(Title may change for release)
Source Material:
Human Voice
Arp VST
ANS VST
Monotron Delay

Recorded and Mixed in Los Osos and Gillette.

Astral Tectonic Shift (For RK Faulhaber)

Staytus: Redefining the Sound of Modern Industrial Music

Musician. Artist. Producer. These words are often overused, but Staytus— the musical alter-ego of recording visionary Sam Grundemann—embodies all three in a way that defies convention. With each release, she pushes the boundaries of sound, emotion, and storytelling, crafting immersive sonic landscapes that captivate and unsettle.

Her latest single, “Suburban Gothic”, the second track in her series, takes inspiration from Matthew Gray Gubler’s cult-classic horror films. Produced by Matt McJunkins (A Perfect Circle, Puscifer), the song blends electro-industrial and nu-metal elements with Twisted Frames eerie, deeply personal lyrics about paranoia, fear, and confronting the past. “Suburban Gothic” follows “68 Kill”, an unapologetically raw track that explored emotional manipulation and reclaiming one’s power, further showcasing Staytus’ unfiltered approach to songwriting.

Before launching the Twisted Frames series, Staytus gained attention with “Can You Hear Me?”, produced by Sean Beavan (Nine Inch Nails, Slayer), which tackled themes of isolation and inner turmoil. She continues to build momentum following her 2022 debut Disease of the Mind and her sophomore album Wasteland of Broken Hearts.

At the intersection of cutting-edge production and raw emotional storytelling, Staytus transforms trauma, heartbreak, and resilience into sound—offering an intense, non-neurotypical perspective that speaks to a generation navigating darkness and self-discovery. With her boundary-pushing vision and fearless sonic experimentation, Staytus is carving out a space as one of the most compelling voices in modern industrial music.

(Mostly for the output of Esperik Glare though occasionally other related projects will be posted)



https://sexybabymice.bandcamp.com/music

once upon a time we were tiny mice abandoned in a dusty attic...

until we noticed there was a synthesizer that made sexy sounds...

so we embarked upon a trip through a world of sexy sounds...

in time and space...

we are nice

we are mice

we like to add spice

we are sexy baby mice!

https://soundcloud.com/sexy-baby-mice-and-friends

Mark C. Jackman began composing/producing scores for experimental film and dance in 1984 while studying Experimental Electronic Music under Vladimir Ussachevsky (the co-inventor of electronic music/musique concrète, in 1927 with Otto Leuning - see http://en.wikipedia.org/wiki/Vladimir_Ussachevsky ) and Music/Art/Aesthetic Philosophy with Paul Banham at the University of Utah.

Jackman relocated to San Francisco in 1988 at which point he began using the project name "skozey fetisch."

The current focus of skozey fetisch is acoustic cacophonies and field recordings presented with minimal, or no manipulation. While per suing this new focus, the project is still actively recording electronic experiments as well.

Astral Tectonic Shift (For RK Faulhaber)

esperik glare