Copy of symphonic gothic metal

symphonic gothic metal

Tempest EP

Black Metal 3

Symphonic Metal

Cantara ( Dead Can Dance Cover )

E Tardi!

The infinitely mysterious yet irrefutably heralded underworld musical entity known to its devout cult following as THE RUINS OF BEVERAST will unveil its massive fourth LP late this Summer; an album which vows to prove itself as one of the most ambitious and unrestrained releases under the cape of black metal to see release all year.

The solo project of one Meilenwald, the infamously devastating drummer and one of the chief songwriters for now defunct legion Nagelfar, in addition to drummer for Truppensturm, Abusus, Verdunkeln and more, THE RUINS OF BEVERAST originated in 2003, and with each release has pummeled underground audiences with an epic, wholly original style of massive, mesmerizing, and malicious black metal artistry. With an incredible tact for keeping his hymns continually entertaining, each of TROB’s full-length releases boast well over an hour of exceptionally high-quality blackened craft with not a moment of filler and each album showing more progression than the previous, not only musically, but artistically and conceptually. The art of 2004’s debut Unlock The Shrine was taken to even darker and cryptic levels with the 2006 follow-up Rain Upon The Impure, and with the release 2009’s grand Foulest Semen Of A Sheltered Elite the word “epic” should have been wiped out of the dictionary, the album showcasing Meilenwald’s most intriguing tunes to date. Until Now.

After a four-year wait, and celebrating the act’s ten-year mark in 2013, the newest works from THE RUINS OF BEVERAST are nearing public availability with the pending release of Blood Vaults -- The Blazing Gospel Of Heinrich Kramer (Cryptae Sanguinum -- Evangelium Flagrans Henrici Institoris).
As always, every element of the new album’s precision percussion, axemanship and synth-laden atmospheres over its nine winding movements was fully conceived and executed by Meilenwald, the man’s brutal creativity coming devastatingly alive through a whirling barrage of through nearly an hour and twenty minutes of his most flooring and entrancing material yet.  The LP’s striking cover art by Axell Hermann (Asphynx, Grave, Samael, Sodom) boldly portrays the religious depravity and brilliant decay of the album’s lyrical tone.

Blood Vaults -- The Blazing Gospel Of Heinrich Kramer (Cryptae Sanguinum -- Evangelium Flagrans Henrici Institoris will be made available to the public in September via CD digibook, gatefold 2xLP, a lavish 2xLP pressing and digital once again through the act’s direct cooperation with the cult label Ván Records (Nagelfar, The Devil’s Blood, Urfaust, Year of the Goat) as with the three previous TROB LP’s.

https://www.facebook.com/pages/The-Ruins-Of-Beverast/116265971848680
http://www.van-records.de
https://www.facebook.com/vanrecs


02 The Ruins Of Beverast Blood Vaults II Daemon

03 The Ruins Of Beverast Blood Vaults III Malefica

04 The Ruins Of Beverast Blood Vaults IV Ornaments On Malice

05 The Ruins Of Beverast Blood Vaults V Spires The Wailing City

06 The Ruins Of Beverast Blood Vaults VI A Failed Exorcism

Storm is the sixth studio album of Norwegian gothic metal band Theatre of Tragedy, released in June 2006. It is also the band's first album with new lead singer Nell Sigland. "Storm" was released as the album's first single, and the band embarked on a European tour to support it. The album also marks somewhat of a return to gothic metal, although its sound is much lighter and more upbeat than that of earlier albums, and still uses modern English lyrics. 

THEATRE OF TRAGEDY - Storm

He vivido en la oscuridad, y quisiera escapar,
 Donde tu piel pueda acariciar, y sentir tu calor…
 
CORO I
 
 (En mi mundo), Siglos de estar (un ser de sombras yo soy)
Vagando  así 
en la opaca noche.
 
II
 
(Aunque el olor de tu sangre desgarre mi garganta)
De la eterna oscuridad no podré escapar
 
(Fragilidad), obsesión  (que me aleja de ti)
Cubre mi ser, (Una inmensa sed)
pasión mortal  (se apodera de mi)
Que me obliga (eterna oscuridad) a morar junto a ti .

DONCELLA OSCURA

ETERNA OSCURIDAD

Mörwen - Eterna Oscuridad

Demona Mortiss - Lost

Lagu "Syukur" karya H.Mutahar ini diaransemen ulang oleh Geboren dalam warna Gothic Metal. Lagu ini terdapat di album "Smile of God".

Syukur [Geboren's Gothic Metal]

Tempest

Firestorm (Exaltationem In Nihilum)

Unas Slayer Of The Gods (NIle Cover)

Tempest (Orchestral Version)

Original music - by Anorexia Nervosa

Recording, mixing and mastering by Magna Opera studio


Blackthorn - Sister September (Anorexia Nervosa cover)

Imagine the fury, the fury of raging planet expressed in such dark art as metal. Specifically extreme metal. Now add to that layers of symphonic orchestra, with its reachness and deversity of sounds. Lastly atop of this combo rides a true valkyrie, with a voice that can take you to heavens, or to the depths of hell. If you could imagine all of this, then you'll get the basic vision of Esperoza. 

Biography:
Esperoza was founded Autumn 2010 in Chisinau, Moldova. Founding members Zoya (vocals, lyrics) and Dmitrii (guitar, composition & arranges) were disgusted with music that is considered today as "Symphonic Metal", and decided to create their own band, that would resemble a real Symphonic Metal. For the most time in past two years Esperoza was focused on creating material and finding fellow musicians, the latter, unfortunately, was fruitless, but the band did not give up that easily. So on December 31 2012 they released their debut E.P. "Tempest".

Concept:
Musically, it is based upon classics of Death and Black Metal genres, combined with arranges for a symphonic orchestra, and a real dramatic soprano.
Lyrically, the band addresses intrapersonal conflicts, personal enlightenment, hypocrisy and malice of society, ecological problems, survival in unfriendly world and to some extent sci-fi.