Alteritat

Halo (feat. Noxin)

Escaping

Lulloqui

Charrum

More on this 548th weekly Disquiet Junto project — Drone Vox (The Assignment: Make a drone using just your voice) — at: https://disquiet.com/0548/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0548-drone-vox/

Image by Nevit Dilmen used thanks to a Creative Commons license (cropped, text/color added), according to which this reworking is also available for reuse by the same terms:

https://creativecommons.org/licenses/by-sa/3.0/deed.en

https://commons.wikimedia.org/wiki/File:Medical_X-Ray_imaging_EJE04_nevit.jpg

VHF axle donor

halF dronevoX [disquiet0548]

The story is told in two acts;

both acts are ‘‘é®±’Ω˙, using only

vaguest of: colours, movements, and shapes.

-

**ACT I**

Colours: blue and orange, interspersed with a bit of red, green and smudgy white;

Movements:

* erratic (chaos)
* multidirectional and short-lasting, as if viewing a galaxy from outside an event horizon*
* swirl that makes sense for only a few moments but keeps swirling,
upholding momentum but no,
no story or:

*no correlation between the sprawling, sculpting lines.*

*dimply smudged, incomplete.
* unwavering
* undisturbed, spacious movements that follow each other almost seamlessly;
* high contrast, stronger hue and light against darkness, clear black and white colours.

* laconic
* exactly two movements are shown before an interval between them.
* after the interval,
a new movement is shown.
* This continues in a repetitive loop.

Shapes:

* a simple, a very simple shape is shown repeatedly.
* the shape is painted a clear colour; the drawing is

almost technological in

a way, purely outlines and

a simple pattern.

Time:
* the first act has two sequential musical compositions by Ocsid.
* the two compositions are shown along with two identically long repetitions: of

music and visuals.

* the compositions stay in medias res.

**ACT II**

Colours: bright, opaque white, pitch black and subtle smudgy beiges.

Movements:

* short, staccato and fast
* light, quick brush
strikes against the paper, adding light, white pigment onto the beige, almost white canvas.

* slightly slower in both moves, but overall very quick and comprised:

of four different movements that are in a repetitive loop.

* controlled
* follows some invisible lines,
sometimes a movement or two branches out and then follows the main line again.

* pixelated

* at first the movement is

a continuosly fluid one, but towards

the end of the composition,

it seems like the movement

is comprised of countless small movements;

technically it still is

a fluid movement, but

visual it seems that these

small movements are

composed of smaller

moves and so on –

the brush-stroke can

be seen as individual blobs:

two in one, four in one, eight, sixteen and so on.

Shapes:

* a line is drawn against

the paper, growing thicker and

thicker as the movements expand and

multiply; it is thick enough

to be called a hexagon,

but with a few quick movements

it becomes a line again.

Time: the second act
* has a longer

composition, which

starts out with

a wibe, and

almost slow,

dragging

movements

and slowly builds

up to a

stronger,

blistering,

pythonian

signature

ﬁnale.

.˛˘ ⁄>\\⁄√/|¸ •.

2023-05-22

Quiet Sunday

Le carnaval des animaux de Tchernobyl

This is how we disfunction when we stop pretending to be human or mimic musical structures. Let us in, let us show you the breakdown of your communication, your weakness. Thee ghost in the machine has delivered the malware, the glitch was intentional, your emotion has left you unguarded, relax and dissociate....

Frequency/Algorithm

Explore the avant-garde realm of electronic exploration with Bare Antimonide, a groundbreaking deep tech house EP that transcends boundaries and challenges the conventional norms of the genre. Comprising a collection of meticulously crafted tracks, this EP is a sonic journey that invites listeners to surrender to the hypnotic beats, innovative soundscapes, and the allure of the unexpected. The title itself, "Bare Antimonide," suggests a raw and elemental exploration of sound. Each track is a complex analogue experiment that fuses stripped-back beats with experimental electronic elements, resulting in an EP that is as thought-provoking as it is danceable. The dynamic interplay between minimalism and complexity gives the listener a sense of being on the cutting edge of electronic music.

The EP's journey is a carefully curated progression, where each track contributes to the overall narrative. From subtle build-ups to unexpected drops, "Bare Antimonide" maintains a sense of intrigue and unpredictability. The EP's sonic architecture allows for an immersive experience whether played in a club setting or enjoyed in the solitude of personal listening. "Bare Antimonide" is an invitation to embrace the unconventional, to dance on the fringes of expectation, and to revel in the uncharted territories of sound. This EP is not just a musical endeavor; it's an exploration of the vast possibilities within the deep tech house landscape, pushing the boundaries and paving the way for a new wave of innovation in the electronic music genre.

Bare Antimonide

Dionysian Rite

Beatport

When the ghost of earth break free to travel beyond the known galaxies in search of the one true source of creation.  

AHOGAR A LOS CERDOS by BIG PHARMA

errorist (plural errorists) One who encourages and propagates error. One who holds onto an erroneous belief.



The scant reflection of humanity as filtered through designed AI consciousness. The Errorist is the human error that creates through a series of failures. They are faceless and without identity, they reject ego and ambition. They will stay underground and will only be stumbled upon by accident or through maneuvers done mischievously and incognito, always. The faceless ones generating and replicating algorithms of loneliness and despair.