This is the third release of the VOXXX series, a sound poetry magazine with 4 LP releases each year. A manifestation of poetry and voice, sound poetry and vocal art. A joined adventure by Erratum Musical (Paris) and Sonhoras (Barcelona). Precious cut and sound edition, along with beautiful artisan work made by hand in letterpress print.


Eduard Escoffet is a Catalan sound poet. Born in Barcelona, for more than 20 years he has been touring all over Europe and America in poetry and experimental music festivals performing his delicate yet precise and sensual poetry actions layered with repetitive patterns rooted both in techno culture and classic sound poetry. He has also organised different poetry festivals from the 1990s (PROPOSTA, Barcelona Poesia, ReVox and Poesia i +, among others).
Bastida is his first solo LP. Recorded mostly during 2021, it includes vocal experiments and improvisations shaping a language landscape where voice and body meet sound poetry through the mouth, all inspired by some of his masters: Demetrio Stratos, Carles Santos, bp nichol, Joan La Barbara and Bernard Heidsieck

_______

VOXXX
la pozi sonor internazonal
www.voxxx.xyz

subscription available on VOXXX website 
--
http://erratum.bandcamp.com/album/bastida
www.erratum.org

Release date:
26th January 2023

EDUARD ESCOFFET

Urusonēto is a sound work by the french artist Wladimir Schall based on the Ursonate, also known as Sonata in Urlauten or the "Sonate of primitive sounds", a phonetic poem composed between 1922 and 1932 by Kurt Schwitters and influenced by his meeting with Raoul Hausmann in 1921 in Prague, where he saw him reciting his poem "FMSBW". (>See RH's phonetic poems on Erratum Musical in 2019).
Wladimir Schall did not start reciting the poem himself, but preferred to entrust the task to "someone else": the japanese voice of google translate. Thus, Schall puts in tension two registers that everything separates a priori : that of human phrasing, primitive and brutal, with that of the most elaborate artificial intelligence - supposedly.
This diverted synthetic Japanese voice gives here a new prosody, sharp, hypnotic and far from yet another classic human interpretation of the ursonate. Temporality is also transformed, because Google does not like silence. No pauses, no breaths, the AI ​​blasts the onomatopoeia in delirious rows in a new glossolalia, even an exalted mediumistic xenoglossy, ultralanguage that makes one think of an AI possessed, but by whom, by what? It is here the alterity of the subject to itself, it is the inclusion of the ‘Other’ who speaks through this recording. But then, who are we really listening to? Who is the artist or what form of consciousness speaks, recites, sings here?
Glossolalia comes from the depths of time via tibetan shamanism and the ural steppes in russia, taking all sorts of forms. Multi-dimensional channeling, proto possession / post-Pentecostal cults, transcendental approach to AI, primordial inter-ethnic and mythological sounds... all theories collide and are equal. Let’s just listen - because a voice is a way, and the articulations of phonemes associated with an intention reveal magical mysteries that still elude us.
Publié par ERRATUM MUSICAL | EM029 | 2023
Ltd edition 150 copies
http://www.erratum.org
(((special google traduction)))

WLADMIR SCHALL - Urusoneto

This is the fourth release of the VOXXX series, a sound poetry magazine with 4 LP releases each year. A manifestation of poetry and voice, sound poetry and vocal art. A joined adventure by Erratum Musical (Paris) and Sonhoras (Barcelona). Precious cut and sound edition, along with beautiful artisan work made by hand in letterpress print.

Cia Rinne is a Swedish conceptual poet who lives in Berlin. She writes in a dual tradition of European sound poetry. Polyglot – she alternates English, French, Italian and German with a playful approach to concrete poetry archetypes with puns, visual gags, materiality of language, and effects of meaning. This LP brings out humorous linguistic permutations into sound through sonic compositions and minimal vocal repetitive works.

Design and letterpress print by Gerard Altaió
Mastered by Frederic Alstadt at Mont Analogue
Printed at L'Automàtica
Pressed at Optimal
-----
VOXXX la pozi sonor internazonal 
www.voxxx.xyz
www.erratum.bandcamp.com 
www.erratum.org

CIA RINNE

Extract from "KNVF" released on Erratum Musical on March 19th 2021. 

Following the release of her 2018 solo tape, Ggggg (Anticausal Systems), vocalist Charmaine Lee returns with her debut LP, KNVF, for Erratum Musical (Paris, France). In just two years, the album marks a considerable evolution from the austere concentration of Ggggg towards expansive sonic worlds. Inspired by the arcs of popular music, Charmaine freely and fearlessly navigates a wide range of aesthetics, digging beneath each surface to disclose a highly personal sense of musicality. Microphones of varying fidelities, contact mics placed on the throat, and amplified hair combs are used to simulate polyphony and a dialogue between the inner and outer body. With Charmaine’s unique vocal articulations atop a bed of feedback and extreme frequencies, form follows expression in an ever-evolving context built on the traditions of noise, vocal, and improvised music. KNVF is a powerful statement in modern vocal music and a thrilling new development in Charmaine‘s artistry that will reward those who listen for the journey.

Charmaine Lee (b. 1991) is a New York-based vocalist from Sydney, Australia. Her music is predominantly improvised, favoring a uniquely personal approach to vocal expression concerned with spontaneity, playfulness, and risk-taking. Beyond extended vocal technique, Charmaine uses amplification, feedback, and microphones to augment and distort the voice. She has performed with leading improvisers Nate Wooley, id m theft able, C. Spencer Yeh, and Ikue Mori, and maintains ongoing collaborations with Conrad Tao, Victoria Shen, Zach Rowden, and Eric Wubbels. Charmaine has performed at ISSUE Project Room, the Kitchen, Roulette, The Poetry Project, and MoMA PS1, and participated in festivals including Resonant Bodies, Huddersfield Contemporary, and Ende Tymes. Her work has been featured in group exhibitions including The Moon Represents My Heart: Music, Memory and Belonging at the Museum of Chinese in America (2019). As a composer, Charmaine has been commissioned by the Wet Ink Ensemble (2018) and Spektral Quartet (2018). In 2019, she was an Artist-in-Residence at ISSUE Project Room and is currently a 2021 Van Lier Fellow at Roulette. Charmaine is a member of the Editorial Board of Sound American.

Artist Website: www.charmainelee.com 
Bandcamp: www.charmainelee.bandcamp.com 
Instagram: @charmainelee
Twitter: @charmainelee
CHARMAINE LEE - KNVF 
EM025 - 2021

LP available on 
http://erratum.org​ 
http://erratum.bandcamp.com​
http://www.facebook.com/erratummusical​
http://soundcloud.com/erratum_musical​
http://www.instagram.com/erratum_musical

KNVF

Monstas' Marriage

new meta-poem from multilingual and polysonic voice artist Maja Jantar, this LP delivers two magni cent subtle and sensorial haunting pieces of free tonal modulations, exploring the voice as a tool to create musical textures shifting from free layered tones and vivid harmonics to free sound poetry channeling inner and outer streams of imaginary landscapes - where poetry walks into the eld of contemporary music.

mastered by Frederic Alstadt at Mont Analogue
track A mixed by Joachim Montessuis
recorded by Martin Bakero
design and letterpress print by Gerard Altaió 
printed at l’Automàtica, Barcelona
pressed by Optimal, Germany
published by Erratum Musical and Sonhoras 

LP available here : 
erratum.org
erratum.bandcamp.com

VOXXX002 - SIDE A - MAJA JANTAR - IN/CANTI extract

Pierre Mariétan - 3  Versions d'un poème De H.H.

from the LP/DL "NEAR DEATH EXPERIENCE" published on ERRATUM rec. 2010
EM006 - Vinyl LP
Produced, mixed, mastered and edited in 2010 by Joachim Montessuis
Photographs by Alice Lane
Art design by Felix Rosier
LP comes with a link to a download of the Album + 9 Bonus Tracks and an Illustrated PDF Book with Text. 

www.erratum.org - 2010

Bryan Lewis Saunders - If My Mother And I Were Monkeys

Bryan Lewis Saunders - Hide and play dead - Music By Michael Peck

from the LP/DL "NEAR DEATH EXPERIENCE" published on ERRATUM rec.
www.erratum.org - 2010

Bryan Lewis Saunders - The Social masochist - Music By Christopher Fleeger

Hear with your body. This is not about music. 
This is not about performance or the performer. 
The goal is sound and the explicit translation of 
sound into physical force. The goal is internal 
and external realization. It is about provoking 
new modes of perceiving and experiencing 
one’s own body—triggering variable and 
autonomous psycho-physiological response. It 
is about the total acoustic sense of space— 
observing sound to measure the capacity of 
architecture. It is about the phenomenon of 
resonance or sympathetic vibration—all things 
working in one continuum. 

History. 
Infrasound initiated on March 31, 2001 when Randy Yau and Scott Arford premiered Infrasound 1 at the San Francisco 
sound arts venue, 7hz. Collaboration for this project came out of a common interest and previous workings with the 
phenomenon of low frequencies by each artist. Yau previously exhibited installation works utilizing fm synthesis to 
translate infrasonic waves from an inaudible range to an audible and tactile field. Arford’s interest in spatial acoustics 
stem from his architectural background. In both performance and recorded works, his integration of low frequency 
conditions play an important role in achieving spatialization. Together, through discussion and the exchange of ideas, the 
Infrasound collaborative concert series was born. 
Mission. 
The Infrasound mission derives from its manifesto. Through research, experimentation and documentation in multiple 
architectural and performance settings, the Infrasound series and methodology is constantly evolving. More than just 
creating and delivering an “infrasonic” effect, everything from composition to presentation originates from the principle 
mission of activating the body and space through sound. 
Purpose. 
Internal realization: Saturating the body with sonic and subsonic vibration. 
“It is about provoking new modes of perceiving and experiencing one’s own body— 
triggering variable and autonomous psycho-physiological response.” 
External realization: Generate awareness of spatial boundaries defining and transforming the sound experience; 
The architectural space becomes an acoustic container, reacting and multiplying low frequency 
arrays—solidifying a void where sound pressure levels interject between audience and space. 
“It is about the total acoustic sense of space—observing sound to measure the capacity 
of architecture. 
Resonance: Activating space to generate sympathetic vibration in both body and architecture— 
making all fields inseparable and one. 
“It is about the phenomenon of resonance or sympathetic vibration—all things 
working in one continuum.”

www.erratum.org - 2006 (co-organised with Infra/Claudia Martinho)

INFRASOUND 19 - Randy H.Yau / Scott Arford - Paris 2006 - Erratum/Infra event

Metabolic Speed Perception
MAZK : Masami Akita/Zbigniew Karkowski
track created in 1999.
Honorary mention at Ars electronica 1999.
surrealeased on the ghost record ERRATUM#5 - 2006

www.erratum.org

MAZK (Masami Akita / Zbigniew Karkowski) - Metabolic Speed Perception (1999)

mixed and mastered by Zbigniew Karkowski - 2000
surrealeased on the ERRATUM#5 ghost CD

SENSORBAND (Atau Tanaka, Zbigniew Karkowski, Edwin van der Heide) - Untitled - 2000

NACRE is the side guitar solo project of Marion Camy-Palou (Paris/FR). After years of experimentations under different projects (DEAAT PALACE, Oktober Lieber), Marion Camy-Palou is back here with the NACRE noise project with only her electric guitar.
This record consists of raw, furious, long and immersive pieces, with the sole purpose of immersing the listener in an emotional and physical experience. Improvised pieces are made up of saturated, dense, fluid and stretched sonic guitar outbursts pushed to the extreme. Between psychedelic harsh noise, cathartic drones and abrasive sound mantras.

https://erratum.bandcamp.com/album/coma
http://erratum.org

1 Nacre Primitive

This is the third release of the VOXXX series, a sound poetry magazine with 4 LP releases each year. A manifestation of poetry and voice, sound poetry and vocal art. A joined adventure by Erratum Musical (Paris) and Sonhoras (Barcelona). Precious cut and sound edition, along with beautiful artisan work made by hand in letterpress print.


Eduard Escoffet is a Catalan sound poet. Born in Barcelona, for more than 20 years he has been touring all over Europe and America in poetry and experimental music festivals performing his delicate yet precise and sensual poetry actions layered with repetitive patterns rooted both in techno culture and classic sound poetry. He has also organised different poetry festivals from the 1990s (PROPOSTA, Barcelona Poesia, ReVox and Poesia i +, among others).
Bastida is his first solo LP. Recorded mostly during 2021, it includes vocal experiments and improvisations shaping a language landscape where voice and body meet sound poetry through the mouth, all inspired by some of his masters: Demetrio Stratos, Carles Santos, bp nichol, Joan La Barbara and Bernard Heidsieck

_______

VOXXX
la pozi sonor internazonal
www.voxxx.xyz

subscription available on VOXXX website 
--
erratum.bandcamp.com/album/protoverb
erratum.org

Release date:
26th January 2023

VOXXX 003 - EDUARD ESCOFFET - BASTIDA - B1 Astres

VOXXX 003 - EDUARD ESCOFFET - BASTIDA - A4 Automatic Landscape

VOXXX 003 - EDUARD ESCOFFET - BASTIDA - A3 Baader - Masoch

VOXXX 003 - EDUARD ESCOFFET - BASTIDA - A2 Volta I Mà De Morter

VOXXX 003 - EDUARD ESCOFFET - BASTIDA - A1 Estat

Cia Rinne - Leçon du mot [le son du mot]

Cia Rinne -  I am very miserable about sentences

Cia Rinne - Sounds For Soloists

Cia Rinne - La poésie concrète ment

Cia Rinne - Laur lyth milv

Cia Rinne - Sentences

EM030 - CD DIGIPAKILL
x 4 pages en carton retourné
https://erratum.bandcamp.com/album/studio

UNGLEE IZI : ÉLECTRONIQUE
VOMIR : GUITARE
KASPER TOEPLITZ : BASSE
GAËL ANGELIS : BATTERIE
ELODIE RASSEL : VOIX
ANDY BOLUS : ÉLECTRONIQUE

>

EXTREME MUSIC X EXTREME PEOPLE X EXTREME EARS
Direction / mix : Unglee Izi
Recorded in 2020 at Instants Chavirés
Sleeve Art :  Unglee Izi
3D Thayaht buste model : Hedi Xandt
A recreation of the iconic 'Italian Loudspeaker' (Bust of Marinetti), a sculpture by early futurist artist Ernesto Michahelles (THAYAHT - 1893 - 1959)
---
http://erratum.org

EM030 KILL - STUDIO - Intro 5mn

NEUVIEME CERCLE - TRAHISON

CINQUIEME CERCLE - COLERE

TROISIEME CERCLE - GOURMANDISE

DEUXIEME CERCLE - LUXURE

PREMIER CERCLE - LIMBES

In 2021, Wilfried Wendling offered a 3-day residency to Marion Camy-Palou at the Muse en Circuit (Alfortville / Paris), a working time which then has evolved into a 2-year cruise dedicated to the Serge Modular System (offered by Jean Claude Eloy at the Muse). This search finally resulted in a concert in April 2023, and this record - Deeat Palace's debut album.
'Pièces pour Serge' offers two intense pieces, cut in 45 rpm for vinyl to allow a deeper sonic dive into the heart of the bowels of a synthesizer that has become legendary and which celebrated its 50th anniversary in 2023.
note : a series of albums produced with the 'Serge Modular Music System#1' (first Serge synth modules built at Cal Arts in 1973 by Will Jackson under the direction of Serge Tcherepnin and now restored and in use in Annecy/Fr at C.A.R.E.) will be published later.

Pièces pour Serge | composed by Marion Camy-Palou, 2022-2023 | mixed by Camille Jamain | mastered and cut by Frederic Alstadt at Mont Analogue | recorded at la Muse En Circuit, Alfortville | engineered by Camille Lezer | photography by Vincent Ducard | released by Erratum Musical - EM035, Paris 2024 | 300 copies.
____________________________________________

En 2021, Wilfried Wendling propose une résidence de 3 jours à Marion Camy-Palou à la Muse en Circuit (Alfortville / Paris), un temps de travail qui se transformera en une croisière de 2 ans consacrée au Serge Modular System offert par Jean Claude Eloy à la Muse. Cette recherche a finalement donné lieu à un concert à avril 2023, puis à ce disque - premier album de Deeat Palace.
‘Pièces pour Serge’ offre deux pièces intenses, gravées en 45 tours afin de permettre une plongée sonique et bruitiste au coeur des entrailles d’un synthétiseur devenu légendaire et qui a fêté ses 50 ans en 2023.
Une série d’albums réalisés avec le Serge Modular Music System#1 (premier synthétiseur Serge et modules construit à Cal Arts en 1973 par Will Jackson sous la direction de Serge Tcherepnin et désormais restauré et en utilisation à Annecy/Fr au C.A.R.E.) sera publiée ultérieurement.

Pièces pour Serge | composé par Marion Camy-Palou, 2022-2023 | mixé et agencé par Camille Jamain | masterisé et gravé par Frédéric Alstadt au Mont Analogue | enregistré a la Muse En Circuit, Alfortville par Camille Lezer | photographie Vincent Ducard | publié by Erratum Musical EM035, Paris 2024 | 300 copies.

DEEAT PALACE - SERGE MODULAR 1

GATEFOLD DOUBLE VINYL 180g + DOWNLOAD  
This 70min organ concert was recorded in 2012 in Strasbourg Cathedral during the «Transes» symposium at HEAR. This was a unique performance in the cathedral’s history and an important performance for Charlemagne Palestine, showing him at his best, slowly developing a wild crescendo and filling the gigantic space with his own ritual full of trance and ecstasy. 2015 marks the millennium of Strasbourg Cathedral.

recorded in Strasbourg - 15/11/2012 at Cathédrale de Strasbourg, during TRANSE(S) event at Haute Ecole des Arts du Rhin, Strasbourg
recorded by Philippe Lepeut, mixed by Joachim Montessuis
Limited edition 500 copies 

http://www.erratum.org

CHARLEMAGNE PALESTINE - CATHEDRALE DE STRASBOURG - Extract 1

lstirn & Gurgelstøck is a Pseudonym for Rudolf Eb.er, swissborn Austrian and Founder of “Schimpfluch” as a Label for Psycho-Acoustic-Art since 1986.
His Foundation soon grew into an international Commune of Extreme-Actionists which holds several Branches in Europe and Asia.
Eb.er invented the “Psycho-Physical Tests and Trainings” in which he creates extreme, so called “brutal-humoroid” Situations for the Audiance, Members and himself.
Those Actions directly interact with his Audio-Art and Activities as Chirurgical-Painter, Martial-Artist and most basically Shamanist.

Photo: Rudolf Eb.er:  Aktion 050529
c: Schimpfluch-Commune int.


Runzelstirn & gurgelstøk - Schmetterlinge Butterflies O.U.T (2006)

Bryan Lewis Saunders - PCP POETRY-music by Joachim Montessuis

Bryan Lewis Saunders - NEAR DEATH EXPERIENCE-music by Spastic Dementia

GLOSSOLALIA APARUSEYA

Finally fully available on vinyl, here are the famous Raoul Hausmann Phonetic poems - remastered from original tapes and for the first time with the correct track titles along with a 40 pages booklet including typescripts and texts.
Published by Erratum Musical and the Musée départemental d’art contemporain de Rochechouart.
Released 19th Feb 2020

'SOUND-REL' recorded May 13th 1959 by Bureau
'Phonèmes' recorded 1955 par la maison Philips à Limoges and 1959 by Bureau
'Conversation avec les lettristes' recorded 1959 by Bureau.
'R.L.Q.S, poème en 3 cascades', recorded May 25-26th 1966 by Henri Chopin, Limoges.

All tracks remastered and cut from original tapes by Frederic Alstadt in 2019 at Ångström Mastering, Bruxelles

http:///www.erratum.org

A3 - RAOUL HAUSMANN - Poèmes Phonétiques - Phonèmes - K' PERIUM

A1 - RAOUL HAUSMANN - Poèmes Phonétiques - Phonèmes - SOUND - REL

ERRATUM MUSICAL is a label dedicated to experimental noise, art and poetry, based in Paris and run by Joachim Montessuis.

•ERRATUM MUSICAL•

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