Rick Braile é gaúcho radicado em São Paulo. Com apenas 32 anos é, sem sombra de dúvidas, um dos nomes da nova geração de DJs que vem se destacando nas pistas do Brasil. Em pouco tempo de estrada, Rick Braile acumula uma bagagem invejável, já tendo trabalhado com o selo internacional Matinee Group, donos do Circuit Festival, maior festival gay do mundo, na sua icônica festa Waterpark, e também com os selos nacionais Hell & Heaven, R:Evolution & The Original Brazilian Pool Party (RJ), e com o  grupo Super Festas (SP). Sua carreira começou como DJ residente do extinto Madam Club (Porto Alegre) aos 21 anos e não demorou muito para que decolasse. Hoje em dia já teve a oportunidade de ter passado por grandes clubes e festivais pelo Brasil e pelo mundo inteiro, como: Circuit Festival (Barcelona), We Party (Madrid), Kluster (Madrid), XLSIOR Festival (Mykonos), Masterbeat (Los Angeles), Construction (Lisboa), Gate Party (Milão), Hydrate (Chicago), Overdrive (San Diego), Gibus (Paris), H1 (Coréia do Sul), entre outros.
Todo este reconhecimento não é por menos: seus sets são animadíssimos, cheios de batidas contagiantes e transitam entre o house, tribal e progressiva house.

Serving you that NYC Big Room Sound, Joe Pacheco takes you on a euphoric journey reminiscent of the Concrete Jungle he grew up in.

Inspired by an international sound, he delivers a vibrant sound that spans the electronic dance music spectrum; with a mixture of addictive beats and powerful vocals, be prepared for your deep seated carnal soul to emerge.

Having toured major world capitals including New York City, Tokyo, London, Sydney, Bangkok, Mykonos, Toronto, and Puerto Vallarta, and headlining renowned events and festivals such as New York World Pride, Sydney World Pride, White Party Bangkok, Winter Party Festival, XLSIOR Mykonos, and Market Days Chicago, Pacheco continues to elevate and evolve his craft with each experience.

He has played alongside world renowned superstar DJs such as Tony Moran, Abel, Tom Stephan, GSP, Dani Toro, Nina Flowers, Las Bibas From Vizcaya, Alex Acosta, Anne Louise, and Dan Slater.

Along with his music, Pacheco has taken the scene by storm with his signature aesthetic and exuberant, commanding presence. Integrity, Authenticity, and desire to create unique moments take center stage; the goal is simple: bring happiness through the universal language of music.

It is this symphony of sound and showmanship that Pacheco strives for; to live unapologetically, to stay true, and to “Do It Dapperly.”

BOOKINGS
Patti Razzeto
dflmanagement@me.com

Hailing from the Twin cities, singer/songwriter 'Jereye'(pronounced: j EH - r ee ) 
presents a fun sound of Synth-Pop, Rock, Dance and R&B. Stay tuned for new music that has been written, arranged, produced, and performed by the artist, himself!

🌍 DJ PAULO – International DJ, Producer & Billboard Top 10 Remixer. With over 25 years behind the decks, PAULO has headlined some of the world’s biggest festivals and Pride events, held residencies at legendary clubs like Work Events and VIVA NYC, and commanded international stages at massive events including Barcelona’s Circuit Festival and Bangkok’s Songkran. An official remixer for icons such as Madonna, Justin Bieber, CHER, and Christina Aguilera, his Billboard-charting productions and signature edits fuse pounding tribal percussion, soaring vocals, and Afro-progressive grooves into unforgettable journeys that ignite dancefloors and lift spirits. A pioneer in the global LGBTQ+ scene, PAULO is also the founder of Tribal Bitch Productions, curates acclaimed podcasts like After Dark Sessions, AfroPulse, and Time Master, and explores funky Nu-Disco vibes through his alter ego PAULO-LITE and the Funk Daddy series.

• Curator. DJ. Mixtape producer. 
• Founder BPM. @leblogdespepitesmusicales
• Booking : frangiparis@gmail.com

Artiste aux multiples influences, frangi. résume son style par l’appellation kaleidisco. Il explore toutes les facettes du Disco dans chacune des décennies et aux quatre coins du monde. Ses mixs sont un cocktail unique où il raconte une histoire en fonction du mood de son audience.

Chineur, DJ, mixtape producer, fondateur d’un collectif et d’une communauté…c’est avant tout un passionné dont l’unique objectif est de partager ses émotions en musique.

Depuis 2013, il s’occupe de BPM (Blog des Pépites Musicales) où il poste une pépite par jour sur les réseaux. Sa chaîne est rapidement devenue un collectif qui compte aujourd’hui 6 DJs réunis par l’amour du Groove.

frangi. en chiffres c’est plus de 200 mixtapes, 20000 followers, près de 4 millions d'écoutes sur SoundCloud, 7 établissements en France et en Europe dont il signe le sound design.

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


-Bookings-
James Wylie
Assured Agency
E: james@assuredagency.com
P: +44 7535965900
W: https://assuredagency.com

Dubbed a leader of the current Tech Trance revolution, Sneijder possesses a distinctive aptitude for fusing euphoria and darkness, a trait that sets him apart from many. His skill is evidenced by the vast number of chart-toppers he’s created, including ‘Need You Here’ and ‘Everybody’s Free,’ and recent Beatport number one singles ‘In and Out of My Life,’ ‘Dawn,’ ‘You Take My Breath Away,’ and ‘Bring The Noize,’ all master classes in forward-thinking, cutting-edge club music.

Adding his unique sound to remixes for Armin van Buuren, Aly & Fila, and John O’Callaghan has seen Sneijder become one of the most in-demand artists in Trance. Releasing records regularly on the industry’s most respected labels and boasting a back catalog of hit records have helped cement his name firmly amongst the list of Irish greats.

In 2023, we saw the release of his second artist album, ‘Bring The Noize,’ an album showcasing his studio versatility and ear for killer melodies. This album boosts influence from the past, present, and future sounds while showing off the true scope of his musicianship and technical abilities. His skills in production are hardly a surprise, with immense knowledge of the dance floor paired with years of cutting his teeth on the festival and club circuit, thus becoming well-versed in what sounds make the ears tick.

Now, the maverick has reached the next step of his career: label owner. Sneijder launched Afterdark as a platform for himself and other similar-caliber artists in 2016, firmly asserting his iconic status in the underground. Afterdark stands for all things dark, original, and dance floor-oriented, while also playing its part by cultivating the careers of the next generation of the Trance Elite. Afterdark has now cemented itself as one of the best and most upfront labels in Trance.

In 2023, we also saw the launch of a new project from the Sneijder studio. ‘alt1’ brings together sounds inspired by Sneijder’s past in Hardcore, Hard Trance, Rave, and even Hip Hop. Brace yourself for a main stage musical experience with no rules or boundaries.

For Bookings Contact @ djroland01@gmail.com

Ethan Forney is following