Less than one minute excerpt out of an hour of bat recording at Zuidlaardermeer near Groningen in the Netherlands. Replayed at 0.14 times the original speed. You hear crickets, they are the rhythm section, geese that sound like elephants or lions and on top of that noctule bats hunting above the mics.
Tascam DR100 MkIII @192kHz 24bit
Self built ultrasonic mics in ORTF
No editing in post except for the speed change.
uploaded as 16 bit 48kHz FLAC

Zuidlaardermeer - 2023/07/28 - from a bat perspective

The first form of communication was not language but vibration. Listen to an audio essay featuring the biologist Juan José López and sound artist Ludwig Berger who sonify species that soon threatens to become completely extinct - if we don't listen. 

This audio essay podcast was created by the musician, writer, and Norient editor Philipp Rhensius aka Alienationist @k-lone in autumn 2023 at Klang Moor Schopfe 2023. It is part of the Online Special «Sonic Natureculture»: each piece features conversations with (and sometimes sounds by) the artists and their installations, occasionally merging with Rhensius’ own compositions and poetry.

https://norient.com/sonic-natureculture

A Huge Reservoir of Life ‒ Audio Essay on Insects

The pilot for a series of podcasts covering wildlife sound, field recording and the natural world.

This is my first attempt at a podcast...comments/criticisms more than welcome!

www.thesoundfarmer.com

Fieldcast: Episode One (Pilot) - Recording the Swallows

Written by Emma Lehman
Narrated by Emma Lehman and Grayton Newman

Pineapple Upside Down Cake

ECHOES FROM A TURKISH DISCO BENDER (RIAFC150)

audio portrait

photo on corner

Mario@window on 103rd between Lex and Third on the South side of the street

Mario at the window

Inside 764 Theme

Part 1 THE QUICK -final

"I didn't realise how physical a process grief was - like being hit by a car."

One evening in the autumn of 2013, the American financial journalist and broadcaster Sally Herships received a short email from her husband telling her he was never coming home again. At first she thought it was a joke, but when she got home he and a suitcase had gone.

As Sally's life unravels, she begins to keep an audio diary. It's a way both of processing what's happened to her and of creating a support mechanism as she tries to cope with the aftermath. From the night he left, her husband cuts off all contact and Sally, broken-hearted, is tortured by a single question. Why?

"I think this is one of the stages of heartbreak. There's the ice cream stage, the comfort food stage and the doughnut stage. Maybe they all fall under comfort food, but I'm lactose intolerant so I can't really have ice cream. I'm just making up for that with doughnuts."

Sally's vulnerability, defiance and the mundane practicalities of survival are laid bare in her recordings and in her reflections on how she strove to heal herself after this seismic betrayal.

With specially composed music by Nina Perry and Danny Keane.

First broadcast 25th November 2016, BBC Radio 4
Produced by Sally Herships

As Many Leaves

Singer-songwriter Emma Lee Moss (aka Emmy the Great) returns to the playground to re-explore one of her earliest musical influences, the clapping game.

Emma finds the playground very much alive with song, new and old . So how is this seemingly old-fashioned pastime surviving in an age of YouTube and smart phones?

Emma speaks to children and researchers, as well as exploring the archive of amateur folklorist Iona Opie, to understand the secrets of the clapping game’s success since the 1950s.

How are songs created? How do they spread? How do they last generations? What makes them catchy? These are the fundamental questions at the heart of any songwriter’s profession and Emma thinks the answers lie with the overlooked songwriting prodigies of our time – children.

Listening to games from her own primary school in Hong Kong, to the playground songs of England and Iceland, Emma traces the global passage of clapping games and tries to unpick their craft. Could she learn from the creative process behind the clapping game? As children borrow lyrics and melody from adult culture to work into their games, Emma borrows from the playground – composing riffs and rhythms as she goes.

With contributions from Dr Kate Cowan, Dr John Potter, Professor Andrew Burn, Dan Jones (aka the Rhyme Collector), Una Margret Jonsdottir and Dr Julia Bishop.

Produced by Claire Crofton
A Boom Shakalaka Production for BBC Radio 4.

Seriously...

A Sailor Went to Sea Sea Sea

An exercise in wind shielding and rain protection. Mics are standing in the open field. Wind shield OK, Rain protection to be improved. Yet I am optimistic, it can be done.
Tascam DR100 MkIII @44.1 kHz and 20 dB preamp(can't go lower!), Primo EM172, stereo AB 40cm.
Uploaded as mp3 @128 kbps.

Rain & Thunder - 2019/05/19 - Muhder Hammrich

new audio storyteller; sharing doodles, shorts, class assignments, challenge submissions, pieces of WIPs; listening; open to feedback

AIR member

Mario at the window

Lynn