Deaf Center - White Lake

M. Geddes Gengras - "Ishi" June 24th
180g 12" tip-on _ CD & digital include 40min bonus 'Vigil'
http://www.stonesthrow.com/store/album/mgg/ishi

“No dream, no wildest nightmare, prefigured for Ishi a city crowd, its clamor, its endless hurrying past to be endlessly replaced by others of its kind, face indistinguishable from face.”

- Theodora Kroeber, from Ishi: In Two Worlds


M. Geddes Gengras has inhabited the Los Angeles experimental music scene for the last 7 years, bouncing through various bands, monikers, and a critically acclaimed collaboration with Sun Araw and The Congos. The producer perhaps shines most brightly, however, when left to his own bespoke devices. His solo work is largely based in modular synthesis, comfortably straddling a variety of forms while remaining rooted in a deep affinity for the limitations of analog electronics and a keen ear for timbral manipulation.


Ishi finds the producer diving headlong into beautiful, sprawling ambient explorations and deep, mystical drone. Its title is the name given to “the last wild Indian” in North America, who emerged in 1911 at the age of 49. Hidden all his life in the wilderness of northern California, Ishi spent most of his life completely unexposed to the modern world lurking just beyond his own timeless reality. His only exposure to the “civilized” world came from Gold Rush settlers, whom he watched massacre and disease each and every member of his family and tribe, until he alone remained. When he was found, communication between the miraculous survivor and this strange new world was understandably difficult and frightening— but the knowledge gained through the process proved invaluable.


Sometimes the most effective and direct means of communication and understanding exist outside of human language. Gengras’ highly expressive instrumental record reveals itself via sweeping tonal gestures and striking, intensely colorful washes of heavily processed electronic sound. “Ambient” is insufficient to describe the uniquely evocative soundtrack presented here, a lushly nuanced sound world generated directly from the deeply personal relationship between one man and his meticulously cultivated machines.


“The record is about the schism that exists between the world we live in and those stuck on the margins of it— perpetual outsiders and their quest to understand the torrent of information they are constantly subjected to. I was directly inspired to these pieces by two people in my orbit who died this year, one accidentally and one not, both of whom suffered this affliction and eventually lost their lives to it. The music was a reaction to these losses and a sort of offering of something peaceful but at the same time respectful of the conflict and dissonance of life, with movement always in the distance. I look at it as music for passage between different realms, conscious & un, this world & another, layers of reality... ISHI is a metaphor for that— the man who walks into our world understanding none of it but forced to live in it regardless. This is somewhere in between a prayer and a lullaby for him and for the rest of them, but also something for those of us left behind.” - M. Geddes Gengras

M. Geddes Gengras - Passage

Craig Leon - Nommo

Purchase from RVNG: http://smarturl.it/cleon-aifmv1-rvng
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Taken from Anthology of Interplanetary Folk Music Vol. 1: Nommos / Visiting.


Buy 

Craig Leon - Nommo

Bing & Ruth - Reflector

Video: https://youtu.be/2xgcnaqKxoI

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From the album Tomorrow Was the Golden Age

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

Buy from RVNG 

Bing & Ruth - Reflector

UPDATE (20 Aug 2015): What made the comet sing? Scientists working on Rosetta's RPC instrument have found out why 67P/C-G was singing. Via http://wp.me/p46DHN-1nN
==
ORIGINAL Citation (Oct 2014): Rosetta’s Plasma Consortium (RPC) has uncovered a mysterious ‘song’ that Comet 67P/Churyumov-Gerasimenko is singing into space. The comet seems to be emitting a ‘song’ in the form of oscillations in the magnetic field in the comet’s environment. It is being sung at 40-50 millihertz, far below human hearing, which typically picks up sound between 20 Hz and 20 kHz. To make the music audible to the human ear, the frequencies have been increased in this recording. This sonification of the RPC-Mag data was compiled by German composer Manuel Senfft (www.tagirijus.de).  Read full details in ESA's Rosetta blog: http://wp.me/p46DHN-Li 

Copyright Notice

Original Data Credit: ESA/Rosetta/RPC/RPC-MAG
Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/

Thumbnail image credit: ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.0

A Singing Comet

A selection of tracks from Rupert Clervaux & Beatrice Dillon's 'Studies I-XVII for Samplers and Percussion'. 

Available on LP and as a download.  All LPs come with the download included.

II – by Rupert Clervaux & Beatrice Dillon

From the album EARS released April 1st 2016 on Western Vinyl

iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Existence In The Unfurling"

Passive Aggressive

Photo With Grey Sky, White Clouds

R-N 123 . TRACK LIST :

1 . Athem
2 . Mojave
3 . Odd Sympathy
4 . Pruitt Igoe . ( or version )
5 . Or
6 . Mirrors
7 . Coracoid Process
8 . En Amaryllis Jour
9 . Lea vaila Scheme
10 . Monsters
11 . La Belle

CREDITS	

All tracks written and produced by Kangding Ray
Voices and lyrics on Pruitt Igoe, Coracoid Process and Odd Sympathy by Magne Mostue.
Voices on Athem and Monsters by Rose Tizane Merrill.
Words on Monsters freely pirated from « T.A.Z, the temporay autonomous zone, ontological anarchy, poetic terrorism » by Hakim Bey . ( anti-copyright, 1985, 1991 ) Available at www.autonomedia.org
Progressive keys on Or by Ben Frost
Drums on Coracoid Process and Or performed by Yacine Djeradi
Percussions on Odd Sympathy performed by Achille Farese
Salamander Modular synth for Monsters wired by Matia Simovich
Mastered by Andreas « Lupo » Lubich at Dubplates & Mastering Berlin
©2010 . raster-noton . r-n 123

Press text :	

After the Pruitt Igoe E.P, Kangding Ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With OR, Kangding Ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture.
With the massive metallic beats of « athem », the frightening distorded waves of « Mojave », the elevated groove of « Odd Sympathy », the modulated guitar walls of « Leavaila Scheme », or the low-bitrate Everest of « La Belle », KR creates deep atmospheres, loaded with echoes of collapsing economies, dysfunctional political systems, and corporate alienation.In an abstract manner, OR depicts the desillusions of modern civilizations, while initiating a positive reflection on crisis as a creative state.
OR (« gold » in french), as the only chemical element that seems to keep its value for eternity, refers to the cult of endless consumption and the absurdity of fluctuating currency valuations, while in english, as a logical operator or grammatical conjunction, OR represents the possibility of another choice, an « inclusive disjunction » which suggests that there might be another answer, a different path to follow.
Noticeable inputs have been provided by Ben Frost, who composed a keyboard line for « Or », Rose Tizane Merrill who lend her voice to the anarchist poem « Monsters », and Magne Mostue who wrote the words and sang on « Coracoid Process » as well as the vocal version of the prophetic electronic mantra « Pruitt Igoe ».

09 Leavaila Scheme

A track from the album Island Alchemy out 11/19/19 on Constellation Tatsu.

Sofie Birch - Myg

The Changing Account

Sated by the Plum

Official SoundCloud channel of ESA - the European Space Agency. Most (not all) audio content here is licensed under CC BY-SA IGO 3.0. Please check individual credits to be certain. Can't find a track? Our channel used to be http://www.soundcloud.com/esaops - but not anymore. Try searching here for the track name or using keywords instead.