CASHBAY COLLECTION
RECORD LABEL EST. 2K16

Homecoming - https://ffm.to/4qj42zk

submissions:  cashbaycollectionmgmt@gmail.com

mgmt @princemathicks

Will C entered his freshman year at Harvard in 2012 with one mission: create a space for collaborative hip hop at the world's leading academic institution. With eclectic group membership hailing from all over the US and the globe, the Harvard College Rap Collective steadily grew over four years, bringing both hardcore artists and casual freestylers out of Harvard's storied woodwork and into the Boston music scene. Now working as a consultant at a NYC tech startup, Will C is reentering the rap game with a new crew but the same blistering bars and precision flow.

Sit back and enjoy the sounds...

Other vibes: 
@36samurai

I'm a jazz saxophonist who likes to dabble in funk, hip-hop, fusion, and creative music. I play in a number of big bands and small groups. You might hear bass clarinet, goose horn, and some other strange sounds. Find more with Collage Quartet on SoundCloud.

Lyrics geometric. Colorful sounds to help you hover over in the summer weather. Get equipped with ethereal bliss from a faraway corner of the cosmos, or feel the power of a record like the bodyslammin' "Omega Supreme Soundwave." Will C.'s catalog paints a third-eye-open landscape filled with stray VHS noise, dusted loops, spaced-out synthesis, and endless wild styles.

so i hear melody lines when i see people and here are those melody lines developed and written into music of twenty to thirty seconds.

description of the person can be seen when clicking the name of the person.

enjoy?

// singer-songwriter //
// dc //
// indie pop //

Jack Herscowitz is a Chicago-based composer, improviser, and sound artist working across experimental music and art practices. Described as “the slow descent of the sun at twilight” (A Closer Listen), his current work centers around commitment to unadorned musical materials to reveal their complexities, exorcisms of mass-produced tech, interruptions which peel back the curtains on cultural practices of art making, noise as an activation of the full body, and relational non-hierarchical webs of listening. His practice spans instrumental composition, dramaturgy, electroacoustic improvisation, installation, landscape film, object performance, sampling, text, and communal sound making.

Ethan Dodd is following