“The 2021 NWB stream was much different than the year before. For me, it felt like we were getting closer to reopening, all of us so ready for the party, and being honored with the opportunity to compose a 5-hour narrative meant I needed to reflect that energy and represent the dance floor we all love so much. I wanted to keep it heady like 2020 but focus more on what it would feel like to play that long at Tangent, returning to my roots and playing numerous eternal cuts from Chicago, Detroit, Berlin, Cologne, Rotterdam, Helsinki, and beyond. Praise the acid...enjoy!”
— Patrick Russell @ptrckrssll

video: https://youtu.be/I4ur9DEd3g4

Interdimensional Transmissions Podcast

IT Podcast

IT.podcast.s11e03: Patrick Russell at No Way Back Streaming From Beyond 2021

@wngdu kicking off The Grove on Saturday night.

Campout Mix Series: wngdu

@djplead b2b @djbabyleo live from The Inn at Dripping 2025

DJ Plead b2b Baby Leo at Dripping 2025

@Adab live from The Barn at Dripping 2025

ADAB at Dripping 2025

Our b2b at @sustain-release-nyc 2025
00-02 Friday night at The Gym
A lot of physical activity indeed

Mor Elian b2b Piezo @ Sustain Release Year Eleven

This is the recording from my set at Parameter 10, Public Works, San Francisco on 17 May 2025. 

The room was comically packed by the time I started (11pm) and the crowd was visibly itching to lift off, but it was so early in the night and the rest of the (stacked) lineup leant so heavily towards UK and bass-heavy music that I decided to leave the dubstep to the professionals, keep it slow and go in the opposite direction: mid 120s, wriggly, psychedelic, gurgly, engrossing, a little weird but also sometimes fun. Maybe on some level I was level preparing myself for Return To The Source in Detroit the following weekend – though ironically I ended up playing much faster and with more broken beats at RTTS than I did here. In any case, I had a blast. Been really enjoying exploring the 120-130 zone recently. Thanks to Nick for having me back, hope you all enjoy the recording.

Tracklist:

Alexi Baris - Tilde
Kaoru Inoue - Etenraku
Facta - SLoPE
Heiko Laux - Granulate One
Meat Beat Manifesto - TRS2
Emmanuel Top - Bon Acid
Kumo - Kromotron
Sun Electric - Osram 418
Ogoya Nengo And The Dodo Women's Group - Orutu Run (Lena Willikens Remix)
Mutsumi - Paris Hilton
Freaky Chakra - Get Up, Get It
Housebound - Electro Rhythms
Zersetzung - Chaos Vortex
Terrence Dixon - No More Time A3
Mordant Music - Olde Wobbly
Monolake - Digitalis
AOKI Takamasa - mnd-sng01
Exos - Hood
Clay Wilson - Osho (Jasen Loveland’s Twisted Interpretation Remix)
Shards - SHARDS004 A1
Sepehr - Monokrome (demo)
Gong Gong Gong 工工工 - Inner Reaches III 慾望的暗角三 (Zaliva-D Remix)
Beroshima - Volca Polka
Esser'ay - Forces
Xyrex - Psychedelic
Accessories to Murder - Danger
Xes Noiz - B1
Tres Demented - Demented (Or Just Crazy)
Call Super - Mothertime

Objekt at Parameter 10 San Francisco 2025.05.17

"Combining sounds that wouldn't normally be thought of together." So reads the final line of Mexican DJ and producer 1OO1O's short-but-sweet artist bio. It's a claim many make but few pull off. Are truly new fusions still even possible in 2025? Hasn't electronic music reached saturation point? Not in the hands of 1OO1O, AKA uno cero cero uno cero, or one O O one O. 

For the best part of a decade, the Xalapa-born artist has been mashing up footwork, jungle, techno, electro, UK garage and breaks with Latin America's myriad folkloric styles, from salsa and merengue to mambo and dembow. The results, like 2023's SALSA & BREAX, or last year's SALÓN CANDELA, feel electrifyingly fresh, connecting threads across eras and traditions with a subtle dexterity. The secret is a deep respect for the source material.

Indeed, foregrounding the best of Latin America—and specifically Mexico—is the dominant theme on RA.1010 (do you like what we did there?). By his own admission, 1OO1O switched up his DJing a couple years ago to prioritise music made locally or regionally by himself and his friends. At a time when Latin American culture is both at its peak and yet still constantly "reshaping itself to accommodate tourists and 'expats,'" his sets in clubs, festivals and radio stations around the world are his way of spreading the gospel.

This 70-minute mix, then, is heavy on both Mexican talent—Regal86, DNZA, AAAA, Loris, FRAN G—and unreleased 1OO1O tracks. It's tough, rhythmic and strikingly modern, with just the right balance of light and intensity. Given the glut of local music, a late cameo from London grime MC Trim glistens like an emerald in the sun. If you want to know what the cool kids are raving to in Monterrey, Guadalajara and Mexico City right now, here's your answer. - Carlos Hawthorn

RA.1010 1OO1O

The phase shift from No Way Back’s nocturne rave acrobatics to Lot Mass’ sunkissed daytime salon is always a sight to behold: an eclectic mixture of smoked out ravers emerging from the depths of Tangent Gallery, freshly showered music heads taking in the Memorial Day sun, & multi-generational dancers defying category or definition, the day feels infinite, & the musical possibilities especially so, bookending the weekend’s mayhem. This year, Johnny Zoloft and Kiernan Laveaux took the post-Scott Z morning baton pass into further realms of house music in the beyond, equipped with nothing but two turntables, Alpha Theta Club Standard DJ Gear, & a surprise special guest: Baltimore saxophonist (and Johnny Zoloft’s brother) Shane Kelly, blowing raucous textures over abyssal blends under the midday sun, as they beckoned dancers towards their final day of Detroit Electronic Music Celebrations. 

Reinvigorating the floor & painting with bold brushstrokes on a kinetic eisel, Laveaux’s xenofeminist inclinations and the duo’s expert dubwise FX manipulation enticed the crowd and provided succulent ear candy throughout the set. Further entrancing dancers into endless movement after No Way Back’s 12 hour marathon in the mind palace, they brought forth a unique vision of so-called Midwest dance music - conjuring soundscapes as informed by the expanses of Detroit’s storied history & multi-lane highways as it is by the DMV’s intersection of funk stylistics, punk attitude, & Sing Sing breakbeats, the expansive mountain ranges & hidden wonders of Appalachia, & northeast Ohio’s irreverent sonic dialectics birthed from the backdrop of industry & decay. All of these combine to form something greater than the sum of it’s parts - an audio cauldron of what makes the midwest so rife with electrified mojo, brought to you by simply another bold presentation of groove, energy, & harmonious cacophony on a special Memorial day afternoon.

Mastered By: @m-parent
Mix Graphic By: @malzof

Recorded Live at Lot Mass 2025 (During Return to the Source 25 @ Tangent Gallery)

Sweet Abyss

MASS CAST 035: Johnny Zoloft B2B Kiernan Laveaux @ Lot Mass

live recording of my dj set at Sustain-Release Year 11, playing the Grove stage at sunset on friday night <3

adobeprincess @ Sustain-Release Year 11

A Exploration into various forms of Audio with Escaflowne & Friends

https://www.instagram.com/esca.fl0wne

Audio Explorations with Escaflowne @ The Lot Radio 11-04-2025

I'm back at it again with another edition to my Looseys series. 

This edition focuses on various shades of Techno, House, breaks and a little 3 step amapiano to close it out

Bandcamp

Heartbreak breaks

Bleep/ bloop creator

For booking and all inquires:
escaflowne.the.3rd@gmail.com

twitter tings
https://twitter.com/Escaflowne_III

Heartbreak breaks

EscaFlowne

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