Record Label (Vinyl / Digital) & Podcasts
~ Exploring the trance wave ~
Contact@trenteneufrecords.com

Contact - vridianmusic@gmail.com

Bookings & Management - vridianmusic@gmail.com

Vridian is a New Delhi-based electronic music artist whose sound bridges the space between house, techno, and psychedelic influences. With over a decade of experience in electronic music—seven years under the Vridian moniker—he has become a prominent voice in India’s underground scene.

His releases on labels like Qilla Records, Manjumasi, 39 Records, and Amaylia have garnered widespread acclaim, with remixes from esteemed artists such as Christopher Ledger, Map.Ache, Mihai Popoviciu, Markus Homm, and Io Mullen. In 2022, he released his first vinyl record with the label Manjumasi. His music has found its way into the sets, mixes, and radio shows of legends like Andrew Weatherall, Roman Flügel, Jonathan Kaspar, Traumer, John Digweed, and Hernán Cattáneo.

A regular fixture at clubs and festivals across India, Vridian has also delivered all-original live sets at prestigious events like Magnetic Fields and Echoes of Earth. Beyond his own productions, he curates the party series Don’t Feed The Animals, fostering a space where sonic exploration thrives. His artistic ethos embraces hybridity in musical styles, fluidity in life’s journeys, and a touch of whimsy—always pushing the boundaries of deep, mesmeric, and groove-driven electronic music.

Releases on: 
@manjumasi
@traum-schallplatten
@niewiederschlafen
@qilla
@amayliarecords
@magicianonduty
@39-records

Sub-Music 
( Techno,DnB,Dub,Trap,Hiphop,Rap
  Ambiant and More…………………….)

Techno & Tech House Label by @Essio



demos: glipgloprecords@gmail.com

funky rhythms generated out of machinery and high tech gizmos blended and humanized in the mischievous hands of essio




psytrance project: @fuzulu

Mathew Jonson really is one of a kind.  
 
He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another. 
 
His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)
 
His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth.
 
And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black.
 
He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers.
 
Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.
 
It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.)
 
"It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them.
 
After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties.
 
His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem.
 
"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.
 
In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.
 
Those two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like "Marionette," "Return of the Zombie Bikers" and "Symphony for the Apocalypse," Jonson has increasingly turned his efforts towards more personal, introspective music. He hasn't left the clubs behind—his new album, Agents of Time, features a number of tracks that are as hip-windingy wily as anything he's produced yet, full-on tracks like "Girls Got Rhythm" and "Thieves in Digital Land." But he's also taken advantage of the longplayer format to stretch out and indulge darker moods and slower tempos.
 
"I like to have phrases that sound like they're major, but then they go minor when they turn around," explains Jonson. "You think that you're in a happy place, but suddenly you're not. I like playing with that tension. When I look at the music I've made, the best music is always music that can stimulate any kind of emotion. It's more like a key, towards opening up whatever is inside of you -a gateway"
 
You can expect him to be unlocking even more emotions soon—ones you may not have even known you had—when he ramps up with Midnight Operator, a collaboration with his brother Nathan Jonson, aka Hrdvsion. With Nathan also based in Berlin, the two are finding common musical ground, expanding upon the platform they established with their lone, 2007 EP for Wagon Repair as they begin work on an album.
 
"Obviously, you can look at what I do with my label and the bands I have, to see what's important to me," says Jonson of keeping it in the family, so to speak. "I'm lucky because I have so many friends who are strong musicians. We can all feed off of each other.  You know, when you're doing music, it's such a personal thing. To have an outlet with the labels to be able to release our music, and be able to all stay together, I think there's a lot of strength in that. Everybody is stronger as a group." – Philip Sherburne


Newest Release:
Jonny Vee - I'll Find My Way
https://www.beatport.com/track/ill-find-my-way/17105625

Jonny Vee - Momentum EP
https://www.beatport.com/release/momentum/3458086

Jonny Vee - Always look ahead EP
https://www.beatport.com/release/always-look-ahead/3166423

Jonny Vee - Chance EP
https://www.beatport.com/track/chance-original-mix/13784932

Jonny Vee - To The End (Original mix)
https://www.beatport.com/track/to-the-end-original-mix/13321210

Jonny Vee - Transpose EP
https://www.beatport.com/release/transpose/2485271

Jonny Vee - Mew (Original mix)
https://www.beatport.com/track/mew-original-mix/10034352

Jonny Vee - Garden EP
https://www.beatport.com/release/garden/2152133

also check out :
https://www.protonradio.com/artists/7127/jonny-vee/mixes

for more dj set's and SF past shows visit
http://www.mixcloud.com/jonnyvee/

LIVE / PRODUCER / DJ / REMIXER
Drop'in Caravan / I.O.T Records / Synthetic Line

---*BIOGRAPHIE*---

Organisme Musicalement Modified

Midilink started his career at an early age in the Parisien underground dance music scene after studying at the I’IMFP (a French institute specialising in jazz music). He defines the music as an extraordinary force of creation between energy, inspiration and intuition. He toured internationally with the sound system ‘Tomahawk’ then after a few years he settled down in Marseille and set up a recording studio. After signing to I.O.T records he took part in the African Expedisound (a groundbreaking project that took electronic tribal music overland to Africa). He has played Internationally with many well known artists both in club and the underground and released music on numerous labels. Today the unique style of electro techno and minimal breakbeat that he has developed through these experiences will keep your feet firmly rooted to the dancefloor.

*--------2022————*
09/12 Rio grande,Atoem Closing,Montauban (FR)
31/10 Melomanclub, Montpellier (FR)
08/10 Zouav'Festival - Normandie(FR)
07/10 Club in- Breschia (IT)
10/09 Delta 04 Festival - Sarzeau (FR) 
09/09 Universo Paralello, LaroqueD'Olmes (FR) 
15/08 l'annex' Festival - îles d'Oleron (FR)
04,07/08 Fora de Tempo Festival - Sao Giao (PT)
09/07 AZA Festival - Laroque d'Olmes (FR)
08/07 La Jungle - Massat (FR)
23/06 Le Natio -Revel (FR)
21/06 Fetes De la Musique -Briançon (FR)
18/06  L'Elabo - Rennes (FR)
17/06 Atlas Festival -Turin (IT)
11/06 Ale D'anaurot - Quimperlé (FR)
10/06 Dream Club - Lorient (FR)
28/05 Le Green Room -Antibes (FR)
21/05 Ware House Atman - Parma (IT)
24/04 One Tribe Festival, Portugal (PT)
16/04 Le Green Room -Antibes (FR)
08/04 L'Orbi, Switzerland (CH)
23/03 Le Downtown, Méribel FR)
21/03/ La Cave, La Plagne(FR)
15/02/ La Cave, La Plagne(FR)
*--------2021---------*
10/12 le CO2, Nantes 44 (FR)
09/10 Zouav Festival, Normandie 61 (FR)
02/10 Sweat Lodge, Nantes 44
01/10 Le Tracks club, Granada, Spain(E)
04/09 L'Antre, Nice 06 (FR)
03/09 Le Green Room, Antibes 06 (FR)
28/08 AZA, la roque-d'Olmes 09 (FR)
20/08 Le Green Room, Antibes 06 (FR)
06/08 Tatabel, Plomodiern 29 (FR)
30/07 Guinguette Active, Quimper 29 (FR)
24/07 L'Annex', Ïle D'Oleron 17 (FR) 
22/07 Le TotoLoco, Vallon-pont-d'arc 07 (FR)
21/07  La Cabane, Bagnols-sur-cèze 30 (FR)
*--------2020---------*
08/07 L'annexe, île d'Oléron 17 (FR) 
18/04 Club , Turin (IT)
18/03 Le Down Town, Méribel,73 (FR)
01/03 Club Kaserne, Basel Switzerland (CH)
22/02 Les lendemains qui chantent, Tulles (FR)
19/01 Club le monoski, Verbier, Switzerland (CH)
14/01 Le Monki's, Crans-Môntana (CH)
12/01/ La Cave, La Plagne(FR)

*--------2019---------*
24,26,31 /12 - Cafe Chill, Ella-Sri-Lanka  (SRI LKA)
09/11 - Udine (IT)
12/10 - The Milf, Gaillac (FR)
07/09 - Festival Tropicool, Dordogne (FR)
24/08 - Les Rencontres Alternatives, Rennes (FR)
21/07 - Re-Vivres Festival, Bordeaux (FR)
15/06 - Meadow Festival,  Paris (FR)
24/05 - Sector11 Festival, Catalunia (E)
11/05 - The Fabulous Western , Gard (FR)
20/04 - Easther Techno , Gênes (IT)
19/04 - Follow me, Toulouse (FR)
23/03 - Le QG, Leysin (CH) 
22/03 - Le Monki's, Crans-Montana (CH)
21/03 - Le Lodge, les arcs 1800 (FR)
17/03 - Club La Cave, La Plâgne (FR) 
30/01 - Le Rocky Mountain , Valthorens (FR)
29/01 - La Mousse, Menuires (FR)
26/01 - Club Wild and Savage , Valthorens (FR)
12/01 - Alternative Stage at Atman Festival (SRI LKA)

Take chances..
Tell the truth...
Learn to say NO...
Spend money on the things u love...
Laugh till ur stomach hurts...
Dance Even if u are too bad at it...
Pose stupidly for photos...
Be child-like.....

Moral:
Death is not the greatest loss in life..
Loss is when life dies inside u while u are alive...
Celebrate and join this movement called
 "LIFE ENJOYERS CLUB"..

Essio is following