The Mildlife Very Fantastic Playlist

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

pommelsfest

confusing mix/panorama heaven

Your weekly mixtape of fresh music. Enjoy new music and deep cuts picked for you. Updates every Monday.

Discover Weekly

The Longest Mixtape: 1000+ Songs For You

THE HOT JAMS - 5

Frisbee in the Park - 4

PUENTE DE ESPERANZA RMX Vocal - Marengo

Haly Gully B/W the Morning Show

Haly Gully (Version)

3 Years ago, the magic happened. For those who still not know/own it. Free service.

Have a nice everything.

Van_Hai_-_Dernier Amour - Ripperton's No Love Lost Reshape

Running in Place

Beautiful Horses - Bloodbath64/TY girl

Brian Bennett - Solstice

'Cascade', out now on Ninja Tune: https://floatingpoints.lnk.to/cascadeSo

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#FloatingPoints #NinjaTune

Cascade

Fast Forward

Honey

Got To Change

In My Dreams

Four Tet + Ellie Goulding - In My Dreams

Baby

disco 3000 presents the classic James mason tune as played out by incognito Re Fudged and sent out to the universe  

Disco 3000 ........ James Mason/ INCOGNITO Sweet Power of your Embrace

Correlations

Morgana Da Capo

Blackouts

Don't Trust The Kids

Djavan

Nereci

The Love That Whirls

Empire Of The Senses

Freedom Flight

Strawberry Letter 23

Mr. Gone

River People (Live)

Marathon

Aqua Marine

Obey the Time

Contra - Indications

Crosswinds

Heather

Butterfly EP

Fly Away (Butterfly Reprise) (Fly Away Club Mix)

Black Gold: Samples, Breaks & Rare Grooves From The Chess Records Archives

The Windmills Of Your Mind

Brian Bennett - Image

Artificial Dance

Using Words

Always Never Home

Bad Dream/No Looking Back

"Freelance" is taken from Toro y Moi's album, 'Outer Peace,' out now on Carpark Records.

Available Now: https://found.ee/toroymoi-outerpeace
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LYRICS
Oh walk on the water -- for me 
Just for me baby o.k. 
Oh, there’s always gon’ be pressure o.k. 

“Pressure” 

Nothing’s ever worse than work unnoticed 
Freelance now, yeah I guess you earned it 
Life is only wishing we could load it 
Level up you got to make a bonus 

Mystic staring at his phone for oneness 
Silver or black mirror, what’s the difference? 
Imitation always gets a bad rep man 
Witches Brew had me on on the first sip, man 

Smells like Autumn, smells like leaves 
You don’t know that you’re rust and not belong 
So much 
And then you get left alone 

Cloud hidden and my whereabouts unknown 
Cazedero got me wearing all camo 
Decked in Patagonia head to toe 
Down for whatever, I think I let go 

No more shoes and socks, I only rock sandals 
I can’t tell if I’m hip or getting old 
I can’t hear you, maybe you could change your tone 
People tend to listen when they see your soul 

Oh walk on water -- for me 
Just for me baby 

Sometimes I think we are from the same place 
Now I don’t 
What just happened?

Freelance

A Night At The Booty Bar

Ass-n-Titties

In 2006, the musical landscape was very different; there was no streaming, “shazam" was a word used by magicians, and "all-access” was not granted to the general public. Social media, as we know it, was in its infancy and today’s constant digital feed of interruptions, notifications, refreshes and “likes” didn't yet exist. Those with a thirst for the overlooked regions of the record store had to quench themselves in the climes of the online world's music blogs, and while that digital community was surely expanding, NYC’s www.lovefingers.org was something different. Not a blog but a daily unfolding mix — no opinions, reviews, or backstories were coupled with the music, no full albums or submissions from the outside — it was a mysterious watering hole in the burgeoning digital desert where rogue tracks from Wally Badarou rubbed shoulders with those of Holger Czukay, the drama of Sylvester juxtaposed with the quirkiness of Hosono, and countless other coveted artists’ unearthed gems melted in one pot, a digital space where $1 thrift store scores could easily breathe the same dusty air as cosmic holy grails, oddball psychedelics and proto-electronica b-sides comfortably cohabited with $300 private-press folk rarities. With 1 track per day, Andrew “Lovefingers” Hogge created a truly democratic and educated selection of music for our aural pleasure, and labelled them ‘Fingertracks' (numbered 001-999).

The community around Lovefingers’ site was a call-to-action, gathering analogous minds and inviting them all to the same party, and on New Years Day 2010, after 999 Fingertracks and a plethora of (now classic) mixes, the site made a final post stating, “That's all folks!” The collective energy pivoted into the ESP Institute, a record label and art platform to champion new artists who emerged from this foundational community and as a catalyst to push the musical dialogue forward. Now, as the ESP Institute approaches its 10-year anniversary, we revisit the significant role www.lovefingers.org played in shaping where we are today.

'Fingertracks Vol : 1' is a snapshot of aural delights that were on offer to those of the leftfield persuasion, all who discovered the site and tuned-in for their daily shot of sonics proper — a lovingly selected handful of records that re-introduce the story of Andrew’s most influential and essential music resource. The track list is classic Lovefingers, an insight into the free-flowing nature of the daily Fingertracks, context-free but connected through creative threads and energies — lo-fi loner jams brush up alongside sleazed-out Italo powerhouses, Greek new age obscurities tussle against overlooked Hawkwind-related cuts — nuggets that may be more known to the heads now, but whose initial excavation can be accredited to Lovefingers’ site, and are essential to its story nonetheless. Rumor has it that this is merely the first volume in a series, so as it turns out, and gladly so, “That’s not all folks!”

Buy from ESP

LIFETONES - Good Side - SNIPPET

Ladies of the Eighties

He is Mine Forever

cute and fun - maybe some one may like to sample this in a soulful slomo porn sex mix!

Ladies Love Chest Rockwell - Lovage (Nathaniel Merriweather)

Ignacio rassemble le continent sud-américain avec le continent africain, et imagine la langue divine d’une nouvelle Pangée musicale. Au folklore, Ignacio préfère alors des mantras, profonds, hypnotiques, rythmiques, invitant ainsi le spectateur à voyager dans une méditation à voix haute. Ignacio décline sur un nouvel état de conscience musicale, décomplexée des structures traditionnelles des chansons, et dénudée de toute langue connue et pré-construite.