'Electro punk disco', what's not to like about that? This is the name that London duo Baba Ali coined to describe their electrifying sound which takes a little bit of all the things we love here at Ransom Note and stirs them up in a big old pot.

Comprised of American musician Baba Doherty and British guitarist Nik Balchin, the group blend elements of punk funk and electro with NYC disco and no wave, that's equal parts for the dance floor and for the stage, which they're no stranger to.

They've been touring up and down the country since their debut LP dropped in 2021 and they're showing no signs of stopping anytime soon. With the release of their sophomore album imminent - a debut on Memphis Industries called 'Laugh Like A Bomb' which has been on repeat on 6Music - they join The Go! Team on tour around the UK as of this weekend. But before that they'll be making a pitstop at our own R$N residency at The Social on 10th March for an intimate live set...

Ahead of the gig, we asked Baba to give us a flavour of all his influences, which he does in fine fashion with this mix of groovy, crunchy funk, punk, synth pop, new wave and electro... Perfect fodder for your thirsty Thursday.

Tickets for Baba Ali at The Social: https://ra.co/events/1662712

Baba Ali: The 'Shine A Light On' Mix

Something had to give, that much was certain. The situation had become unsustainable and one of them needed to take their leave - who would be the one to take the hit though was another matter entirely... There was a lot riding on that decision. They'd hoped all of this would end in a graceful, amicable compromise but the reality was far from that, only time and space could heal these wounds now. 

You can't mention Tin Man without mentioning acid. The producer has become synonymous with the 303, using the infamous machine to create all kinds of squelchy and hypnotic variations for Global A Records, Acid Test and Infrastructure New York as well as teaming up with artists like John Tejada and Jozef K. For his next release, he makes his debut on Bureau B with Arles, a release that departs from his usual dance floor offerings and explores beautiful melodies and cosmic vibrations - there's no question it's still a Tin Man creation though.

PREMIERE: TIN MAN - Espace Gestuel [Bureau B]

Put on headphones, close your eyes and merge into Benedikt Frey’s 'Fastlane'. Imagine you’re sitting in the driver’s seat of a an automobile, one with exceptional horsepower and torque, and as you stare out the windshield you see the red light, warping in fata-morgana, about a mile down the road. It’s a straight road, black top, two lanes, and against your better judgment you’ve decided to floor the gas. There’s no hesitation in your muscle, your ankle or the ball of your foot, which you’ve realized is some kind of universal pivot, a first point of contact that merges your body with the will of machine. In this moment you’re in awe of the reality that you, a human being, an animal, could have grown out of pond scum into something so advanced as to engineer this thing, a mechanical beast capable of such overwhelming power and exhilaration, but you also feel a seductive dread, an outside force diverting you from caution toward a dangling carrot of curiosity, asking yourself, How far can I take this thing? The dread, now constant, is numbed, equalized by an adverse and intoxicating gratification. You feel both of these sensations in real time, however, instead of taking responsibility for yourself, friends, family and innocent bystanders, you cement your foot to the floor and lean your head back. The noise around you fades to mute, you smell the benzene-scented air, feel the wind on your face, the menacing vibration of the vessel you control beneath you and every grain of asphalt under its tires. This mile has now lasted an eternity and you’ve left your body for some outside view, as if you’re watching the high climax scene in a film. You’re past the point of no return so you embrace this sense of abandon and lean into fate. The film has become slow motion, crawling at a pace so mesmerizing you convince yourself there is an option to eject yourself from this madness, but as you finally let go of your last morsel of fear, you run the red light and become the nucleus of a fantastic glistening sculpture of torn metal, glass, oil, broken dreams and heartache. 'Fastlane' may be just drum machines and synthesizers if you’re timid, but listen harder and hear a catastrophic reality of existence, a wreckage so gruesome we dare not rubberneck, but it is our nature to stare.

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21.08.23 - EH FM - Sounds Of Ogigia w/ Pako Vega &  Hugo Capablanca

Artist: https://soundcloud.com/lok44
Track: Easy Virtue
Label: https://soundcloud.com/pomelorecords
Format: Digital, EP
Release date: 17/10/23
YouTube: https://youtu.be/ld1thOYMX4k

From the straight-edge allure of 'Dime' to the enigmatic charm of 'Stranger' and the jazzy sophistication of the title track, ending with the sub bass heavy electro funk tune 'Easy Virtue,' Lok44's 'Late Reaction' is a captivating exploration of divergent forms of electric sweat music

PREMIERE | Lok44 - Easy Virtue [pomelo] 2023

Hi, my name is Laura Hairdressa, im a hairdresser, partylover and singer from Vilnius. A few weeks ago i released my first EP with 4 songs and 4 remixes and i’m so proud of it. This is 1h of music which i would like to hear when i go to a club to dance - a few generations of pure house music. Welcome to Friday!

Follow artist - https://soundcloud.com/june-july-23037133

259⚡️Hairdressa

METHODS OF DANCE w. Chris and Jamie Paton [11.11.2023]

It's a Dark Royalty Trap Legacy! 8D Audio Trap Music Song YD (07) 

#Music Lyric & Music by Ali OKUR Medya Konya PR Music (DRACO)

#Trap #TrapMusic #Rap #Music #8DAudio #8DMusic #HighQuality #Surround #FullBass

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It's a Dark Royalty Trap Legacy! 8D Audio Trap Music Song YD (07)

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