This mix is all music from 1984. It is a special live vinyl mix that I recorded on July 19, 2011 as a promotion for the A.D. (After Disco) series of parties here in Chicago.  The mix has been hosted for a few years on the Loves Podcast and I decided to upload it here to my Soundcloud for the first time.  Here’s a few words I wrote to go with the mix:  

1984 is an amazing year in music. At the time, "house" was still a colloquialism for the music played by Frankie Knuckles at the Warehouse. House was not yet a music form in its own right. "Fresh," on Vince Vince Lawrence’s fledgling label Precision, is the only house-qua-house track on the mix. The other tunes are properly considered proto-house -- the music which formed the milieu of dance music which we now describe (rather clumsily) as:

*Electro (e.g., Solo – “Girls, Girls” produced by John Robbie; JellyBean – “The Mexican”); 
*Garage (e.g., Circuit - "Release the Tension" a Timmy Regisford production; Colonel Abrams – “Music Is The Answer”); 
*Italo (e.g., Stop – “Wake Up”; Pancho Ballet – “Dancing Shoes”); 
*Synth and industrial dance (e.g., 52nd Street – “Can’t Afford” produced by New Order’s Stephen Morris; Palais Schaumburg – “The Beat Of Two” produced by Gareth Jones who also produced Depeche/Nitzer Ebb); and 
*Post-disco (e.g., Stephanie Mills – “Medicine Song”).

This music from 1984 is ‘proto’ in the sense that it was establishing the necessary elements of house – e.g., use of certain instruments (drum machines, synths, samplers) – but there are some stark differences.

Although much of the music in 1984 was released on small independents and remained quite underground, there were major successes for dance music at the time and investment in dance music by major labels. There was A&R structure at all record labels and radio play. "Trapped" (1985) by Colonel Abrams sold over 5 million copies worldwide. Earon’s “Land of Hunger” hit the top 40 on the soul singles chart. John “JellyBean” Benitez placed nine songs in the Top Ten of the U.S. Hot Dance Music/Club Play chart.

The democratizing force that would be house music had not been fully realized. It was still expensive to make dance music. For example, most of the tracks on the mix feature vocalists, session players or a full band. Although the epic ensembles of the disco era had long passed in fashion and economic viability, dance records were still recorded in professional studios and engineered by individuals like Bob Blank and Herb Powers. The E-max Sampler hit the market in 1984, but the studio standard were samplers like the Fairlight and Synclavier (which had more than $100,000 price tags), each of which were prohibitively expensive for use by most musician/producers.

By 1984 the relatively inexpensive Roland gear was just finding its way into the hands of Chicago, Detroit and New York’s new roots musicians. A year before, Larry Sherman acquired Musical Product’s pressing plant, the only one in Chicago. Ron Hardy was playing "Penthouse and Pavement" by Heaven 17 and "DumDum" at the Music Box. Dance music was about to fall off the edge, for better and for worse.

1984 Track List:

1. Citispeak Featuring Jeanne Harris – I Don't Need Your Handouts (Inst.) – Partytime Records 
2. Pancho Ballet – Dancing Shoes (Instrumental) – Best Record 
3. Jellybean – The Mexican (Funhouse Mix) – EMI America 
4. Nuance Featuring Vikki Love - Take A Chance (Dubapella) - 4th & Broadway  
4. Samson & Delilah – I Can Feel Your Love Slippin' Away (Long Mix & Inst) – Saturn Records 
5. Hugh Masekela – Don't Go Lose It, Baby (Stretch Mix) – Jive Afrika 
6. Colonel Abrams – Music Is The Answer (Dub Version) – Streetwise 
7. The Earons – Land Of Hunger (Extended Version) – Island Records 
8. Wet – That's The Game (Instrumental) – Bellaphon 
9. Circuit – Release The Tension (Dub) – 4th & Broadway 
10. Stephanie Mills – The Medicine Song (Dub Version) – Casablanca Records 
11. Anne Clark – Our Darkness (Remix) – Ink Records 
12. Solo – Girls, Girls (Ah-Ah-Hi) - Next Plateau Records Inc. 
13. 52nd Street – Can't Afford – Profile (on license from Factory) 
14. The Bridge – Love Dance (Industrial Mix) - Second Vision 
15. Stop – Wake Up – Damabi International 
16. Fresh – Dum Dum – Precision 
17. Palais Schaumburg – The Beat Of Two (Extended Version) – Mercury


1984 After Disco (A.D.)

Recorded at the infamous NYC Downlow, Block 9 - Glastonbury.

This weekend has deepened my awareness that I’m part of (in the grand scheme) a small subculture of the musical landscape, built on vulnerability, trust, and suffering. With that comes freedom, truth, liberation, and harmony.

All of this has allowed me to meet some of my nearest and dearest through my expression and beliefs. I’m truly honored to be contributing and playing my part in the continual revolution, storytelling, and upholding of values set by our foremothers and forefathers.

Thank you all for your continual trust and belief.

Upon playing this mix, you agree to leave all judgment, bias, and any BS where it belongs and let yourself go.

Nat Wendell - NYC Downlow, Block 9 - Glastonbury Festival 2024

Move D @ Freerotation 2024

@mr-scruff & mc kwasi at praia

foto: martina.sessarego

Mr. Scruff & MC Kwasi at Praia - Waking Life '24

@bennet_bb
This week's mix is from Bennet. With a unique selection through the spectrum of house he carefully approaches his sets with a deep sensitivity and groove-driven peaks. 

Bennet lets the amazing records breathe and create their own highlights. A spring morning where the windows hug the rising sun and the smoke creates suprising patterns.

Track Highlight
One track that stands out for me is ‘Inda’ by Comodo, an alias of Marco Carola. It’s a driving house tool that brings a celestial note to the dancefloor, but over and over subtly explodes in with its driving baseline and always transforms it into a naughty affair.

Bennet...IsBurning #165

Freeride Millenium co-founder Jorkes debuts for an hour of house and dance extravaganza.

https://www.instagram.com/jorkes0
https://www.soundcloud.com/jorkes



Jorkes @ The Lot Radio 03-29-2025

Marie Montexier is a vinyl-only DJ known for her elegant, genre-blending sets that move seamlessly between house, techno, and experimental sounds. With standout performances at clubs like Berghain and Fabric and festivals like Love International and Awakenings, she’s earned a global reputation. Her label, Paryìa, reflects her bold, forward-thinking vision, making her a distinctive force in contemporary electronic music.



C12 w/ Marie Montexier @ Kiosk Radio 26.04.2025

full mix is here: https://soundcloud.com/ulfdawulf/electro-swing-mix-2025

electro swing mix 2025 - 4

**"🔥 The heat is ON – Latin House Papi (PREVIEW) just dropped! 🔥

A mix of Latin rhythm, house power and Papi energy – straight for the clubs, straight for the summer. 🌴💃🏽🍹
This is only the beginning… FULL RELEASE coming soon.

👉 Like, comment & follow for more exclusive DJ Perzy edits, remixes & unreleased tracks.
 👉 Free download – check the buy button !
📩 Bookings & collabs: @djperzybookings@gmail.com

DJ Perzy - Latin House Papi (PREVIEW)

Paramida is a breath of fresh air on the Berlin scene. Her sound and style goes against the dark, mono-chromatic, machine made music of most of the city and instead heads in a more colourful and Balearic direction. She pushes a bright and emotional sound, and runs the Love on the Rocks label with a similar aim. She calls herself ‘Berlin’s most hated’ but surely isn’t, instead she’s picking up ever more fans because of her “discofied tropical leanings” and passion for unusual house music. 

And you can expect plenty of that in her podcast. It soundtracks a slow awakening with retro synths drawing you into, and jumbled grooves ranging from dreamy to sunset in style. The overall vibe is one a late eighties house party in Ibiza with plenty of curveballs and moments of subtle euphoria all included. It’s refreshing alternative to the Berlin sound the world knows and loves, and is a timely and welcome edition to our own series.

Dekmantel Podcast

Dekmantel Podcast 176 - Paramida

Carista - Live at Doka Amsterdam - June 20, 2020

High Priestess of the Motherbeat. Vinyl slinging since 1994. Dissolve boundaries and models. Unlock your body. Find each other.
alex@biota.agency (Alex, Worldwide)
michelle@thebunkerny.com (USA / Canada)
chanel@dawncreative.agency (Press)

1984 After Disco (A.D.)

Eris Drew