Este ignoto que se enamoro del sonido siendo un párvulo desde 1998, tocando la guitarra en bandas como Los Ovejos (2001-2003), Dadanoys (2004-2008),  Ratspool (2009-2011), en un proceso sonoro que empezó con el uso del pedales y  multiefectos para guitarra gracias a las influencias del noiserock y la nowave;  y continuo con el sintetizador, el sampler, la drum machine  y la producción en programas virtuales desde el fruty loops 3.5 hasta el ableton live. Desarrollador de proyectos electrónicos individuales demasiados efímeros como Yourfreaks o Daydream (2009-2010), ha mantenido activo lo que se conoce como Convulxion parties. En un principio la idea de Convulxion era la integración del rock y la electrónica en directo que se proporcionaba gracias a ciertos actores hoy ya inactivos (Nada de tripa, Enchufe, Hammercrap, Beatboxmonsters, Input, Vlader1), dejando un vacío en la ciudad.

Konjure nace de esa falta de una electrónica  de laboratorio, y proporciona una dosis de samples que se modifican a veces hasta el aniquilamiento para suministrar una catarsis, construcción de bajos y programación de percusiones, mediciones con síntesis análoga, procesos digitales, pequeños retazos de otras canciones a veces como homenaje, otras como sabotaje, sin embargo siempre con la intención de construir algo nuevo, casi irreconocible. Un paseo por el techno más ruidoso, un electro a veces experimental, un IDM camuflado,  el electropunk, el drum and bass, y una explosividad que solo cierta estética low fi puede dar. 


Jakob is a New Zealand post-rock band, based in Napier, Hawke’s Bay, New Zealand. The band consists of guitarist Jeff Boyle; bassist Maurice Beckett; and drummer Jason Johnston. They have been compared to such bands as Mogwai, Sonic Youth, Sigur Ros & ISIS, though they largely eschew any vocals or samples in their songs.  At times putting the post- into rock, and at others kicking the whole bloody fence down, Jakob’s lush and textured take on the guitar/bass/drums format continues to broaden and enthrall with every performance and release. Their music is captivating and mesmerizing, the sedate becoming devastating in the blink of a crowd’s collective eye. Echoing the graduated inclines and unexpected progressions found in their music and the expansive landscapes of their surroundings, this Napier three-piece has developed consistently, if sometimes unpredictably, since their formation in 1998. Since that time Jakob have connected listeners the world over with their cascading crescendos, performing at South By Southwest 2005 (one of the Austin Chronicle’s picks of the festival), Headlining Denmark’s Forma Nova Festival, showing their wares across the Tasman several times including playing alongside Australia’s equivalent of NZ rock heroes hero’s Shihad, Cog and touring the UK, Europe and USA extensively supporting the likes of Isis, Pelican, and The Hidden Hand along the way. Not that the band hasn’t left audiences around New Zealand enthralled – notable shows around the country include Big Day Out appearances in consecutive years, performing at The Mercury Rising and Rhythm & Vines festivals, a tour playing with former Can front man Damo Suzuki, and support slots with US acts Thrice & ISIS. Jakob was the hand picked support for prog-rock greats TOOL on their Big Day Out sideshows late Jan, early Feb of 2011.

Every impulse is obeyed and final.
Altering is fine, polishing isn't.

Todo impulso es obedecido y es definitivo.
Alterar vale, pulir no.



la electrónica de las clases mas desfavorecidas.

the humanity is falling and finally we know we are not the ones

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