GruuvElement’s is a forward-thinking producer and DJ known for his deep, percussive approach to minimal techno and tech house. His signature sound blends hypnotic grooves with refined rhythm and texture, earning support from leading names like Paco Osuna, Marco Carola, Jamie Jones, Damian Lazarus, Michael Bibi, and Dennis Cruz. With releases on top-tier labels including Mindshake Records, Solid Grooves, Elrow, and Crosstown Rebels, GruuvElement’s continues to shape the underground scene with music that’s minimal in structure but full of groove, soul, and movement.


 

Support :

Carl Cox play Elio Riso NiLO R GruuvElement's Space IBIZA Week 6 min 80

http://www.be-at.tv/brands/space-ibiza/music-is-revolution-2016-week-6-discoteca/carl-cox

Carl Cox play ELio Riso NiLO R GruuvElement's Week 5 Space IBIZA min 36 
http://www.be-at.tv/brands/space-ibiza/music-is-revolution-2016-week-5-discoteca/carl-cox

Carl Cox play Elio Riso NiLO R GruuvElement's Ultra Europe 2016 min 35 
http://www.be-at.tv/brands/poljud-stadium/ultra-europe-2016-resistance-day-2/carl-cox

Richie Hawtin play GruuvElement's - Hello Berlin https://www.youtube.com/watch?v=JBBYAtijVCQ

My Favorite Robot b2 Timo Maas play GruuvElement's , Alex Marcu - Airolo min 87
http://www.be-at.tv/brands/zt-hotel-barcelona/my-favorite-robot-crossing-wires-barcelona-2014/my-favorite-robot-b2b-timo-maas

Derrick May play GruuvElement's - Doina (Quanticman) min 30
https://www.youtube.com/watch?time_continue=1792&v=ClHn_s7Vpvc

Ray Okpara b2 Markus Homm play GruuvElement's - Holding On ( Groove On Records ) min 159
https://soundcloud.com/markushomm/ray-okpara-markus-homm-kudos-beach-16-august-2014

Paco Osuna play GruuvElement's - Joy Ride (Groove On Records) min 37
http://www.mixcloud.com/FreeLivesets/paco-osuna-live-at-enterradio-week-01-lips-rearters-ibiza-03-jul-2014/

Marco Carola play GruuvElement's - Touch Me (Keno Trax) @Cafe del Mar Ibiza
https://www.youtube.com/watch?v=QaVdDE78lGo&feature=youtu.be

Live Mix : https://www.youtube.com/watch?v=bRLflFmCrqw

 

Contact ID/PROMOS: mihaita88_2005@yahoo.com

LORENZO DE BLANCK
Hot Creations / Hottrax / ElRow Music / Nature / Bamboleo / 
Saved / Repopulate Mars / Moon Harbour / Deeperfect

MGMT: grillo@beatoflife.it
Booking: francesco@beatoflife.it

Da Sunlounge - Myna Music/Borrowed Music/Bambino
Bookings contact - bookings@dasunlounge.com

Da Sunlounge, based in the Midlands UK, began DJ’ing in the deep house scene over 20 years ago. In the early days of his career, he co-hosted the successful Travelling Without Moving night and shared the 1210s on many occasions with the likes of Terry Francis, Clive Henry (Peace Division), Andy Wetherall, Rob Mello, Atjazz, Digs’n’Woosh, Rocky, Elliot Eastwick, Fred Everything, A Man Called Adam, House of 909, the DIY DJ’s plus many more.

In 2000, he played out a dub plate of one of his first productions. The guest DJ, Clive Henry (Peace Division) immediately signed it to his label, Low Pressings. Later that year, Da Sunlounge followed it up with a second release on Low Pressings, which was played by Danny Rampling to open his Radio 1 show live from Ibiza.
Shortly after, Da Sunlounge was head hunted by Canadian label 83 West to release on their sub-label Camouflage recordings. Alongside the likes of H-Foundation, DJ Sneak, Peace Division, Gene Farris, Stacy Kidd, and DJ Rasoul.
As his career progressed, Da Sunlounge went on to release on numerous labels including, Cajual, King Street, Defected, Mother Recordings, 2020 Vision, OM, Salted Music, Outcross, and remixing artists such as Mood II Swing , Crazy P & Roland Clark, and more recently Miguel Campbell & Sonny Fodera.
His music also found its way on to front cover mounts such as Mixmag, and compilation CDs by Fabric, Defected, Ministry of Sound, Mn2S, NRK and Hed Kandi.

In 2001, his own label Myna Music was launched, gaining support from a wide array of DJs around
the globe and picking up plays on leading radio stations such as Radio 1. Myna has remained strong over the years and reached it’s 15th year anniversary in 2016 with a back catalogue of over 60 releases. In 2005, Da Sunlounge launched his second label, Bambino Recordings.
In 2008 he joined forces with Andy Riley (Inland Knights) to launch the Borrowed Music label.

The success of Da Sunlounge’s productions subsequently led to a busy international DJ schedule, playing at some outstanding events. To name a few memorable ones...
- DJ’ing at the top of Sugarloaf Mountain in Brazil
- Boat party around Sydney Opera House and the Harbour Bridge
- Playground Weekender in Australia on the same bill as Laurent Garnier
- Pacha, Dubai on the same bill as Dimitri from Paris
- DJ’ing within a castle grounds in Bratislava
- Playing huge beach parties to 1000s in Eastern Europe
- At home in the UK, at the world renowned Fabric, Abode & Hot Bed events in London.

Over the past two decades, DJ’ing has taken him to the USA, Brazil, Mexico, Australia, New Zealand, Malaysia, Dubai, South Africa, Serbia, Spain, Czech Republic, Lithuania, Georgia, Croatia, Turkey, Slovakia, Poland, Denmark, Latvia, Germany, Belgium, Bulgaria, Norway, Russia, Sweden, and of course all over the UK.

2019 still sees Da Sunlounge holding his own, with chart topping tracks on Beatport & Traxsource, and gaining a place in the Traxsource top 100 Artist's and best selling tracks of 2015/2016/2017/2018.

..........................................................................

https://drop-music.bandcamp.com/

DJ’s, Producers and label owners, Andy Riley and Laurence Ritchie (AKA Inland Knights) have created a brand name that most House heads have heard of.  Whether you like it deep , tech or more funky – when you think about Drop Music or Inland Knights a certain style of House comes to mind that is uniquely their own. Andy and Laurence’s reach is global, and their label’s continue to produce some of the finest House music 15 years after they started back in the UK, within Nottingham's party scene.

Andy and Laurence  met in ’93 and cut their teeth Dj’ing for Smokescreen, the renegade sound system from which they drew their early inspiration. Smokescreen consisted of dj’s, lighting people, sound people, a truck, a P.A, a generator and general helpers. Old warehouses, woodland, fields, quarries and houses were utilized with the sole intention of having a good time…. for free! By the mid 90’s smokescreen could guarantee a crowd of hundreds in attendance at their parties(which were most weekends), and their club nights became local institutions that ran for years with packed dancefloors. Into their 21st year, Smokescreen are still going strong and are still hosting quality club nights and parties in and around the Midlands.

By ’98 Laurence and Andy had made the inevitable step into production and the same year their fledgling label, Drop Music, was born. With the release of ‘Inland Knights vol 1’ , Riley and Ritchie undertook a busy schedule to write tracks for Drop  (almost all of the early output was Inland knights, despite many monikers). Drop Music has gone on to become one of the most highly regarded House labels in recent years (with 80 plus releases to date), and Inland Knights have gone on to become one of the most respected and prolific production outfits in the House community, carving a unique and distinctive House sound, and regularly taking on remix and Ep duties for fellow labels and producers. Highlights include the acclaimed ‘Mohammed Ali’ remix for Faithless on Cheeky Records, CD compilations and remixes for NRK and Om Records, three Ep's on 2020 Vision, Inland Knights first full length album entitled ‘Creative Spaces’, and more recently, Inland Knights album to mark 10 years of Drop Music entitled ‘Dust till Dawn’, not to mention countless Ep's on other labels over the years and a 30-minute live mix on Radio 1’s ‘Essential Selection’ show. More recently, the pair released 'Inland Bytes', a retrospective look at Inland Knights career so far.

Currently, as well as remix, production and label commitments, the pair maintain a busy international Dj schedule which takes them further and further afield as their reputation grows. Bookings have included regular slots at UK clubbing institutions such as Fabric, The End, The Egg, The Cross, Turnmills, Shindig, Back 2 Basics,  Sanky's, Chibuku Shake Shake, Ministry Of Sound, Cargo, Déjà Vu, The Arches and The Sub Club in Scotland, as well as smaller more intimate venues nationwide. Countless international trips have seen them tour the Globe. Most weekends Inland Knights can be found DJ'ing up and down the UK or Europe with regular international tours a permanent fixture in their Diaries.

Follow Us On:
Soundcloud http://soundcloud.com/inland-knights
Twitter         https://twitter.com/#!/Inland_Knights
Facebook     https://www.facebook.com/inland.knights
Band Camp https://drop-music.bandcamp.com/

For Bookings Please Contact:  
Paul@elitemm.co.uk (Worldwide)
shannon@aptentertainment.com (Americas)

Bookings:
justsayfouk (at) gmail dot com

We just say Fouk.

For Daniel Leseman & Junktion (Hans Peeman), successful producers on their own merits and friends since childhood, a collaboration was inevitable. Their house sound infused with disco and a lot of funk has been proven to be very infectious.

After the infamous Detroit Swindle signed them to their Heist imprint and released the booming Kill Frenzy EP their name was established firmly to a broad and quickly growing audience. The result was requests for DJ sets across Europe, the America’s & Australia with personal highlights including Glastonbury, LoveBox, Concrete Paris, Output New York, Club Space Miami, Claire and De Marktkantine in Amsterdam.

Their first vinyl release as Fouk, on their own Outplay Records was met with great enthusiasm, the brilliant reactions to ‘Stuff Your Dad Liked’ and ‘Cat Lady’ propelled Fouk and Outplay firmly into the scene as the ‘one to watch’. Since then they’ve released EP’s on Room With A View, The House of Disco and Razor-n-Tape and made a string of strong remixes for the likes of Kraak & Smaak, Smoove & Turrell, Groove Armada, The Brand New Heavies, Luke Million, Joey Negro and Mayer Hawthorne.

After releasing ‘Release The Kraken EP’ featuring Thumpasaurus on The House of Disco, ‘Truffles EP’ on Heist Recordings in 2019 and two EP’s on their own Outplay offshoot ’24 Carrot’ they return again on Heist in 2021 with ‘Blue Steel EP’. Continuing to build on the sound they have evolved throughout the years with a new impulse of creativity.

In a world of ever recycled trends, Tiefschwarz (deep black) is that most classic of shades. Its timeless style is testament to its staying power, and with a DJ and production career spanning over 14 years, this German deep house duo have proven just how apt a moniker can be. Born and bred in Stuttgart, brothers Ali and Basti Schwarz’s passion for techno and deep house flourished their initial experience as DJs in the early 90’s at the now legendary clubs that Ali ran in their home town, ON –U and Red Dog. This led to the formation of Tiefschwarz in 1997, from which they found rapid success with their debut single ‘Music’ (on Francois K’s Wave Music label) and album Ral 9005. By 2001, this had been licensed to the London label Classic Recordings from where they springboarded to international recognition. They decided to make the move to Berlin, at the time fast becoming the epicentre of a true electronic music renaissance, from where they pursued a hectic touring schedule and remixing the likes of Cassius, The Rapture, Missy Elliott, Kelis and their personal heroes Masters At Work. They then scored a double whammy with their all-conquering crossover hit remix of Spektrum’s ‘Kinda New’ and the single ‘Isst’ off their 2005 long-player, ‘Eat Books’. This was also the year that electrohouse dominated the charts and minimal the clubs, but Tiefschwarz have never allowed themselves to be tied down to a certain sound, staying true to their love of melody as demonstrated on their contribution to the Fabric mix series that year.
A series of high profile mixes in 2006, including Depeche Mode, Madonna, Roxy Music, Booka Shade, Phonique, Plastikman, dOP, and many others saw them continue perfecting their distinctive sound. Yet this was also the year in which Ali and Basti gravitated back to Berlin to found their own label, Souvenir. Basti explains “We like the idea of seeing music as a souvenir, an impression you take from somewhere. Something intimate that you remember”. They haven’t let this slow down their impressive production workload though, with a ten year anniversary compilation and a 2010 follow up album ‘Chocolate’ made in collaboration with Santé, and featuring Cassy, Seth Troxler, Dave Aju amongst others. At a perfect time to take stock of their career, the brothers are proudly contributing the ninth installment in the Watergate mix series, and have chosen a number of tracks that simultaneously pay homage to the tracks that shaped the beginnings of their career whilst also remaining very much forward looking. After years of constant touring, however, their Souvenir label has allowed them to lay down more permanent roots back in Berlin. It’s a place to foster talent, both young and old, not only in a sense of releasing records but also as a platform to share mutual experiences within a common network, a close core of artists work together including Ruede Hagelstein, Maher Daniel, the brothers Santé and Re.You, Ali &amp; Basti at the helm. With plenty more artists on the roster as well as a digital only subsidiary, Souvenir Plus, and a debut LP from Hagelstein on the horizon, there is promise of plenty yet to come for the Schwarz brothers’ imprint.

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