There is a sound at the end of all things. A frequency that only one being can hear. In the grey, silent expanse of the hereafter, the great psychopomp stands and listens. 💀 It has no face, for it is a reflection of all faces. It has no name, for it is the end of all names. It wears a dark, simple shroud, for its duty is eternal and unadorned. Before it, an endless army of the harvested stands in silent, uniform rows, their journey over. They are the quiet ones, the great majority. And the being listens to their collective silence.

The vintage headphones are not for music as we know it. They are receivers, tuned to the final frequency of a soul's existence—the last echo of a life lived. 🎧 The tangle of wires spilling from its chest is not a machine, but a conduit, a web that catches the faint vibrations of memory, regret, love, and loss. This is its work: to listen, to witness, and to process the immense, silent symphony of the departed. The sound is a low, rhythmic hum, a hypnotic, industrial march, a somber hymn for the reaped.

This is not a place of judgment or paradise, but a great, quiet processing center. A liminal space between what was and what comes next. The psychopomp is the sole operator, the eternal sentinel. It doesn't guide them to a new place; its presence *is* the new place. The rhythm it hears, the rhythm it broadcasts through its very being, is the force that brings order to the chaos of non-existence. It is the metronome of eternity. 🚶‍♂️

You are being granted access to this frequency. A glimpse into the soundscape of the end. It is a drone, a pulse, a chant. It is the sound of everything and nothing. It is somber, yet peaceful. It is the sound of finality. Let the hymn wash over you, and join the silent march. 🌫️

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All tracks featured are available for listening and download for personal use. All music is licensed under Creative Commons Attribution, meaning commercial use is strictly prohibited. This is done out of respect for the artists and producers of the Techno music scene. Ozone is an experimental profile created by an enthusiast of the Techno genre, leveraging the synergy of AI music technology, in particular from the UDIO platform. The visual graphics are imaginatively crafted, harnessing the powerful and synergistic visual AI capabilities of Midjourney PRO, Flux Pro, or REVE, depending on the thematic requirements.

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dark, ambient, industrial, techno, reaper, death, somber, dystopian, atmospheric, drone, experimental, conceptual, scifi, mythology, psychopomp, ghost, soundscape, mix, set, beat, track, producer, minimal, bleak, hypnotic, horror, macabre, grey, art, sound.

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#dark #ambient #industrial #techno #reaper #death #somber #dystopian #atmospheric #drone #experimental #conceptual #scifi #mythology #psychopomp #ghost #soundscape #mix #set #beat #track #producer #minimal #bleak #hypnotic #horror #macabre #grey #art #sound

My Work Is Done

Silent Symphony

March Of The Soulless

Reaper's Rhythm

Valley

Pale Horse

Psychopomp's Pulse

Shadow Of Death

End Of The Line

River Styx

A tribal-ambient piece evoking ancient rituals and inner journeys.
Layered with texture sounds, hypnotic rhythms and a sense of mystical introspection, both raw and meditative.
Best experienced with headphones, speakers or in a quiet space.
Produced in June 2025, during a moment of stillness and reflection.

The Dawn of Sound

ILFMAN+SONITUS MORTIS’s "Airways,” is an immersive, meditative journey through atmospheric soundscapes. Distant, resonant guitar layers combine with faint mechanical hisses and distorted samples, crafting a haunting wall of sound.
Low-frequency drones tuned to 432Hz infuse the track with a tranquil, almost transcendental vibe, as we are inviting our listeners to lose themselves in its slow-moving, hypnotic aura. Perfect for those seeking introspection, “Airways” blends ambient and industrial elements to create a powerful, otherworldly experience.

TOKYO RECORDS CORP / PAPA LEGBA RECORDINGS 2024

Composed and performed by Ilfman + Sonitus Mortis
Produced by Frank Ilfman

Mixed by Sonitus Mortis and Miko
Mastring by Uno

Ilfman:Guitars, Synths and sampled mechanical
Sonitus Mortis: Synth, reel to reel, AI sampled machine, speak & Spell

ILFMAN+SONITUS MORTIS - AIRWAYS

There’s a moment before light,
where nothing has a name,
and yet everything begins to stir.

This track is a descent into that pre-moment —
before clarity, before form,
before the suns awoke.

A deep ambient drone,
built not for progress, but for presence.
Here, sound doesn’t guide — it unfolds,
like a breath held by the cosmos.

This is music for those who resist the tyranny of urgency.
For those who know that to listen is already to resist.
🎧 Best experienced with headphones.
🌀 No destination. Just duration.
Before the Suns Awoke is not about dawn.
It’s about the silence that gives dawn its meaning.

Mother of Silent Tides

A signal caught halfway between galaxies. Andromeda Transmission Lag drifts through distorted frequencies, cosmic echoes, and broken pulses of alien code. Designed as both a meditation and a disruption, the track bends silence into soundscapes that feel more received than composed—like listening to the void answer back.

Andromeda Transmission Lag

Lake Natron is an instrumental soundscape that channels the eerie stillness and spiritual mystery of Tanzania’s blood-red salt lake. Known for its calcifying waters that preserve animals like stone sculptures, Lake Natron holds a paradoxical energy — deathly and haunting, yet profoundly beautiful.

The music mirrors that duality: deep drones form the lake’s ominous undercurrent, while desert blues guitar bends and Appalachian fiddle phrases trace the fragile outlines of life and memory. Percussion is sparse and ritualistic, echoing like distant thunder across glassy surfaces. Layers of synth shimmer reflect the lake’s mirrored waters, pulling the listener into a trance of both dread and wonder.

As part of Songs of the Sacred Earth, this track becomes a meditation on time suspended — a reminder that even in silence and stillness, the Earth carries songs of power, reflection, and transformation.

Lake Natron (Tanzania)

30 - II

30 - I

compositor famoso por sus perrxs, entre sus vecinos. 


Artist, musician and composer, I am a creator of notes and noises, band member of Sonitus Mortis and Sheffield 78.

Welcome to OZONE, your gateway to an immersive journey into experimental techno crafted with the power of modern artificial intelligence. As a synergistic creator deeply passionate about the techno genre, OZONE explores the boundaries of soundscapes, merging human creativity with AI-driven innovation to deliver a truly unique musical experience.

All tracks on this channel are free for personal enjoyment, allowing you to dive into the complex rhythms and textures of AI-generated techno. Please note that commercial use is strictly prohibited, out of respect for the dedicated producers who have shaped the true spirit of techno music.

Join OZONE and let yourself be transported by the pulse of experimental beats redefined by technology.

Anantakara, a Sanskrit word meaning "rendering boundless", is a Belgium based electro-acoustic project creating and publishing music since 2011. Philippe Wauman, the man behind the project, likes to describe himself as a sound calligrapher: making delicate blends of ambient, electronica, downtempo, ethnic, neo classical and jazz. To make the vastness dance with the innermost is at the heart of his inspiration.

Astroform is an alien music artist and sound designer from the distant exoplanet Kepler-452b, a world of endless twilight skies and resonant crystalline landscapes. Shaped by an environment where sound travels through dense, mineral-rich air, Astroform crafts music that blends glacial ambience, seismic bass pulses, and fractal glitches reminiscent of shifting tectonic plates.

New tracks tagged #drone,