higher piano – the Model 450. The aim of it is to explore the not yet reached physical limits of the piano instrument and also to push forward into new musical dimensions. The M450 will be characterized by an even clearer sound with more depth and richness of overtones as well as an unrivaled frequency spectrum and intensity of sound and tone. In time for the 2nd anniversary of Piano Day, Nils decided to give four previously unreleased songs from that very session to his fans and supporters of the Klavins 450 project.

“In the end, every album production leaves you with the same tough task – making the choices for the final track selection. You leave out some tracks for various reasons: some of the tracks are wonderful by themselves, but they simple don’t fit anywhere in the album and others have to be left out because otherwise the vinyl would become too long for a cut in good quality. However, these outtakes are often as important as the final selection and I thought, they might be a great surprise for Piano Day too. I hope in this case, it’s both …”

Solo Remains is available for free download in 24-bit and mp3 format.
http://www.nilsfrahm.com/works/solo-remains/

An excerpt of 'In all deracinated things', a track from the upcoming "Two days and one night" album by Celer. Available May 27th on CD & Digital.

http://sequel-label.com

[SQ05] Celer - 'In all deracinated things' (excerpt)

The Road Eternal

First Twilight (feat. Erik Wøllo)

Depart At Sunrise (feat. Erik Wøllo)

Different Spaces

Points in Time

Memory Space

The Sleepover Series, Vol. 2

A Secret Hiding in the Open

The Next Place (feat. Erik Wøllo)

The Road Eternal (feat. Erik Wøllo)

Travel By Moonlight (feat. Erik Wøllo)

Happy Piano Day 2018!

Middle Names is original released by Devendra Banhart on his 2016 record "Ape In Pink Marble" (Nonesuch Records).

Middle Names (rework by Nils Frahm)