Spirit And Legacy And Muckiness [ft. https://soundcloud.com/mx_world ]
‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Harry Wright) released on @planetmurecords on 2nd June 2023

munsing.bandcamp.com/album/inflatable-gravestone

The motivating force of the album is the sudden loss of Harry’s father in 2020. Their father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss.

Serving as a narrative for their own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu.

Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by them and their father. Their father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.

The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism.
credits
releases June 2, 2023

All tracks written and produced by Harry Wright. Lyrics by Harry Wright, except track 10 lyrics by Harry Wright and William Wright. Lead vocals by MX World. Additional vocals by Nashne, Akiko Haruna and Mouse.

Mastered by Beau Thomas at Ten Eight Seven Mastering.

Published by Domino Publishing.

Spirit And Legacy And Muckiness [ft. MX World]

MYEN Live DJ Set — "Ambercast" by Hyperlink at La Station, Paris — Oct. 6th 2023

Hurricane Ian

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INT002 - V/A 《GEO》
8th March 2024

Yetsuby, Heejin Jang, Jiyoung Wi, HWI, Yu Chi, Tabris, Wona, YAWNISH, Yeong Die, Joyul, ABOPF, Dayoung, 7ip7o3, 2STEP GAKSULI, BAMBOO PRINCESS, TAATI, faacia, Julian H,  Salamanda, Jionne, jinnin, jujuland, Kimgundi, Eumfy, NIMNOI, KONA, uman therma, Yuzo, August, AIRY, KISEWA, KIRARA 

Composed / Arranged mixed by Each artist
Mastered by Each artist or Yetsuby

Artwork by Sol Lim

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the-intl.net
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www.instagram.com/theinternatiiional/
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https://soundcloud.com/theintlmix
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https://www.youtube.com/@TheInternatiiional


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Ambient, Breakcore, Contemporary부터 Dance floors Music과 Hyper pop까지, 전자음악이라는 배경을 바탕으로 포용할 수 있는 모든 음악을 담은 <GEO>는 빠르기와 리듬, 조성과 비조성에 구애받지 않는 32명의 창작자들이 보여주는 시간예술의 지표이자, 저마다의 서사로 음악의 경계를 허무는 한국의 다양한 전자음악가들을 연결해 그린 지형도이다.

<𝙶𝙴𝙾> 𝚎𝚗𝚌𝚘𝚖𝚙𝚊𝚜𝚜𝚎𝚜 𝚊𝚕𝚕 𝚖𝚞𝚜𝚒𝚌 𝚝𝚑𝚊𝚝 𝚌𝚊𝚗 𝚋𝚎 𝚎𝚖𝚋𝚛𝚊𝚌𝚎𝚍 𝚘𝚗 𝚝𝚑𝚎 𝚋𝚊𝚜𝚒𝚜 𝚘𝚏 𝚎𝚕𝚎𝚌𝚝𝚛𝚘𝚗𝚒𝚌 𝚖𝚞𝚜𝚒𝚌, 𝚏𝚛𝚘𝚖 𝙰𝚖𝚋𝚒𝚎𝚗𝚝, 𝙱𝚛𝚎𝚊𝚔𝚌𝚘𝚛𝚎, 𝚊𝚗𝚍 𝙲𝚘𝚗𝚝𝚎𝚖𝚙𝚘𝚛𝚊𝚛𝚢 𝚝𝚘 𝙳𝚊𝚗𝚌𝚎 𝚏𝚕𝚘𝚘𝚛𝚜 𝙼𝚞𝚜𝚒𝚌 𝚊𝚗𝚍 𝙷𝚢𝚙𝚎𝚛 𝚙𝚘𝚙. 𝙸𝚝 𝚜𝚎𝚛𝚟𝚎𝚜 𝚊𝚜 𝚊 𝚒𝚗𝚍𝚒𝚌𝚊𝚝𝚘𝚛 𝚏𝚘𝚛 𝚝𝚑𝚎 𝚊𝚛𝚝 𝚘𝚏 𝚝𝚒𝚖𝚎, 𝚍𝚎𝚖𝚘𝚗𝚜𝚝𝚛𝚊𝚝𝚎𝚍 𝚋𝚢 𝟹𝟸 𝚊𝚛𝚝𝚒𝚜𝚝𝚜 𝚠𝚑𝚘 𝚊𝚛𝚎 𝚗𝚘𝚝 𝚋𝚘𝚞𝚗𝚍 𝚋𝚢 𝚝𝚎𝚖𝚙𝚘, 𝚛𝚑𝚢𝚝𝚑𝚖, 𝚝𝚘𝚗𝚊𝚕, 𝚘𝚛 𝚊-𝚝𝚘𝚗𝚊𝚕. 𝙸𝚝 𝚒𝚜 𝚊𝚕𝚜𝚘 𝚊 𝚐𝚎𝚘𝚐𝚛𝚊𝚙𝚑𝚢 𝚍𝚛𝚊𝚠𝚗 𝚋𝚢 𝚌𝚘𝚗𝚗𝚎𝚌𝚝𝚒𝚗𝚐 𝚍𝚒𝚟𝚎𝚛𝚜𝚎 𝚎𝚕𝚎𝚌𝚝𝚛𝚘𝚗𝚒𝚌 𝚖𝚞𝚜𝚒𝚌𝚒𝚊𝚗𝚜 𝚒𝚗  𝚂𝚘𝚞𝚝𝚑 𝙺𝚘𝚛𝚎𝚊, 𝚎𝚊𝚌𝚑 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎𝚒𝚛 𝚘𝚠𝚗 𝚜𝚝𝚘𝚛𝚢, 𝚋𝚛𝚎𝚊𝚔𝚒𝚗𝚐 𝚝𝚑𝚎 𝚋𝚘𝚞𝚗𝚍𝚊𝚛𝚒𝚎𝚜 𝚘𝚏 𝚖𝚞𝚜𝚒𝚌.

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𝙱𝚞𝚢 𝚊𝚕𝚋𝚞𝚖

❀INT002❀ Yu Chi - Bingle

Berlin-based events organizers and label Creamcake are pleased to announce their latest release, Ludwig Wandinger’s Eat the Rich (Original Score) album (released March 15th 2024) 

Having participated in 3hd: “Let Them Eat Cake” last year, the producer, performer, and visual artist provided music for the festival’s pièce de résistance—a collaborative dramaturgy of performance, conversation, and food called “Eat the Rich.” The two-day banquet held at HAU Hebbel am Ufer was catered by artist and cook Caique Tizzi and named after the political slogan opposing wealth inequality and popularized during the French Revolution. Featuring a number of interdisciplinary artists—with Arvida Byström, Élie Autin, and Cassie Augusta Jørgensen among them—Wandinger’s soundtrack to these evenings of delightful resistance is an exquisite suite of seven MIDI movements, inspired by the event’s luxurious Baroque themes. 

Eat the Rich (Original Score) tumbles in on the 11-minute atmosphere of opener “Flower Still,” its metrical harpsichord-sounding prelude blooming into delicate pads and choral patches that draw the listener into its world of decadence and escape. That track is followed by the ambiguous narrative thrust of structured three-to-four minute numbers, whether in the cyclic breathlessness of “The Jester’s Ritual” or the orchestral ebb of closer “Engouement” (French for “fad”). There’s another extended listen in the menacing swell of “The Lurking Dance,” while a sense of longing and wanderlust is led by a cascade of string samples on “Fernweh Poitrine.” As melancholic as it is hopeful, Wandinger’s compositions reflect on the “Eat the Rich” narratives of death and decay, beauty and power. 

The artist himself is no stranger to the intersensory and interdisciplinary nature of the feast he scored. Working in both the audio, as well as visual fields under the multimedia digital art moniker of “kirschbluetenimwind,” Wandinger has shown his work across Europe and around the world. He often marries these mediums to cross-format, synaesthetic effect, whether it’s in the cover art for his 2021 cassette release on Orange Milk Records, Rooms, or his animation and sound piece “Modern Church,” presented as part of Vienna’s Keyframe digital art exhibition in 2022. Wandinger has also worked extensively scoring a number of choreographer Kianí del Valle’s dance performances, and is one of 16 artists selected to participate in a two-year residency for experimental music festival Monheim Triennale. With releases on labels like Gin&Platonic, and compilations like the Mutants Mixtape series—as well as co-production credits on PAN and Genot Centre—Wandinger’s work is an equal parts spontaneous and intentional organism of rhythm and sound design by a master of his field. 

CC012 

released March 15, 2024 

Artwork by Claire Barrow 
Design by Ludwig Wandinger 
Mastered by Rashad Becker

Buy on Bandcamp

Voided 1428

written, produced and performed by Laura Trance
cover by Miss chakchouka
mixed by Gabriel Taieb 
mastered by Bertrand Härdi (except 'Mind pretty full of ghosts' mastered by Gaspard Emma Hers)

I promess

vio lino - empire

i have done nothing all summer but wait for myself to be myself again

This mix feels like a lucid dream teetering on the edge of collapse. Beats glitch and fragment like smoke caught in a restless wind, while eerie textures twist and coil into unsettling shapes. Each sound creeps in like an uninvited thought, blurring the line between chaos and control. It’s not meant to comfort—it’s meant to consume, leaving you adrift in its haunting wake.

traumgarten w/ iced lattina b2b NAJIB @ Kiosk Radio 04.12.2024

REAL LIVE PRESENTS '4REAL'. A COMPILATION ALBUM BY REAL LIVE.

THE COMPILATION CONSISTS OF 17 TRACKS BY 17 ACTS COLLECTED THROUGHOUT 2024. THE TRACKS RESEMBLE THE WIDE ARRAY OF UNCOMPROMISING SOUNDS AND EXPERIMENTAL MUSIC THAT REAL LIVE STRIVES TO FACILITATE AND REPRESENT, INCLUDING GENRES SUCH AS NOISE, AMBIENT, TRAP, POP, SINGER/SONGWRITER, LIVE PERFORMANCE, BOOMERS DELIGHT, IDM AND MANY MORE.

WE ARE INFINITELY GRATEFUL FOR ALL THE CONTRIBUTIONS.
THANK YOU TO EVERYONE INVOLVED.

REAL LIVE 2025

i have done nothing all summer but wait for myself to be myself again

stella