Coucou, I’m Sunny :)

I play positive dance music with a 
Ｓｅｎｓｅ ☼ ｏｆ ☼ Ｓｕｎ 

@disconnect_podcast

Booking: lisa@undundbooking.com

➲ BIO 🪩
When the sun finally marries the disco ball, SINAMIN will be DJing their wedding.

With her signature blend of “positive dance music,” SINAMIN turns the dancefloor into a place of collective release—equal parts joy, connection, and momentum. Expect grooves that sparkle: Disco and House, funky edits, nostalgic hooks, and club-ready cuts that lift the room from the first beat and keep it glowing.

With a background in psychology, she brings a rare sensitivity for people and spaces: reading the crowd, shaping the arc of a night, and creating an atmosphere where everyone feels invited in. Think of it as collective therapy in the best way—not heavy, not serious, just that shared feeling of letting go together.

Her mission is simple: get people moving and smiling. From disco-soaked moments on driving basslines to shimmering anthems and peak-time energy, SINAMIN delivers that golden-hour feeling—arms in the air, voices echoing, and everything sparkling under the disco ball.

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➲ N E X T • S T O P S  ☀️🪩☀️ 

25.12. (Kassel) - Graf Karl
01.01. (Leipzig) - ostend
04.02. Release Podcast Traumcast 
08.02. (Leipzig) - polikyl
14.02. (Köln) - Ursprung Fi 
01.03. Release Podcast Afterhour Sounds
27.03. (Berlin) - Kater Blau
01.05. (Hildesheim) - Woodlands
26.06. (Poland 🇵🇱) - LAS Festival
04.07. (Pforzheim) - Unterholz Festival
(more tba)

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✓ P L A C E S • G I G S  
Sisyphos (Berlin), Südpol (Hamburg), Odonien (Köln), Fusion Festival (Seebühne '23, Extravaganza '25), Garbicz Festival (Poland), Bucht der Träumer Festival (Helenesee), Moyn Festival, Mystic Creatures (Poland), Meeresrauschen Festival, Pangea Festival, Feel Festival, Sternfest Festival, Wurzelfestival, ifz (Leipzig), CoSy Festival, Vogelball (Hamburg), Renate (Berlin), Kater Blau (Berlin), Ritter Butzke (Berlin), Goldener Reiter (München), Station Endlos (Halle, Saale), Kitkat (Berlin), Broncos (Hannover), objekt klein a (Dresden), Datsche (Magdeburg), Weltecho (Chemnitz), institut für Zukunft (Leipzig), Woodlands (Hildesheim), Graf Karl (Kassel), plan b (Malmö) ... 

📻 P O D C A S T • M I X E S  (latest)

04/25 Love Letter #9 // @love-letter-label
11/23 Love Cast 112 // @love-foundation
08/23 KataHaifisch Podcast 333 // @katahaifisch
05/23 Vacanza Radio #82 // @vacanzaev
12/22 @radio80000 @lague-moin show
10/22 DAVE Podcast #39 Sinamin // @davefestival
10/22 Palm Paradise w/ Sinamin // @rblmedia
05/22 Beauty Sekt by Sinamin // @vayaonvacation
04/22 It Works Podcast #123 mit Sinamin // @itworks
10/21 [kluntje presents] Sinamin // @ost_end
09/21 Reset Radio #18 / @reset-kollektiv
08/21 RWCast #17 // @reinewaesche
06/21 MONOmente Podcast #019 // @monomente-podcast
05/21 Lovecast x THF radio // @love-foundation @thfradio
02/21 @blaq-numbers // @rinse_france

booking: goldentimesberlin@gmail.com

Upcoming: 01.01.26 Hoppetosse (Betriebsfeier)

Past:

Bacchus Beste Open Air 
Modeselektor Open Air - Radio Woltersdorf
Insel der Jugend- Deeper
Zur Klappe - Golden Times
Hoppetosse- Betriebsfeier
Golden Gate - Golden Times
Birgit
Fieß & Zornig - Golden Times
Rote Dichte - Betriebsfeier Ferienlager
Andreeas Beach Club (Dubai)
Lager4 (Saarbrücken)
Kemp
F---e R++++e
Mensch Meier
Humboldthain
Loftus Hall
Beate Uwe
Crack Bellmer
Medasia (Malta)
Clique (Malta)
Open Airs: Blaukleid  & Brautklau, Baumhaus, Fraktion Nimersatt, Vorne Links,

Book GYRL at --> booking.gyrl@gmail.com

next up: 
Dec 31 Thornton (Australia)
Jan 17 Freiburg (Germany)

As a producer, musician, DJ and serial collaborator, Chris Schwarzwälders distinctive style of deep, restrained house is hard to pin down, but you’ll always know it’s him when you hear it. 

Born in Frankfurt am Main in the 80s, he started playing hiphop in the 90s. While making beats on his MPC2000, he dropped into Offenbach’s Robert Johnson club and fell in love with techno. 

In 2009, Chris moved to Berlin and started DJing at KaterHolzig, where he found a group of people who thought about music in the same way he did. In contrast to the trends of the late 00s, the sounds being made from this little paradise on Berlin’s river Spree were slower, softer, and more soulful than a lot of what was being played in clubs at the time. 

It was here that Chris began to cement his reputation as both a solo producer and collaborator, who was capable of bringing his trademark sounds to a whole number of side-projects - many of which have gone on to play to crowds around the globe. He joined the Feathered Sun collective in 2013, together with a group of friends including Acid Pauli, Nu, Jo.Ke and Raz O’Hara. Dreamy, groovy and often improvised, the collective represented a special kind of musical freedom in which a group of producers came together to create something new in a singular, live moment. 

At the same time, Chris’ friend Mira was making moves of her own, and they started to play back-to-back sets, soundtracking the legendary Monday mornings of KaterHolzig, and now, Kater Blau. The two, who are both residents at Kater Blau, have now been playing together internationally for almost a decade, and have formed a common musical understanding that translates throughout every one of their sets - deep, clubby and melancholic. This partnership has also carried on into the studio, where they have collaborated on numerous hits. 

His most light-hearted side comes out in collaboration with Iannis Ritter, where the two musicians take on a weirder, more melodic & electro approach than Chris’ other proejcts. 

If you were to ask him, Chris would describe himself as reserved, logical, rational, melancholic and humorous. Which is why you’d never hear him telling you about the hundreds of nightclubs and festivals he’s played around the globe, or the number of hits he’s had with his productions. If you’re lucky though, Chris might tell you about his favourite synthesizers, and get lost in a conversation all about electronics and sound. Which is exactly where Chris wants to be - lost in electronics and sound.

χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı χχνıı

Was interessiert mich der Scheiß, den ich gestern gefaselt habe.

Ernst Aufstand is following