On a Saturday afternoon in Rotterdam, that felt more like Autumn than Spring.
@juliamira0808
@markknekelhuis

Julia Mira & Mark Knekelhuis - 22/05/2021 - Operator Radio

Recorded in Turin (Italy)   30.01.24

https://soundcloud.com/luceclandestina [https://soundcloud.com/details-sound]

Italian dj, sonic explorer and spatial researcher based in Turin, Luce Clandestina aspires to create unconventional sound imageries fluctuating between light and darkness. Member of the independent label Details Sound as well as Mutaforma project, she has been co-curating the italian independent festival https://soundcloud.com/cultofestival, and she’s a resident with the show 'Vago Spazio Del Ritmo' on Radio Raheem since 2021.

Between labyrinths of hypnotic, dark and often psychedelic rhythms, her sets are eclectic and spontaneous paths that develop intertwining in an unexpected narrative, reflecting the interest towards a more internal dance and listening experience, as well as mental and emotional.

• https://linktr.ee/Luceclandestina
• https://it.ra.co/dj/luceclandestina
• https://www.instagram.com/luceclandestina/
• https://www.radioraheem.it/shows/vago-spazio-del-ritmo/
• https://www.radioraheem.it/shows/mutaforma/
• https://details-sound.bandcamp.com/
• https://www.instagram.com/details_sound/
• https://www.instagram.com/culto.culto.culto.culto/
• https://linktr.ee/culto.culto.culto.culto
• https://cultocultocultoculto.com/

E.S.T. 083 • Luce Clandestina

INTERVIEW + TRACKLIST > https://inverted-audio.com/mix/robin-felix

Swiss producer Robin Félix (@felixfelixrobin) steps up to deliver the 377th edition of the IA MIX Series, interweaving a multi-rhythmic mix of textural ambient, breakbeat, IDM and experimental electronica.

Based out of the Swiss town of Biel/Bienne, Robin Félix is a self described audio naturalist, employing found sounds as the basis of his productions upon which he implies a strict rule to use at least 80% of field recording in his music. He then twists, skewers and manipulates these sounds to create the most mesmerising of sculptural sound-fields incorporating swirling radial ambiance and intricate drum work.

Mastered by Italian producer Neel, 'Senselessness 1/2' EP is a beautifully crafted vinyl, presented in gold Risograph artwork designed by Lisa Vatan - inspired by the ancient Japanese paper marbling technique of Suminagashi. With such a bold debut effort, we just had to find out more about the makings of it.

In our interview, Robin sheds light on his musical background and penchant for field recordings as well as his minimalist production technique. We also find out more about his partner's process behind the artwork and what they have planned in the near future for their freshly established record label De l'aube.

Buy Vinyl: https://inverted-audio.store/products/robin-felix-senselessness-1-2

IA MIX SERIES

INTERVIEW

IA MIX 377 Robin Félix

Compiled and mixed by @dj-balduin and @yet-unseen

GLYKMIX53 / Feuerbach - Connaisseur me

B2 Anatolian Weapons - Ivan's Track [Premaster Snippet]

Monday nights are for FIBS and this week's show is going to be bookended by a couple of things from FIBS04 with the meaty middle filled with all manner of delicious gear..

FIBS w/ Jaye Ward - 22nd April 2024

Following 2020’s 'Point Vacancies', the debut EP from Jamie Paton and Mike Bourne’s collaborative act Metal, the duo return with a trio of dubwise remixes from Mr Paton himself as well as a peak-time stormer from fellow Bristol artist, Hodge. The latter immediately sets the record ablaze with a driving thump, duo of grainy hi-hats and a chalky clap. He layers an anthemic three-chord pad progression, building octaves, peppering in arpeggiated bleeps and articulate lead melodies, then tops it off with a few modular elements that retain the character of the original, before climaxing in true rave fashion. Proper. The following three mixes by Metal’s own Jamie Paton make apparent his sonic obsession — the type of infinite tweaking that sees some artists/producers to the edge of madness, or at the very least satisfies some dragon-chasing addiction. There’s a successive deconstruction from 'Remix' to 'Dubwise' to 'Dubwise II', most notably a reduction of rhythm and drum machinery, but also in general tonality. The melody remains central but is gradually obscured, taking on a less and less recognizable form, and by the end we’re left with a skeleton of the track, quips and cranks, an assembly line of aluminum sheeting punctuated by demented nuts and bolts. As with the previous EP, the sparsity of elements illustrates just how far one can twist aesthetics, proving that self-imposed limitations can often propel an artist’s process and land them somewhere unfamiliar, somewhere foreign, somewhere enchanted.

[ESP088B] Point Vacancies [Remixed]

Buy from ESP

B2 - Dislocation Climb (Jamie Paton Dubwise II) - SNIPPET

What a story how this set came about…oooofff! SooooOOOooo… I was sitting there..barbecue sauce on my titties… HAHAHAHHAHAHA!

Jk, this is a legendary meme, had to pull it out one day. But let’s get to the actual story… I was planning on doing a set with Flo Dalton and we met to record it. Flo pulled up with some vegan "Poulet im Chörbli"-Crisps and I had the same Idea with some Aldi Fake-Pombär-Crisps (No-Product placement I swear, but if you don’t wanna pay with your life for some air and salt, those are your solution! It’s only bear heads, but a head can be enough in specific contexts I guess). I also brought some burnt momos, because of course I was late to the party and didn’t have time to finish my lunch. But guess what, Flo had to buy some last minute Lunch-Pretzel as well. With a mildly full stomach and a good laugh about us being „Hüener“ we started playing. We had fun recording for 1h 52mins already when suddenly Flo looks at me with that stare. Yes, exactly that one. „The recording didn’t work.“ I first thought he was joking until he put the fader down. So, after some serious crying and wiping off our tears with the crisps we hadn’t eaten, we decided to meet again the next day. But we both knew we were gonna be tired af, bc we were going to the club to enjoy Ric Piccolos set that night, which we did!
As the club night was coming to an end, we stayed for a moment with the crew to grab a good old „Feierabendbier“ and complain about having to get up early, as normal 9-5 people would do. Only we do that at 6:00am not pm, but yeah u get the drill. But because we are not normal, but super-mega-special and fun and great, we had a fantastic Idea: why don’t we ask Ric and the crew if they are up for a spontaneous after hour sesh and record it, so we don’t have to get up early tomorrow?
So Flo, Alayah, Riccardo and me ended up doing a b2b 2b 2b 2b and enjoyed every second of it. Thx to the 3fach Queen-Team we got the „ok" to air the whole 4h set as a "Sponti-Kegi-Family-After-Set" (sadly only with a small part of the fam, but who knows, maybe more is to come? #manmunkelt)

Und die Lehre der Geschicht: Seid verwirrt, kommt zu spät, bleibt lang wach, sonst klappt sowas nicht!

I hope you’ll shake ur asses listening to the set as we did when successfully recording it.

And btw.: See you am am Bach! oder nur am Bach? See you am^2 Bach!
XO <3

Stromstoss Residency (061): sryxo b2b ric piccolo, flo dalton, selossod

Artist: Quiem
Title: 'Feel And Communicate'
Label: Shaw Cuts
Cat. #: SCSS015
Format: Digital
Release: 20th August,​ ​2025
Pre order: https://shawcuts.bandcamp.com/music

Sounds From NoWhere is pleased to premiere a new Quiem' gem on 'Shaw Cuts'.

It is said that one should not hesitate to correct himself when he has made a mistake. 
If he corrects himself without the least bit of delay, his mistakes will quickly disappear. 
But when he tries to cover up a mistake, it will become all the more unbecoming and painful.
(Yamamoto Tsunetomo - Hagakure: Book Of The Samurai)

@quiem_shaw_cuts
@shaw-cuts

B2 - Dislocation Climb (Jamie Paton Dubwise II) - SNIPPET

ESP Institute