YouTube version here 
https://youtu.be/KNkjA08G7PI

Patch I made the other day in the style of Penderecki

The Mystery And The Enchantment - Walter Fini and Cousin Silas

Recess

Distances

Swamp

This track was created for the Naviar Haiku group.
346 week haiku
naviarlab.tumblr.com/

2020-08-21

Pause Pause Pause ( Naviarhaiku 346 )

taken from ET-086
http://www.archive.org/details/ET-086

ET-086 | Stãżëca Calling

aleph - Stãżëca Calling (Excerpt) | ET-086

Wednesday night, playing with loops, one seven beats long, the other eight, then layering occasional accent notes. Fade in and out just turning the knob on the amp once the loops were left to their looping. Recorded to phone put in front of the amp. Not sure why the eight-beat loop is more prominent than the seven-beat one, except perhaps that it's in 4/4 so the brain registers it more easily. Also not sure about that one hiccup at :46 seconds. Something suddenly went out of alignment and then came just as suddenly back into alignment. The bit at the very end isn't a tape cassette stopping. It just sounds like that.

Wednesday Loops

Disquiet Junto Project 0469: [Missing in Caption]. The Assignment: Make music that pushes the constraints of descriptive television captions.

In one scene of this old war movie, the man is saying goodbye to go to another well-founded, short and successful war, and his wife is deeply worried.

The bells call to battle, the wife struggles to find parting words, and even the worn-out VHS tape is deeply moved.

Whispering provided by these two CC0 samples:
https://freesound.org/people/geoneo0/sounds/193818/
https://freesound.org/people/LadyImperatrix/sounds/503270/ <- the heartbreaking words!

Image based on David Monies: The Farewell
https://commons.wikimedia.org/wiki/File:Monies-Farewell.jpg

More on this 469th weekly Disquiet Junto project:
https://disquiet.com/0469/
Project discussion:
https://llllllll.co/t/disquiet-junto-project-0469-missing-in-caption/

CC BY-NC-ND 3.0
https://creativecommons.org/licenses/by-nc-nd/3.0/

[overly heartbreaking farewell music] ____ [disquiet0469]

Owl Eyes Shining In The Darkness

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Phase Transition.
The Assignment: Record the sound of ice in a glass and make something with it.
https://disquiet.com/0471/

Ice cubes fall into a glass.
Recorded with a Tascam DR-100MKII + built-in mics Uni.
The Tascam is placed vertically on the glass, in contact.
A Pure data patch lets you hear the recording transposed to 3 voices  and brings out their harmonic components by spreading out them over time.
At the beginning we hear the untransposed sound.
This is the same Pure data patch as for:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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Participation au projet "Disquiet Junto" de Marc Weidenbaum: Phase Transition.
Enregistrer le son d'un glaçon dans un verre et faire quelque chose avec.

https://disquiet.com/0471/

Des glaçons tombent dans un verre.
Enregistrés avec un Tascam DR-100MKII + micros intégrés Uni.
Le Tascam est posé verticalement sur le verre, en contact.
Un patch Pure data fait entendre l'enregistrement transposé sur 3 voix et fait apparaitre ses composantes harmoniques en les déployant dans le temps.
On entends au début le son non transposé.
C'est le même patch que pour:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0471-phase-transition/

Phase - Transition - Disquiet0471

Space might seem an empty, vast expanse, but satellites in Earth's orbit face the constant risk of collision - with other satellites and rockets, dead or alive, or with fragments of their debris.

It is now routine for operators of spacecraft in busy highways to divert their mission out of harms way. In fact at ESA, each mission flown performs on average two 'collision avoidance manoeuvres' per year.

In this podcast, episode #3 in the ESA-UN space debris series, Benjamin Bastida Virgili and Hazuki Mori discuss the cost of these manoeuvres and what can be done.

While you listen, check out the corresponding ESA-UN infographic that illustrates this topic: https://www.esa.int/ESA_Multimedia/Images/2021/02/The_cost_of_avoiding_collision

ESA & UNOOSA on space debris: The cost of avoiding collision

Official SoundCloud channel of ESA - the European Space Agency. Most (not all) audio content here is licensed under CC BY-SA IGO 3.0. Please check individual credits to be certain. Can't find a track? Our channel used to be http://www.soundcloud.com/esaops - but not anymore. Try searching here for the track name or using keywords instead.