albumsget

Released Works

TenTenKojo  (CMR-60)

キラセッキ -Kiraseki- (CMR-61)

It’s that time again !

Jux releases his annual summer compilation : SUMMR EDIT VOL 666 just dropped like a cold beer in a heatwave. Your sweaty, twisted cocktail of edits, flips, and bangers to melt asphalt and turn beach bars into basements.

Get it : https://juxlabel.bandcamp.com/music

Masters by Studio Ctrl Room @blanchekheiratop

Free Download

キョンシーズ (Ground Edit)

Produced By 
Ground (linktr.ee/Ground_jp ) 

Artwork made By 
Mt.chills ( www.instagram.com/mtchills/ )

Mastered By
Kabamix ( soundcloud.com/kabamix )
credits
released July 31, 2025

Kunpuen-薫風円 (CMR-62)

Produced By 
Ground (linktr.ee/Ground_jp ) 

Featuring 
Saeko Killy ( www.bureau-b.com/artists/saeko-killy )

Artwork made By 
Mt.chills ( www.instagram.com/mtchills/ )

Mastered By
Kabamix ( soundcloud.com/kabamix )

Anatatoketa feat. Saeko Killy (CMR-63)

We are proud to present the first ever vinyl release in the form of a fulllenght album from Förslag På Musik.  Spaced out, breezy music perfect for the lazy summerdays.

**** OUT NOW ****
** GET IT BELOW **

http://safedist.ro/
________________
More from FPM: soundcloud.com/forslagpamusik

Book Of Mirrors

SR12006 - FÖRSLAG PÅ MUSIK - BOOK OF MIRRORS

The first Infinite Pleasure release of the decade comes from the mind of Manuel Darquart. Gracing us with four Italian dreamhouse-esque songs that will definitely keep you warm during this winter!
Stay tuned for release info!

@manuel-darquart

Get it now!

Manuel Darquart - The Adriatic EP (INPL006)

Impromptu muscovite supergroup Lilipulu turn the needle neon with a quartet of unexpected killers for club cosmonauts, rainforest ravers, anxious insomniacs and giddy punks. 

Unplanned, inspired and all the way live – the pin is glowing! Ever wondered why the Growing Bin releases sound so damn good? Well, it has more than a little to do with mastering magician Sergey Luginin, whose eagle-ears and technical know how have been a part of the process since GBR002. For the latest Glowing Pin powerplay, our man in Moscow joins some close friends on the other side of the console, letting the creative juices flow for ‘Four Amazing Tracks’. Luring Simple Symmetry brothers Sasha & Sergey and DJ & photographer Ivan Pustovalov into his studio with the promise of an afternoon stroll through the nearby Elk Forest, Sergey set the circuitry in motion and the quartet got lost in music. What begin with a plan for some simple edits and a woodland walk quickly became a full scale studio throw down, reimagining forgotten favourites amid a multi-instrumental stew of propulsive polyrhythms, low slung bass, cosmic synths and frazzled guitars. There’s techno-tribal hypnosis on the mind bending, brain blending A1, poetic post punk on the angular, janglier A2, outrageous Afro-cosmic on the freaky Floyd-in-Lagos B1 and languid ambience on the lysergic lullaby which closes the set. Recorded as they worked and presented in chronological order, this EP is a triumph of inspiration over perspiration - a snapshot of a moment which will last forever.
Patrick Ryder

LILIPULU - Four Amazing Tracks - A1 (4min46sec)

Peaking Lights - E S C A P E 
Dekmantel - DKMNTL081

https://dekmantel.com/shop/records/peaking-lights-e-s-c-a-p-e

a1. Dharma
a2. Peace
a3. EVP
b1. The Dammed
b2. The Caves
b3. Soft Escape
b4. Eyes Alive
c1. Innerterrestrial
c2. Dreams
c3. Silver Clouds
d1. Enchanted Sea
d2. Traffic
d3. Change Always Comes

With their first LP in over three years, Californian psych-dub duo Peaking Lights offer an outlet from the mundane with a kaleidoscopic collection of lo-fi, escapist-electronic pop. Over their illustrious twelve-year-plus career, the husband and wife duo of Aaron Coyes and Indra Dunis have set themselves apart with their characteristic dreamy, and melancholic sound that blends together elements of dub, and delicate-but-quirky electronics. E S C A P E, Peaking Light’s sixth album, and first for Dekmantel, finds them at their finest, replete with atmospheric landscapes crafted out of homemade-percussive loops, that sit alongside wondrous electronic pop and krautrock-like hooks, all tied together by Indra Dunis’ composed and hypnotic vocal charm.

Now based out in Amsterdam, and having firmly established themselves on Dekmantel with their 2018 EP Sea of Sand, Coyes and Dunis’ unique brand of indie-synthwave yet further explores their ongoing delve into transcendental, psychedelic music. With E S C A P E, the production duo illustrate their pragmatic use of instrumentation and dubbing to create more heady and celestial avant-pop. From the very outset on opening track ‘Dharma’, the band’s iconic retro-dub aesthetic kicks in, before being accompanied by a litany of drum machines, sweeping compressed effects, and Dunis’ hypnotic serene vocals. Coyes, somewhat of a connoisseur and collector of varying studio gear adopts his steadfast dynamic approach to production, playing with new mixing techniques, tape loops, compression and effects throughout. It’s this freedom to indulge, and create new instruments, processes and sounds that have made Peaking Lights unique; an ever-present industriousness that characterises E S C A P E, whether it be on the deep textures of ‘Change Always Comes’, to the cathartic 80s pre-rave-wave of ‘The Damned’.  

E S C A P E is a vibrant moment full of multi-spectral melodies crafted in an aesthetic the group have excelled in and made their own; a style exemplified by their breakout 2011 LP 936. And throughout E S C A P E, whether it’s on the esoteric ‘Eyes Alive’ to the mesmerising beach rhythms of ‘Dreams’, Peaking Lights’ rich and reverberated sonic palette shines through. For both dreamers and dancers alike, the latest offering to Peaking Lights’ illustrious catalogue is a true mind-expanding and fantastical listen full of passion and catharsis.

DKMNTL081 // Peaking Lights - E S C A P E

When the world slipped into madness last month, the ESP Institute put most releases on the back-burner to await brighter days, but then we thought again; why not approach these odd circumstances the way we do most realities, positively and head-on? We’re committed to a community that builds new worlds — this is fundamental to our creative and spiritual relationship with Osaka-born, cosmos-straggling artist, Ground — and while temporarily we can’t physically congregate to uplift each other, its our responsibility as an institution to maintain a platform for prolific creative pioneers, our cherished cartographers of cognitive escape. 'Wakusei' is wonderfully confusing and disorienting music, a follow-up EP to 2018’s critically acclaimed album 'Sunizm', not created specifically for life under lockdown, but nonetheless aptly suited to help release angst, guide meditation, and assist in making this moment in history more interesting if not transcendental. Whereas 'Sunizm' relied on field recordings gathered from rainforests, percussions learned from imaginary ancient civilizations, and the somehow organic freneticism of a mission control meltdown, the aesthetic of 'Wakusei' reduces this abstract instrumentation one step further to a more base-level array of gurgling synth scraps, accelerating engine friction and static-bound phonetic mistakes, all scrubbed into dust by a Brillo pad of white noise. The cliché of “great art is born out of hard times” is not lost upon us — of course the world will look back to this turmoil and its residual contributions to culture — but we see today's art as an immediate coping mechanism, and artists like Ground helping to unlock and navigate internal utopias. We’re already indoors, let’s delve inside.

[ESP037] Wakusei

Buy from ESP

[ESP037] GROUND - A1 - Wakusei α - SNIPPET

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