Tritan Selects : EDM, Rap, Ambient 2025

City in Flames

Rock Me

Following the growing momentum of Listening—which has landed on notable indie folk playlists and been highlighted by outlets like Purple Melon and Indie Folk Central—Dellwood returns with We Could Awake, a cinematic indie folk track layered with ghostly vocoder harmonies and raw introspection.

Blurring the lines between organic warmth and ethereal textures, We Could Awake explores the tension between staying in the comfort of the past and stepping into something unknown. The refrain—"Like digging for gold, am I made to break, or face it?"—poses the central question: Do we fold under the weight of fear, or do we find the courage to awaken? The song captures the quiet wrestling between doubt and purpose, between clinging to familiarity and embracing the risks of growth.

Set against flickering fireplace embers and fleeting memories of Minneapolis flights, the lyrics paint an intimate portrait of longing, uncertainty, and the hope that waking up—to life, to love, to purpose—is worth the risk. If Listening was a quiet confessional, We Could Awake is the moment of reckoning.

We Could Awake

Written By Ke’Ante
Produced By Ke’Ante 
Co Produced by ‪@madloveluna‬ 

℗ Ke'Ante Stevens Productions Inc.

Ke'Ante - Indica

'silk' blends the bouncy pulse of UK Garage with the lush textures of ambient and the emotional swells of Future Bass. Built around immersive sound design and intricate percussive elements, it carves out a space that's both danceable and cinematic. Every detail is intentional — from glitched-out vocal chops to warm, evolving pads — creating a sonic journey that's as introspective as it is infectious - ChatGPT

Silk

silk

Heal me

A bold reimagining of The 1975’s brooding anthem “Somebody Else.” Gritty, cinematic, and emotionally potent, her version transforms the track into a dark indie pop slow-burn—raw, unfiltered, and electrifying.
Built on pulsing synths and driving percussion, Estella strips the song down and rebuilds it from the inside out. Her striking vocal performance—equal parts restrained and explosive— channels the ache of detachment with the emotional grit
of Jessie Murph, the shadowy elegance of BANKS, and the empowered edge of Miley Cyrus.
“I’ve always loved how vulnerable ‘Somebody Else’ feels—like a wound that hasn’t quite healed,” Estella shares. “I wanted to lean into that ache, but give it a darker edge, like the moment where sadness turns into self-preservation.”
“It’s not about copying the original—it’s about translating it through my own lens,” she adds. “I kept asking, what does this heartbreak sound like when it's colder?
When it burns slower? That’s what I wanted to capture.”
This isn’t just a cover—it’s a reclamation. A hypnotic, slow- burning anthem that feels both timeless and defiantly current.
New Zealand-born, Estella is a San Diego-based singer, songwriter, producer, and multi-instrumentalist. A full-circle artist, she writes, records, and produces all her music—creating genre-bending pop that’s unflinchingly honest and emotionally charged.

Somebody Else (The 1975 - cover)

Reckless is a breakup anthem about love falling apart when both sides share the blame. It dives into late-night fights, betrayal, and the painful moment when someone you trusted feels like a stranger. The refrain, “I think we’re even, babe,” is a raw admission that no one leaves without scars.

Blending intimate singer-songwriter storytelling with the punch of alt-pop and indie-pop, Reckless is carried by bold, emotive vocals and a cinematic feel. It’s honest, vulnerable, and unapologetic — a track for anyone who’s lived through messy love and come out stronger.

Fans of Gracie Abrams, Dermot Kennedy, Olivia Rodrigo, and Miley Cyrus will feel right at home here.

Reckless

Been Here Before

Thoughts For The Night

Broken Clock

petunias

Running on Empty

“Conversations” is about the frustration of one-sided love — giving everything while the other person offers only half-measures. It’s a song about self-worth, clarity, and the moment you realize you deserve more.

Written, performed, and produced by Estella Dawn, “Conversations” blends raw vulnerability with strength, moving from intimate piano to soaring alt-pop intensity.

For fans of BANKS, Gracie Abrams, Halsey and Dermot Kennedy. 
Mood: emotive • cinematic • dark-pop • powerful

Conversations

Healing Touch by Soul Spring is a soulful R&B journey through love, restoration, and peace.
This song blends vulnerability and strength — reminding us that sometimes, the gentlest touch carries the deepest power.

With smooth harmonies, velvet keys, and heartfelt lyrics, Healing Touch speaks to the body, heart, and soul.

Perfect for late nights, quiet reflections, or anyone healing from love and life’s battles.

Let it play… and feel every note soothe something inside you. 

#HealingTouch #SoulSpring #SoulSpringMusic #SoulfulRNB #NeoSoul2025 #EmotionalRNB #HealingVibes #ChillRNB #PeaceAndLove #RNBHealing #SoftSoul #RNBMood #HeartAndSoul #SoulTherapy #CalmEnergy #LoveHeals #VibeCheck #UKRNBScene #SoulSpringForever #FeelTheVibe

Healing Touch

Little spider

Fuori Posto

I write songs because it’s cheaper than seeing a therapist

DJ Maske – a masked storyteller from Fuerteventura.
Deep House, Afro rhythms & cinematic vibes, made for the night.
Music that connects desert energy with club floors worldwide.
🎭 Behind the mask – the music speaks

🎧 Deep · Cinematic · Ritualistic
🌍 Berlin · Tulum •Fuerteventura •Österreich•Ibiza 
➤ New release: Donna di Notte (Ritual Rework)
➤ Follow for sonic journeys through the dark

Bookings & Contact:

https://linkfly.to/DjMaske

Somebody Else (The 1975 - cover)

Estella Dawn

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