Moi et le micro?
De la radio sur HDR, en tant que bénévole pour cette géniale radio associative à Rouen,
Un podcast né en 2017: #2050LePodcast. Plus de 100 épisodes jusque juin 2020 pour imaginer le monde en 2050 et questionner notre présent,
Un nouveau podcast en novembre 2020 "Une Boussole pour les Temps Qui Courent" #UBTQC: Chaque mois, Une Boussole pour les Temps Qui Courent (#UBTQC) est le podcast qui nourrit ta curiosité et répond à ton besoin de mieux comprendre le monde dans sa complexité, en s’arrêtant sur un livre – de ces ouvrages qui parfois font peur : un essai, une étude, une enquête – sur des sujets de société. 
Rebecca invite les auditeurices à douter avec elle, à cheminer, à apprendre à ses côtés dans chaque épisode et propose des contenus premiums: notes de lecture, interviews long format, ...
Pour profiter de l'univers enrichi qui complète chaque épisode, inscris-toi à la newsletter! 
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Illustration: Sabrina Quindroit @stereotypecreation 
Musique: Simon Vandendyck
Bonne écoute!!

Rebecca Armstrong

Le podcast de l'agriculture en ville, et du renouveau végétal urbain. A la rencontre des acteurs de la conquête végétale de la ville, des professionnels et passionnés. Vient tous les 15 jours avec sa newsletter. Animé par Thibaut Schepman. Une co-production Binge Audio / Upian.

new album | 'black lights' | 10.06.16 
https://OLI.lnk.to/blacklightsSO

new single | 'wanted 2 say' | 08.04.16
https://OLI.lnk.to/wanted2saySo

contact: samarisamaris@gmail.com
mgmt: contact@pictures.management
booking: nick@primarytalent.com

Founded by President/Songwriter/Producer 
Guillaume de Kadebostany
Creator of hit singles Castle in the snow/Mind if I stay/50 shades of grey trailer

Santana+Sylvain
De la pop et beaucoup d'amour

More music here: http://claap.com

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

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