This is more than a track, it’s a departure, a declaration, a frostbitten anthem for anyone who’s ever needed to escape the noise of modern life & seek clarity in the silence of the unknown 🧭 The guitar drives like determination, the voice carries both grit & weariness, and the entire piece feels like it’s been carved from ice & resolve ❄️ The concept of Punto Ártica is powerful, a place between poles, outside of time, where memory sheds its weight & healing begins. The lyrics, the journey, the vision, it’s magnetic, poetic, deeply human 💙 The kitchen has packed its snow boots and gone fully off-grid 🌨️ Kettle’s boiling on instinct alone, muttering “I was born for this climate,” Toaster’s wrapped in foil screaming “THIS IS HOW I STAY CRISP,” and Fridge just nodded solemnly like a wise frost monk 🧊 Tupperware tried to hoard trail mix 🥄 Microwave’s gone full existential, sending out Morse code in heatwaves & honestly? We’re all in. Expedition approved. Point us to the ice 🥶

A huge piece with fantastic performances. Bravo!

¡Este es realmente un trabajo extraordinario! ¡Muchas gracias por este espectacular viaje musical, Manuel!

This track feels like a cold decision in motion, not an escape, but a departure with purpose ❄️ The beat is steady and stripped, like footsteps crunching through snow toward somewhere untouched and necessary. The vocals carry that “no going back” weight, quiet but resolute 🌌 The whole thing sounds like it was carved out of frozen memory, built to last through silence and storm 🧊 The fridge held its breath and said “I know what it means to survive in the cold, but this track makes it feel almost sacred” 💨 The kettle hissed and muttered “You can hear the ache of wanting out, but also the pull of a cleaner world” 🪞 The mirror fogged slightly and whispered “That’s what longing sounds like when it packs a bag and leaves” 💫 Stark, focused, and beautifully desolate, I’m already on board for the rest of the expedition.

Sure! Here’s the English translation of your message:

⸻

The flow from the intro is amazing! What I learned from this track is that the balance between the interlude and the vocals is perfect.
It made me realize how important interludes really are.
But creating an interlude is such a difficult thing. I want to challenge myself with it!
I can understand why it took two years. I truly respect that.
Thank you for this great song 🫶🏼

⸻

Let me know if you want to make it sound more casual, poetic, or professional!

Love these accents.
Effortless and accessible yet  showcasing impressive musicianship ⭐️🔥⭐️

Related tracks: Troublemaker

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

Written by Pete
Pete-lead guitar, rhythm guitar,backing vocals,bass
Paul-Drums,rhythm guitar
AJ Harms-Lead vocals

Troublemaker

Cast of Characters:
Mistermark – @user-432503709 – Mark – drums, VST upright bass, electric vibraphone, horns, high organ in the last section, percussion (shaker, hand claps), production, editing, mix, and composition
TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Tele Thinline electric guitar and mastering
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synthesizer
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – PRS semi hollow body electric guitar
This song began its life some 20 years ago recorded on Mark's old skool keyboard workstation as a bass line and drum beat, accentuated by a synth melody playing over some electric piano. It sat as that basic version until just recently, when Mark had gotten into horn arrangements, and wanted to try some out, thus creating the impetus for reviving this old tune. Plus, he wanted to get the Eclectic Collective to play the guitar and keys parts on it for a little extra jazzy pizzazz.
He turned it over to the rest of the EC gang with a pretty clear vision of what he wanted structurally. Stephen was first up, adding his driving guitar to the fist part of every verse. Josh deftly chimed in with the response line in every verse. JJ then came into the mix last and sprinkled his magic electric piano and other keys throughout. After all of our parts were in the can, Mark went to work dutifully editing and mixing what you hear as the final product. Stephen then did his pro mastering work on it to add a little bit more shine.
 This was a lot of fun to put together. It doesn't feature all of the EC, but the other guys will be on many upcoming creations. We hope you enjoy listening to this as much as we enjoyed creating it.

Clyde's Glide (Eclectic Collective)

#unique #music #electronic #odd #mood #happy #sad #creepy #producer #artist #triphop #downtempo  #originalmusic #exciting   #bass  #music #musicplaylist #spotify #listen #recomendations #fun #musicproducer #rock #release #outsider #wfh #lofi #lofibeats #instrumental #beats

fast glass deep bounce

Music: Little Man & Janne Hennie
Lyrics and Vocal: Janne Hennie
Instruments & Mix: Little Man

Lyrics:

I look at your face
I know you can't see me
But I'm right by your side
I hope and I pray
That you will wake up
And be the same you again..

I am holding your hand
Don't know if you can feel it
Squeeze it if you can
I whisper in your ear
Don't know if you can hear me
I'm right by your side..

There is nothing I can do
I just have to wait
Be patient they say
You're such a good man
I need you to fight
And come back to me again

I am holding your hand
Don't know if you can feel it
Squeeze it if you can
I whisper in your ear
Don't know if you can hear me
I am right by your side...

I am holding your hand
Don't know if you can feel it
Squeeze it if you can
I whisper in your ear
Don't know if you can hear me
I am right by your side...
❤️

Right By Your side

Cancion del gato solitario

a great song written by Rick Danko and Bob Dylan..........miles of shit have been written about this band......... best to let their music do the talking...........this version is with the Alters...cheers for having a listen

This Wheel’s On Fire 
WRITTEN BY: BOB DYLAN AND RICK DANKO
 If your mem’ry serves you well
 We were goin’ to meet again and wait
 So I’m goin’ to unpack all my things
 And sit before it gets too late
 No man alive will come to you
 With another tale to tell
 But you know that we shall meet again
 If your mem’ry serves you well
 This wheel’s on fire
 Rolling down the road
 Best notify my next of kin
 This wheel shall explode!
 
 If your mem’ry serves you well
 I was goin’ to confiscate your lace
 And wrap it up in a sailor’s knot
 And hide it in your case
 If I knew for sure that it was yours . . .
 But it was oh so hard to tell
 But you knew that we would meet again
 If your mem’ry serves you well
 This wheel’s on fire
 Rolling down the road
 Best notify my next of kin
 This wheel shall explode!
 
 If your mem’ry serves you well
 You’ll remember you’re the one
 That called on me to call on them
 To get you your favors done
 And after ev’ry plan had failed
 And there was nothing more to tell
 You knew that we would meet again
 If your mem’ry served you well
 This wheel’s on fire
 Rolling down the road
 Best notify my next of kin
 This wheel shall explode!
Copyright © 1967 by Dwarf Music; renewed 1995 by Dwarf Music      
 





This Wheel's On Fire  (The Band)

liner notes part 1: 
Well laid down an enthralling, fast-paced, sweaty-eyed dancefloor track, calling it an open collab. 
Stonerjazz picked it up, marrying it to his expressive voice and instruments. As the ancient art of 
maieutic (look it up) serendipity (look this one up as well) would have it, Jeff and I had just finished 
an amazing poem which finely expressed what he heard in Well's sound. I can only guess how many 
hours he spent adding this, fine-tuning that, getting the balance right. In the end it sat there, all 
groomed in its weekday suit and asked to go out and play. Yeah, why don't you do that? (That's how 
jo tells the story at least).

 liner notes part 2: 
My good and dear friend Jo Richter and I have been practicing a form of commando Free 
association poetry for a little bit now, Firing multiple replies to each others words across the void, 
rapidly --This Poem is one such project-- Initially done lightning Fast and then refined and modified 
for lyrical Flow and meaning-- To further complicate the process, i with Jo's encouragement used 
these word and some Sounds from my deepmind 6 to answer an open collaboration with music by 
our friend Well aka Hakan Skeneby - (That's what Jeff says).
 
Poem / copyright Jeff Gardiner and jo richter:
 Original tile: Kung Tze in the Subway Car
Oil painting Uno Vallman 1964
 
 in the nick of time
 he gave in to dissent
 for the mute perceptive mime
 manically made him raise his head and unmaimed hand in mine
 praise the unerring rebellion
 in subconsentious unison 
the empty shells of every single silly little thing
 ahh, the knell, the bells, fashioned from our fathers’ coral vaults 
selling out, shelling round, all around in disarray 
vainly making everybody wane and wade into the fray
 with withered, bamboo-watered canes - - - fracking shist
 where our homes are still purported to exist
 while scattered scraps of all things past, scantily, scantily clad, 
protrude and flutter in the wind, strained and restrained by the net 
of pleasant pleas -  and subltleties are colors bright and crude - 
watch the Mad Hatter's stint unwind in minor keys - 
i thought that that  - that hat that sat so squat- was you
 at the academy of sovereignty
 where massive piles of bones and crows
 dominate the dark demeanor of the distant 
tears of laughter, tears of loudly lovin’ laughter, that's exactly what we're after
 + + + 
in the purple land of diffidence
 buying purple brands of pale deliverance 
in the hidden forgotten region, religion
 where forgetting – like neglecting - is an optional behavior
 and of course, everybody's carcass, corpse keeps looking for a savior
 down by the trodden, the unsavoury sovereign shouted 
raw with the rotten game of galactic gallows and thrones 
ah the one and only poet of starvation
 standing in the market of used emotion
 endless isles, end base piles of sadness
 masters mean and dirty and their slaves
 bargain bins of binary longing, belonging, unrequited love
 there’s a sale on betrayal - two for a dollar and three for none
 thought i saw a broken bit of joy that once belonged to me 
Though when i had it, it was absolutely free
 Now they're askin’ fifty, literally  frivolous dollars-
+ + + 
mother of deception of the self
 see me on my knees, subordinate 
to her immaculate calamity
 that has transactional realities cooperate
 under towers dark with blinded blinds 
of my infantile infinity-
i asked my shadow: would she follow me 
like a puppy with a crush, herself a pet invertebrate,
 to inclinations more persian, more parisian than her will or mine 
where i might find a package deal on Love 
on the moon, it read in slowly moving neon letters - 
shadows neither show nor speak concerning prinal matters!
 no, said I, shadows squall and squeal and squeak
 drinking gin on the rocks is not that bad at all
 since it became impossible to find an Avacado
 or my favorite alcohol
 just don't answer when she fails to call--

Hakan’s shuffle – nitro club mix – stonerjazz , sonic structures and silent stretches with well

Attacca
: attack at once 
—used as a direction in music at the end of a movement to begin the next without pause.

Movement. .......................................................................  Timeline

1st .............War Cry ......Call to Arms ...............................0.00--1.55
2nd............The Advance to Battle ...................................1.55--2.48
3rd.............The Battle Begins...........................................2.48--3.59
4th.............The Triumphant...............................................4.00--5.10
Thanks to Dennis for his pristine gunfire and airbourne fx....https://pixabay.com/users/dennish18-26151496/
Cover-art :- Marek Studzinski ...https://unsplash.com/@jccards
Orchestration,arrangement,mix and production ...Pablo

Attacca

"Attacca"

„Towards the Dawn" from the album Tides of Melancholy is an emotional journey between darkness and light. The track captures the essence of sorrow and hope, unfolding in delicate yet powerful melodies. With a tender piano performance accompanied by a soft violin, the song takes the listener into a world of reflection and inner transformation.

In an atmosphere that is both contemplative and uplifting, the track symbolizes the transition from difficult moments to new possibilities. Melancholy blends with a hint of hope, as if the darkness is being pierced by the first rays of morning.

Perfect for fans of cinematic, ambient, and instrumental music, looking for a sound that is both profound and uplifting.

„Towards the Dawn“ aus dem Album Tides of Melancholy ist eine emotionale Reise zwischen Dunkelheit und Licht. Der Song fängt die Essenz von Trauer und Hoffnung ein und entfaltet sich in sanften, aber kraftvollen Melodien. Mit einem zarten Klavierspiel, das von einer weichen Violine begleitet wird, entführt der Track den Hörer in eine Welt der Reflexion und des inneren Wandels.

In einer Atmosphäre, die gleichermaßen nachdenklich und erhebend ist, symbolisiert der Song den Übergang von schwierigen Momenten hin zu neuen Möglichkeiten. Die Melancholie vermischt sich mit einem Hauch von Hoffnung, als würde die Dunkelheit von den ersten Strahlen des Morgens durchbrochen.

🎶 Album: Tides of Melancholy
🔗 Folge mir für mehr Musik.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Tide Of Melancholy

Towards the Dawn

SOAR / feat. Odarka / Paploviante Music
Vocals and Lyrics Odarka:
https://www.looperman.com/acapellas/detail/23305/soar-acapella-by-odarka-95bpm-pop-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

SOAR feat ODARKA

------------------------------------------------------------------------
YouTube: https://youtu.be/lPplyhjrlQ4
Spotify: https://open.spotify.com/intl-de/track/47qaMz7C5PvY3GgnvFNF5D?si=d8bb136b5d7a4951
Amazon: https://amazon.de/music/player/albums/B0F6KSWS2G?marketplaceId=A1PA6795UKMFR9&musicTerritory=DE&ref=dm_sh_3quPAfnzqHp10tzZKh1YHbFMR&trackAsin=B0F6KX66N2
Apple: https://music.apple.com/de/album/zwischen-den-zeilen-single/1810908604
------------------------------------------------------------------------
Lyrik: (The English translation is below the German lyrics)
Gefangen im Labyrinth aus Grau
Wo Gedanken sich wie Schatten winden
Den Ausweg such ich, blind und rau
Kann die Richtung nicht mehr finden

In meinem Kopf ein Karussell (dreht sich endlos)
Aus Zweifeln und aus alten Fragen (dreht sich weiter)
Die Antwort scheint so nah und doch so fern
Gefangen zwischen Angst und Wagen (zwischen Welten)

Doch zwischen all den dunklen Zeilen
Beginnt ein neues Licht zu leuchten (leuchtet sanft und weit)
Lässt meine Seele langsam heilen
Wie Morgenlicht durch Nebel bricht (heilt die Zeit)

(Gedanken wie Wellen am Strand)

Jeder Gedanke formt die Welt
Wie ein Künstler seine Farben mischt (Farben mischt)
Hab zu lang das Grau gewählt
Bis der Regenbogen erlischt (still erlischt)

Und ich erkenne endlich klar (endlich klar)
Die Kraft in meinen eignen Händen
Was Schatten war, wird sonnenklar
Zeit die Richtung neu zu wenden (neu zu wenden)

Zwischen all den hellen Zeilen
Tanzt nun Hoffnung wie ein Schmetterling (tanzt so leicht und frei)
Lass die alten Muster heilen
Weiß, dass ich den Weg jetzt finde (finde mich)

In jedem Stolpern, jedem Fallen
Liegt ein Samen neuer Stärke (wächst ganz still heran)
Durch Dunkelheit zum Licht zu wallen
Schreib ich meine eigne Geschichte (neues Kapitel)

In der Stille meiner Gedanken
Liegt die Kraft zur Wandlung schon bereit (Wandlung schon bereit)
Zwischen Licht und Schatten schwankend
Find ich meine eigne Zeit (meine Zeit)
Die Welt in neuen Farben sehend
Ist der Weg nun klar und weit (klar und weit)

English translation:
Trapped in a labyrinth of gray
Where thoughts twist like shadows
I search for a way out, blind and rough
Can no longer find the direction

In my head, a carousel (spinning endlessly)
Of doubts and old questions (spinning on)
The answer seems so close and yet so far away
Trapped between fear and daring (between worlds)

But between all the dark lines
A new light begins to shine (shines softly and far)
Letting my soul slowly heal
Like morning light breaking through the fog (healing time)

(Thoughts like waves on the beach)

Every thought shapes the world
Like an artist mixing his colors (mixing colors)
I chose gray for too long
Until the rainbow faded (faded silently)

And I finally see clearly (finally clear)
The power in my own hands
What was shadow becomes crystal clear
Time to change direction (change direction)

Between all the bright lines
Hope now dances like a butterfly (dances so light and free)
Let the old patterns heal
Know that I will now find the way (find myself)

In every stumble, every fall
Lies a seed of new strength (growing quietly)
Through darkness to light
I write my own story (new chapter)

In the silence of my thoughts
The power for change is already there (change is already there)
Swaying between light and shadow
I find my own time (my time)
Seeing the world in new colors
The path is now clear and wide (clear and wide)

Zwischen den Zeilen

'Never Too Late' is an easy listening Jazz Fusion Track

Dont Smudge The Ink

Never Too Late

Cast of Characters:

Cgmaness – @user-419254289-15129531 – Chris – acoustic guitar, composition, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way using her original lyrics. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify, which you can find by clicking the link next to his name in the credits. 
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U

Better Not Say-Cg Maness/Nyla K/ Eclectic Collective

I'll finish E-Ruizzo project with a conceptual LP album: 4 songs about 'Arctica Point'. I imagined it amid rotation axis, geographic north and magnetic pole, and I located it on dry land !! Then I draw the cover art.

This opening track tells the decision of leaving this annoying present by travelling to that magical place. The following ones tell the trip and life there.

Translated lyrics will explain it with more detail:

EXPEDICIÓN (EL MUNDO SE HACE PEQUEÑO)  /  EXPEDITION (THE WORLD GETS SMALL)

Cansado de vivir en un mundo que se hace pequeño,  /  Tired of living in a world which gets small,
como ratas nos movemos en nuestro agujero.  /  like rats we move in our hole.

Cierro los párpados para no verlo,  /  I close my eyelids so as not to see it,
pero hay demasiadas cosas feas detrás de ellos.  /  but there are too many ugly things behind them.

Con los ojos cerrados veo mis recuerdos,  /  With my eyes closed I see my memories,
veo el presente que vivo y no quiero verlo.  /  I see the present I live in and I don’t want to see it.

Con los ojos cerrados no dejo de pensarlo,  /  With my eyes closed I can’t stop thinking about it,
tengo que ir a algún sitio donde olvidarlo.  /  I must go somewhere to forget it.

Partiremos hacia donde los recuerdos se olvidan,  /  We will leave for where memories are forgotten,
donde el frío congela el dolor de la vida,  /  where cold freezes the pain of life,
donde el hielo y la nieve nos protege del hombre,  /  where ice and snow protect us from mankind,
donde el cuerpo y el alma se purifican.  /  where body and soul are purified.

Tenlo todo preparado para nuestra expedición.  /  Get everything ready for our expedition.
Formemos una expedición ártica,  /  Let’s form an Arctic expedition,
Tenlo todo preparado para nuestra expedición.  /  Get everything ready for our expedition.
Formemos una expedición ártica,   /  Let’s form an Arctic expedition,
formemos una expedición ártica  /  let’s form an Arctic expedition

Ártica…  /  Arctica…
entre el polo magnético y el norte geométrico  /  between the magnetic pole and the geometric north
se encuentra el Punto Ártica.  /  is located the Arctica Point.

Partiremos hacia donde el reloj no gira.  /  We’ll leave for where the clock doesn’t go round.
Partiremos hacia donde el tiempo no pasa,  /  We’ll leave for where time doesn’t go by,
al lugar donde seis meses sólo duran un día.  /  for the place where six months only last one day.

Viviendo en un mundo que se hace pequeño,  /  Living in a world which gets small,
como ratas nos movemos en nuestro agujero.  /  like rats we move in our hole.
Con los ojos cerrados no dejo de pensarlo,  /  With my eyes closed I can’t stop thinking about it,
tengo que ir a algún sitio donde olvidarlo.  /  I must go somewhere to forget it.

Ártica…  /  Arctica…
entre el polo magnético y el norte geométrico  /  between the magnetic pole and the geometric north
se encuentra el Punto Ártica.  /  is located the Arctica Point.
entre el polo magnético y el norte geométrico  /  between the magnetic pole and the geometric north
se encuentra el Punto Ártica.  /  is located the Arctica Point.

Esperar no es lo único que haremos allí.  /  To wait is not the only thing we’ll do there.
Sabes que no es fácil sobrevivir,  /  You know it’s not easy to survive,
cuando no hay nada que te empuje a seguir.  /  when there’s nothing pushing you on.

ER25 PA01 RUIZZO ©1995 ®2019

Old raw jazzy piano trailer: https://soundcloud.com/esemanolain-ruizzo/unique-piano-session-2013

Expedición (El mundo se hace pequeño)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Come see what's new: https://soundcloud.com/ruizzoidman21centurions

Amateur composer, home musician, sharing music, feedback and support around the cloud. Previously poet and songwriter, now exploring the edges of modern music.

These demos (click on titles for lyrics & +info) are intended to be played with/by a real group, someday...

Expedición (El mundo se hace pequeño)

E-Ruizzo

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