Moscow-based prolific producer Alexey Gusev, better known as Lapti, recorded a special mixtape which entirely consists of tracks around 90 beats per minute – here you will find hip hop and funk tunes, experimental beats and some exclusive production of his own.  
@lapti

http://ru.ezscreenings.com/13/

Tracklist:
Foisey - Snow (Rocmarci)
Aalon$e - Total
Aalon$e - Re$t
Eggglub - Thnkbckrmbr
Beatboxbandit - Purpleflowers
Erotnas - Ready4luv (re-up)
Sleepy Eyes - Delivery boy
Unknown - Untited
Bbrainz - Vice city shopping mall
Lapti - Jumpin like J (Voyage mix)
Foisey - 36
Vector Graphics - Tropical
Tropes - Dionysus
Sulu - Transitional period
Hm Surf - Trip to the beach
APO - Stepit
Fitz Ambro$e - Sharks baby
HM Surf - Toto
Omaure x DRWN x Sandpeople - Paperman
Fitz Ambro$e - Hittn
Neon Indian - (If I Knew, I'd Tell You)
Foisey - YuhHolluh
APO x HM Surf - Hondew

Film Screening Series: Lapti

The next mix for our "Film Screenings" series was compiled by one of the project's contributors, a musician from Krasnoyarsk HMOT.
Stas made the mix from his favorite tracks from the last 2 years and various sound artefacts that for various reasons ended up on his computer's hardrive.
Ambient and electroacoustics, outsiders pop-music and cartoons soundtracks, poems, field recordings from Siberia and exclusive unpublished materials, all of that combined in a 66 minutes long audio collage.

More info here:
http://ezscreenings.com/7/
@hmotology

Film Screening Series: HMOT

New mix from our “Retrospective” series is a tribute to Eduard Artemyev, who is celebrating his 80th birthday today (Born 30 November 1937 in Novosibirsk). He is a worldwide-known Soviet and Russian composer and electronic musician who scored over 200  films and theatrical plays including the famous works by Andrei Tarkovsky, Andrei Konchalovsky, Pavel Chukhray, Nikita Mikhalkov and many others.
Of all the Soviet composers, it's Eduard Artemyev who most in uenced the development of local electronic music. He was deeply involved into education, conducting his workshops and popularizing sonic experiments and sonic studies. Artemyev was one of the  rst operators of the cult synthesizer ANS, using the machine to record his soundtrack for Tarkovsky's “Solaris”. His other electronic works – for example, the soundtracks for “Stalker” or “Sibiriade” – today are considered the standards of the genre and are still being released on the various types of media.
Our mixtape is not only a retrospective of Eduard Artemyev's vast musical heritage, but also an excursion into the realms of his discography which still remain unknown to the wide audience. Thus, in addition to his key pieces from of cial releases, this mixtape also includes a lot of unreleased compositions as we handled almost the entire archive of his works cutting out sound tracks directly from rare  lms and documentaries.
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Новый микс из серии «Ретроспектива» посвящен 80-летнему юбилею Эдуарда Николаевича Артемьева — советского и российского композитора и электронного музыканта, широкой публике известного прежде всего в качестве автора музыки к более чем двумстам фильмам и театральным постановкам — включая известнейшие киноленты Андрея Тарковского, Андрея Кончаловского, Павла Чухрая, Никиты Михалкова и многих других режиссеров.
Из всех советских композиторов именно Эдуард Николаевич больше всего повлиял на развитие отечественной электронной музыки. Он преподавал, проводил мастер-классы и занимался популяризацией экспериментов в области звука, работал с новыми устройствами — например, стал одним из первых операторов культового синтезатора АНС, записав с его помощью саундтрек к «Солярису» Тарковского. Его другие электронные работы — например, саундтреки к «Сталкеру» или «Сибириаде», сегодня считаются эталонами жанра и до сих пор выпускаются на всевозможных носителях по всему миру.
Наш микс — это не только ретроспектива обширного музыкального наследия Эдуарда Николаевича, но и экскурс в неизвестные широкой публике территории его дискографии. Так, кроме ключевых композиций с официальных релизов, в микс вошло множество неизданного материала — мы переработали практически весь архив кинохроники, «вырезая» звуковые дорожки напрямую из документальных и художественных фильмов.

Estetika Zvuka

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