To me, a DJ's job is to take their audience on a journey. Bring a timeless experience into the confinement of a period of time. Bring their participants to a fine new auditory terrain filled with rough grooves, steep drops, and harmonious chants coming from other realms. Every different part pieced together smoothly by their craft, making it all a part of one everlasting bubble - Xstatic

      Tage and Sanner, Sage Steen as "Sagonomix," and Tanner Shank as "Bread." We play UK hardcore, HHC, J-core, DnB, Old School, but not limited to 90's boy bands. 

MINNEAPOLIS, MN BASED PRODUCERS. 


FOR BOOKINGS & REMIX REQUESTS, PLEASE EMAIL US AT: syncbutton@outlook.com

P.O.S was born in Minneapolis as Stefon Alexander, where everybody still calls him Stef. As a little kid, he developed a fascination with an older cousin's bass guitar. Stef was allowed to take it home and he banged on it happily for years before realizing that it was intended to be played through an amp. "I just thought it was supposed to be a quiet instrument." As a teenager, he fell hard for punk rock. Minor Threat, At the Drive-In, Refused, Kid Dynamite. He played in a series of hardcore bands, sometimes as a drummer, sometimes on guitar and vocals. From the start, he preferred basement shows to club gigs. Simultaneously, he pursued hip hop, rapping in the hallways and after school with classmates who would eventually found Doomtree Records. P.O.S released his first rap record, Ipecac Neat, on Doomtree in 2003. After signing with Rhymesayers shortly after, it was quickly released and widely distributed on Rhymesayers Entertainment. The album earned P.O.S a dedicated following of critics and underground fans. Two years later they devoured his melodic sophomore release Audition, which featured collaborations with heavyweights like Slug from Atmosphere; Craig Finn of The Hold Steady; and Greg Attonito of The Bouncing Souls. On the verge of his third release, with his trajectory unchecked, P.O.S still doesn't take himself too seriously. He doesn't sweat the musical trends. He locks himself in his bedroom studio until the early hours of the morning, emerges with a song, and couldn't care less how someone else would have gone about it.

Like many great rappers, P.O.S creates his own self-contained little microcosm-his characters become familial to us; we get in on his slang and inside jokes. His mother and his son Jacob emerge as familiar personalities. We know his politics too: P.O.S doesn't hesitate to call out the compounding absurdities of pop culture, either with a little friendly ribbing or with a Molotov cocktail. On Never Better he drops deft one-liners that cut to the quick of America's stuff-obsessed culture, Can't take it with them can they?

Amidst the swagger, the laughter and the wit, P.O.S also provides a portal to his personal life-a young man ferociously determined to succeed as a father, a musician, and a human being. He's earnest, sometimes frustrated, irresistibly likable, and he's goofy. With that kind of wingspan, he can rally almost any crowd-live he's like the Pied Piper of the underground. He can make a rap show feel like a revival, a mosh pit, or a reunion. He will stand on chair. He'll invent a dance. Then the beat drops, the hands go up, and you're converted.

651//612//774//502//626
STP//MPS//MASS//ATX//RI//CA
RAPPER//DRUMMER
Judah.G.McCoy@gmail.com

A being of uncountable artistic and musically creative talents. Self-taught, well-rounded, multi-faceted, his one and only aspiration and source of inspiration becomes evident the moment any one of his many compositions are played; to delve deep into the heart of human darkness and emotion to produce the perfect work of symphonious art. 

Esser Professor is following