03 Phänomene (with Nikhil Narendra)

02 Bí Nà Ndzángán (with Alima)

01 Dickicht (with Moritz Anthes)

In Oktober of 2021 we decided record the essence of what we were playing in our latest concerts after the corona lockdown.
So we met for 2 hours at the Ghoetebunker and did the deed.

5 Rum And Ass

recorded live in Köln, DE. November 2024. 
written for BONECRUSHER: 

Moritz Anthes, Till Künkler, Moritz Wesp, Anke Luchs, Matthias Müller, Weston Olencki, Matthias Schüller, Adrian Prost, Maria Trautmann, Matthias Muche; trombones 

Etienne Nillesen, Rie Watanabe; percussion

glass [2024], for ten trombones and two percussionists

Goethebunker - Resident Kaya liefert wie üblich komplexe perkussive Rhythmen, von hypnotischen über treibende Grooves bis hin zu kompromisslosem und kraftvollem Techno.

Kaya - Goethebunker Podcast #57

liveset i played in the 'bucht of our choice'
all tracks unreleased

LIVE im salon

Jugendjazzorchester Sachsen-Anhalt – „Punkt und Linie zu Fläche“
Auftragskomposition [Bauhausjubiläum]: Moritz Anthes
Produktion: Konzertmittschnitt 2019 Theater im Capitol Zeitz

Konzert in Zeitz

Punkt Und Linie Zu Fläche

This track was produced with samples from the Polish Radio Experimental Studio (PRES) from 1957 until the '80s only. It was part of the Saturday challenge at the loop at home festival.

Loop At Home

contemporary serious music

Have you ever constructed a contraption, whipped up a widget, designed a doohickey, thrown together a thingamajig? For our first challenge of the weekend, we invite you to do just that. We want you to grab some junk that’s lying around your house, and build a brand new musical instrument the likes of which the world has never seen! Let’s call it . . . a Gizmophone.

a car radio's motor unit, a poti from ... I am not really sure ... and a rubber band to get this metal spring in vibration ...

https://vimeo.com/411454373 

https://vimeo.com/411528760

Loop at home

Don't get them wet

The inspiration for this challenge comes from the avant-garde FLUXUS movement. Artists including Yoko Ono, Dick Higgins, Alison Knowles and George Brecht, pioneered what they called event scores – simple instructions that could be performed by anyone. The second movement of Knowles’ “Bean Piece” instructed the performer to “deliberately spill the beans”, while another by La Monte Young called for the player to “draw a straight line and follow it”. The point of these “little illuminations”, as Young called them, was to blur the barrier between art and everyday life, to demonstrate that the world – and your apartment – is already making music. Let’s call it … ‘house music’.


While my fridge did not make any sounds, instead it was having some lazy time during this Sunday morning, the only consistent sound came from my grandma’s-clock … tick-tock … … which became the tempo of this track. 

Finally, while recording me, pretending being a clock … the fridge started to make some noise. A repeatedly, humming sound with scratchy-like peaks. To imitate this sound, I used a deep tuned viola, scratching the C-String with the back of the bow in a rotating manner. … to complete this challenge, I added the fridge’s door opening sound, recorded the air pressure thing of the deep freezer while closing this door, a down cooling kettle, and of course that clock’s bells. I used EQ, Pitch, Warp and Panning

Time is passing by

E.N.D.E. is an Essen based drum and bass, dub and techno band consisting of four highly skilled and versatile musicians creating a sound which easily let’s you believe there are ten people on stage. They play usually electronically produced music in an acoustic and improvised live context always reading and feeling, what the audience wants and going with the flow of the dancing crowd.
Wild and tight drumming of virtuoso Simon Camatta meets dubby and wobbly FX-pumped Bass of Moritz Anthes. This pumping rhythm section is spiced with the nearly endless wicked and sick sounds, patterns, samples and ideas of Max Wehner on the trombone and Este Kirchhoff on ever changing weird guitar or lapsteel setups.    
Max Wehner - Posaune & FX
Este Kirchhoff – Lapsteel, Guitar & FX
Simon Camatta – Drums
Moritz Anthes – Bass

5 Rum And Ass

E.N.D.E. - Essener Noise Dub Ensemble