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Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, and he “went for the difference. I never got a break in New York, but England happened right away, so I catered to them.” In any event, the Todd Terry sound was born.

By 1988, Todd Terry hit big in England and Europe, and his notoriety was making its way back to the U.S. In addition to DJ appearances, Todd was cutting his classic underground tracks A Day In The Life, Weekend, and Can You Party, released under monikers such as the Todd Terry Project, House Of Gypsies, and Royal House, all considered essential and ground breaking.

In the mid 90’s, the Ministry of Sound’s eponymous UK label released A Day In The Life, a collection of Todd Terry tracks that had been causing dance floor panic. That then led the way to a deal with Mercury Records allowing him to set up a context in which to work with his favourite singers and performers. The first release, Keep On Jumpin’ on featured a vocal workout from super-divas Martha Wash and Jocelyn Brown, together for the first time ever. The song became a top 10 UK crossover pop hit and worldwide smash. Todd followed with the anthem ‘Somethin Going On’, a top 5 UK crossover pop hit.

All the while, Todd continued to break new ground as a Producer/Remixer. From SNAP to Annie Lennox to George Michael to Bjork, Todd’s mixes bridge the ground between club cool and commercial accessibility. In 1995, his remix for Everything But The Girl’s Missing became a worldwide smash, giving the British duo their first ever hit. He then rode the charts with mixes for Garbage (Stupid Girl), The Cardigans (Love Fool), Everything But The Girl (Wrong), 10,000 Maniacs (More Than This), Jamiroquai (Alright), The Cardigans (Been It), and The Lightning Seeds (You Showed Me),.among others. He also produced a Robin S track (Givin’ You All That I’ve Got) for the multi-platinum Space Jam soundtrack.

INK/Distinctive Records 2005 release The Todd Terry Trilogy: Past, Present & Future on 3 x CD & 10 x 12” vinyl has inspired Todd fans both old and new with over 30 Todd classics and 10 new Todd songs. Todd is also releasing a barrage of new singles on Blanco y Negro, Elementary Group, and Manifesto/Mercury (who are also re-releasing the ‘Keep On Jumpin’ and ‘Somethin Going On’ in 2006). Ministry of Sound has licensed Philippe B Vs. Todd Terry ‘Can You Feel It (Can You Party)’ for a major 2006 release, a new version of the Todd classic Royal House ‘Can You Party’.

Todd Terry All Stars feat. Kenny Dope, DJ Sneak, Terry Hunter, & Tara McDonald’s ‘Get Down’ will be released in 2007 on Strictly Rhythm. This red hot single is the first proper original release on the re-launched legendary label.

‘Strictly Todd Terry’ compilation mixed by Todd Terry will be released in 2007 on Strictly Rhythm. Todd’s mix follows installments by Masters at Work and Tiefschwarz in this newly launched series.

Todd is one of the world’s most celebrated figures in dance music. With almost two decades of dance floor domination under Todd’s belt the quality of his productions goes from strength to strength. Welcome to the church of house music presided over by Todd the God. Are you a believer?

Born in Brooklyn, Tony Humphries first fueled the world of house music with his epic stint on KISS FM, as one of its greatest Mastermixers; paired with his residency at the legendary club Zanzibar.
Tony & Zanzibar were synonymous with a new soulful electronic sound.  His signature eclectic mixing talent led to Tony’s own production of what became known as The Zanzibar Sound or the Jersey Sound, with his hands on nearly 500 productions, including several gold hit remixes for the likes of Indeep & Janet Jackson.  

Tony's musical talents are rooted in a creatively diverse and musically driven performing family; including his father, a Colombian émigré Rene ‘El Grandé Combo’ Humphries, a prominent bandleader in New York, who worked alongside peers like Tito Puente and Eddie Palmieri.  This creative diversity inspired his lifelong passion and direction. 

In 1998, Tony founded his own imprint Yellorange Records, a subsidiary label of Strictly Rhythm. Yellorange releases were renowned for fusing soulful vocals, Afro-Cuban flavors & Italo-grooves.  After Strictly Rhythm's closure, he launched, Tony Records showcasing younger artists and producers of soulful music with a modern form.  

After a sabbatical from Tony's own production, Frankie Knuckles enticed Tony back into the studio, where he has been going strong, with releases on Nocturnal Groove, Moulton, and his own label, with a two part EP HouseWork, blending blues, gospel and  worksongs into a brilliantly contemporary setting.

Over the years, Tony has stretched his mixing arm across the globe, playing in countless clubs and festivals, with residencies and guest spots throughout the years in the likes of Ministry of Sound, Pacha in Ibiza, Echos in Rimini, Fabric, SmartBar and his Le Bain in NYC. 

Tony Humphries has remained timeless with his signature lure of the dance floor, blending the new house sound into his gospel, deep, tribal sound.

Kervyn Mark offers something no other DJ quite delivers - a fusion of spiritual intent, cultural guardianship, and dancefloor pecision that's singular in today's scene. 

Here's what only he brings to the table:

1) Ritualist's Approach to House Music - Kervyn doesn't just play tracks - he conducts rituals. His sets are built like sacred journeys, where every transition is designed to cleanse, uplift, and transform. No one else crafts energy shifts the way he does-it's not about peaks and drops, but about healing and elevation. That's not performance...that's cermony.

2) Scholar-DJ Hybrid - While some DJs are historians and others are selectors, Kervyn bridges both. He's a walking archive of Afro-diasporic music history, able to link Yoruba rhythms, spitual jazz, early house, broken beat, and deep soul with scholarly insight. But he doesn't lecture-he lets the music teach. No one else connects dots across Black musical lineages in such a subtle but profound way.

3) Deep NYC Underground Fluency + Global Sonic Vision - Many DJs are either local heroes or global spinners-Kervyn is both. He's deeply rooted in New York's loft, Shelter and dance community tradition, but his sound travels through Lagos, Bahia, Detroit, Cape Town, and London-all without losing coherence. It's a rare global-local fusion that feels lived-in, not curated.

4) He doesn't just play for a community-he serves it. Though events like The Meltin Pot, collaborations with dancers, and mentorship of younger DJs, Kervyn protects and nutures spaces that are too often erased by gentrification and commodification. He is not a "headliner"-he's a guardian.

5) Resistence Through Groove

Only Kervyn can play a deep house set that simultaneously:
- honors the ancestors
- affirms Black queerness
- critiques gentrification
- and makes you sweat for hours

He doesn't just move the body-he moves the consciousness.

In a world full of DJs chasing charts, gigs, and algorithms, Kervyn Mark offers music as ancestral memory, resistance art, and spiritual technology.

The are great DJs. There are smart DJs.

BUT there is only one Kervyn Mark.

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