Twangy dreams, I like how empty it feels but very wide in sonic spectrum.

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Disquiet Junto Project 0401: Noise Pacing

S3 E17 features Will Kuhn and Ethan Hein who are both instructors of music technology.

To learn more about Will Kuhn, visit: https://willkuhn.com

To learn more about Ethan Hein, visit: http://www.ethanhein.com

To pre-order Electronic Music School, visit: https://www.amazon.com/Electronic-Music-School-Contemporary-Creativity-dp-0190076631/dp/0190076631/ref=mt_other?_encoding=UTF8&me=&qid=1619118553

Will Kuhn & Ethan Hein - S3 E17

Created using a continuous recording of me swinging on a squeaky swing at the park, another recording of a man talking while a girl cries behind the door, plus improvised keyboard strings over it. For my Making Music and Sound Art NYU class.

break

With the news that Taylor Swift is re-recording her back catalog, wouldn't it be cool if she collaborated with her favorite contemporary classical composer, John Luther Adams? Back in 2015, she donated $50,000 to the Seattle Symphony after listening to and loving Adams's piece "Become Ocean," so I'm sure she's been planning for a collabo ever since.

An acoustic performance of Blank Space remixed with Adams's The Wind in High Places, Canticles of the Sky, and The Farthest Place.

The Immeasurable Blank Space Of Tones - Swift Luther Adams

I utilized a clip from some Fajitas a server was running to another table that I captured. I then looped the clip and added Roland 808 drum sequencing. I then used the ROLI to add in additional tones. I added some bass and compression to the Fajitas.
I'm hungry now.
More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Fajita Wolf Disquiet401

Fajita Wolf disquiet0401 (want me)

I made a bunch of drum loops to explain to my music theory class what polyrhythm is. Then I read about this Junto project and thought, hmm, making a beat out of noise, let's use them for this too! I vocoded the loops using a straight noise carrier and used an LFO to automate the vocoder's release parameter. I used Follow Actions to randomly sequence the loops, and then edited that sequence for better flow and musicality. In order of entrance, the polyrhythms are 4-vs-3, 5-vs-4, pentuplet swing, septuplet swing, and 11-vs-5.

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Polyrhythmic Noise Grooves (disquiet0401)

I used my earlier track (Disquiet Junto 399 which was a previous Rauschen based track), it became a remixed version of it but processed with more noise elements, into various drumracks and rhytmic effects to create a track with more a tempo and rhythmic structure. I added little samples of melody - not quite the "something melodic atop it" that was requested but just enough to give as hint that melody might appear somewhere! 

Disquiet Junto Project 0401: Noise Pacing
The Assignment: Use background noise as a beat, as a rhythm.

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which will be held in Switzerland from September 11 through 15. For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. Select recordings resulting from these three Disquiet Junto projects will be played publicly as part of the Rauschlabor Schützenmatte (musikfestivalbern.ch) or broadcast on the festival’s radio show, Radio Antenne (radioantenne.ch). If you don’t want your recording to be used in this way, please note so wherever you post it.

Step 1: Familiarize yourself with the German word “rauschen,” the theme for this year’s festival. Understand that “rauschen” is noise in the sense of white noise, waterfall noise, background noise, static, wind in trees, rain, etc. The blurred, diffuse, continuous kind of noise, not short individual non-tonal sounds.

Step 2: You are going to make music in which one or more “rauschen” noise(s) will be used as the beat or rhythm for a track. Record and listen back to such “rauschen.”

Step 3: Select one or more noise elements from Step 2.

Step 4: Create a track using the elements from Step 3 as beats or rhythmic material, and then layer something melodic atop it.

the blurred, diffuse, continuous [disquiet0401]

release date: 06 _09_2019   
More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/ 1

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Magnetic Traffic(disquiet0401)

A breathtaking song from Piauí, Brazil, with improvisations between.

/// LYRICS ///
A rosa também se muda
do campo para o deserto
de longe também se ama
quem não pode amar de perto

Se ela muda
não se pode imaginar
Imagina, tinha medo,
quem tem medo não vai lá

A rosa também se muda
do campo para o deserto
de longe também se ama
quem não pode amar de perto

Se numa lógica
amanhã também tem dia
ergue o corpo, feche os braços
pra ser minha companhia

///// FELEMEL, FELTÖLT A ZENÉM?
Az életben mindenért adunk valamit, ami értékes számunkra - miért ne adnál a zenéért, ami legalább annyira felemel, feltölt, erőt ad, mint egy tál étel? Köszönöm, ha így döntesz! 🙏

Számlaszámom:
Szász Márk István
Magnet Bank
16200106 11573861

///// DOES MY MUSIC FEED YOUR HEART AND SOUL?
Whenever we get something which is prescious for us, we also give in return. Why wouldn't you give for music? For music which lifts you up and gives you power, just like food. Thank you, if you do so! 🙏

Using TransferWise, all you need is my full name :
Mark Istvan Szasz
and my email :
bokatummtukote@gmail.com

A Rosa Também (Piauí Folklore)

Hopp, Új dalunk a Pecával! 

Ha tetszik, és tudtok, köszönjük, ha fizettek érte ✨Csak ebben a dalban 40 óra munka van ✨

Szász Márk István
Magnet Bank
16200106-11573861

PayPal.Me :
https://www.paypal.com/paypalme/bokatummtukote

Köszönjük!

// ENGLISH //

ARE YOU LOVING THIS? If you can, thank you for also paying for it. We've got like 40 hours work in all the production.

With TransferWise, all you need is my full name : 
Mark Istvan Szasz 
and my email : bokatummtukote@gmail.com

PayPal.Me :
https://www.paypal.com/paypalme/bokatummtukote

Enjoy!! And thank you!

Lyrics and vocal melody by Barna Gábos
Music and arrangement by Barna Gábos & Boka Tummtukoté
Recording, Mixing, Mastering by Boka Tummtukoté

LYRICS // DALSZÖVEG
Donde vivo ay un rio
Ay un rio que bonito
Prohibido el pato de pesca

Az RSD-n ringatózom
Betiltják a bellyboatom
Betiltják a bellyboatom
A lábam a vízbe lógatom

Jönnek a halőrök!
Jönnek a halőrök!

Peca & Boka Tummtukoté - Pato De Pesca

Produced by Didier Sylvain

I AM A DOPE MC came out the Cypher Workshop series I organized at Hi-Arts in East Harlem. The participating MC's were not only doing the Freestyle Union Cypher Workshop exercises but developing as performers for our first Rap Recital. I wasn't sure how they would respond to the idea of affirmations but they loved it. Before that, I was always hesitant to niche my niche so specifically but I ended up creating a series of meditations for artist development. I'm looking forward to sharing them with the world. Hip Hop artists need support and tools to help them in the process of identifying their own voices and staying true to them.

I AM A DOPE MC - Toni Blackman Affirmations

Step 1: Consider the way pace (tempo, speed) is experienced, represented, and accomplished in music.
Step 2: Consider the way stasis is experienced, represented, and accomplished in music.
Step 3: Write a short piece of music that gets slower and slower as it proceeds. If possible, have it end with a sense of outright stasis. Fading out is fine, too, certainly.

Ran Norns using GRD by @yota through stereo line in > morphagene > QPAS > Mimeophon.
Other sounds Rings > Ripples > Clouds
                        Surface > Ripples (in 2) > Clouds
PNW for clock source, manipulating and slowing both by bpm and divisions as the piece went along.

More on this 462nd weekly Disquiet Junto project, Vade in Pace (The Assignment: Write a short piece of music that gets slower and slower as it proceeds), at:

https://disquiet.com/0462/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0462-vade-in-pace/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Josh Levinger, and used thanks to Flickr and a Creative Commons license allowing editing (flipped and cropped with text added) for non-commercial purposes:

https://flic.kr/p/CHUe3K

https://creativecommons.org/licenses/by-nc-sa/2.0/

All Shall Fade [disquiet0462]

Sunday night guitar loops. Unlike other recent guitar loop experiments I've tried out, this one has a live component. After the first minute or so (which I'd already layered in advance of hitting record), new material is added and then later deleted. This setup consists of electric guitar, reverb pedal, overdrive, and looper, plus an eBow on occasion for those extended notes. After recording (amp to phone, live in the room), I used Adobe Audition to implement a fade in and a fade out, and for a little additional reverb.

Night (There and Back)

originals here https://soundcloud.com/ethanhein/portrait-of-tracy-decelerando-disquiet0462
https://soundcloud.com/user-184985485/all-shall-fade-disquiet0462

Portraits Fade (Samples Junto See Description)

:)



///// FELEMEL, FELTÖLT A ZENÉM?
Az életben mindenért adunk valamit, ami értékes számunkra - miért ne adnál a zenéért, ami legalább annyira felemel, feltölt, erőt ad, mint az étel vagy egy kávé? :) Köszönöm, ha így döntesz! 🙏

Számlaszámom:
Szász Márk István
Magnet Bank
16200106 11573861

///// DOES MY MUSIC FEED YOUR HEART AND SOUL?
Whenever we get something which is prescious for us, we also give in return. Why wouldn't you give for music? For music which lifts you up and gives you power, just like food or a coffee :) Thank you, if you do so! 🙏

Using TransferWise, all you need is my full name :
Mark Istvan Szasz
and my email :
bokatummtukote@gmail.com

Van Egy Pipám Egy Kalapom (Kormos Évivel)

Doctoral Fellow in Music Education at NYU; adjunct professor of music technology and music education at Montclair State University

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Polyrhythmic Noise Grooves (disquiet0401)

Ethan Hein

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