Gospel song Tell Somebody

RAW 

from Canadian Singer-Songwriter May-ah

Starchild Version II 27.10.23

Every year Feral One opens up their demo submissions for a brief window, and only for Seattle area producers. It’s the world's window opportunity to hear who and what is going down in Seattle right now. 

This third volume has Longstocking kicking it off with their introspective indie vibes, which is often an underlying staple of Seattle music, regardless the genre. Like the track states, it’s a cutie, but with a moody inner coating. 

Next, I.S.H. levels up the energy bringing searing emerald heat with Bring It. It’s a banger Bass House track that will yank you from your thoughts, and toss you onto the dance floor. You’ll hear more from I.S.H. on FO come Winter. 

OG Feral One, EMUH, then leads us from “WTF?” to “F*ck yeah!”, which is a cunning balance this gem of a human has on lock. Fickle falls together in a way that tickles the mind. Its squeaks and tinges of old school will have your legs kicking and your heart swooning. 

Next, Jon Lee, a Seattle institution, goes Deep on the House track, Voyager. The purity of the synths and the tropical droning are magnetic, lulling you to something we now know we needed. 

A fitting transition to good old fashioned proper House is what Move Machine gifts us with Perfume Department. Wafting through, enticing us with the pulsing aroma of yesterday and the precision producing of today. 

Easily one of Seattle’s most talented dance duos, Lee Houser, gets Deep with Propera. While the perks ignite your hips into mode, the steady coolness of the bass keeps you hazed in. Brass stabs briefly wake you, to acknowledge the fact that you never want this jam to end. 

New duo to press their stamp on Seattle underground history is Intemporel Chốc Lát. Their track, I Just Wanted To Let You Know, wraps up this year's volume. Minimal, Deep and looming, this piece lets us know they are here and bringing a fresh heaviness to Seattle's ever divergent soundscape.  



Feral One Records LLC 
www.FeralOneRecords.com 
linktr.ee/feralonerecords

Seattle Volume 3

Fickle

Buy on Beatport

EMUH - Fickle

[Opening Scene]
The video opens with a dimly lit garage filled with vintage tools, old posters, and scattered motorcycle parts. A lone figure—our protagonist—leans over a workbench, intently focused on assembling a motorcycle. The garage has a retro 70s vibe, with neon lights casting colorful glows on the walls.

[Verse 1]
The camera pans over to a wall-mounted clock, ticking closer to the time of a big race. The protagonist wipes sweat from his brow, tightens a bolt, and adjusts the bike's handlebars. The beat of the music begins to build, syncing with his movements as he works faster, driven by determination and passion.

[Chorus]
The screen flashes to scenes of other racers, all with sleek, expensive bikes covered in commercial logos. They're laughing and boasting about their sponsors, looking confident. Meanwhile, our protagonist works with purpose, his bike gleaming with a unique, custom design. He attaches the final piece—a shiny 'Synth Rider' emblem—onto the bike's frame.

[Verse 2]
Cut to the race day. The protagonist rolls his bike out of the garage, the sun reflecting off its chrome finish. He arrives at the track, where the other riders mock him for his homemade bike. They point to their own flashy, high-tech machines, but the protagonist remains unfazed, a look of quiet confidence on his face.

[Bridge]
The race begins. The music's tempo accelerates as the bikes roar to life. The protagonist's bike initially lags behind the pack, but as he navigates tight corners and accelerates on straightaways, his skill and the bike's unique engineering shine through. The camera captures close-up shots of his focused eyes, the grit on his face, and the swift, precise movements of his hands on the handlebars.

[Chorus]
One by one, he overtakes the sponsored racers, who are struggling to keep control or pushing their bikes too hard. The protagonist's bike, powered by passion and ingenuity, surges ahead. The spectators are on their feet, cheering as he pulls into the lead.

[Final Chorus]
With the finish line in sight, the protagonist makes one final push. The other racers, despite their flashy bikes and corporate backing, can't keep up. He crosses the finish line first, raising his fist in triumph as the crowd goes wild. The other racers look stunned and defeated.

[Ending Scene]
The camera zooms in on the protagonist, now standing beside his bike, grinning. He removes his helmet, revealing a satisfied smile. A neon 'Synth Rider' logo appears on the screen with a burst of vibrant color. The final shot shows the protagonist riding off into the sunset on his homemade bike, leaving the sponsored riders behind.

Synth Rider

“You Got Me Feel Good” is an intriguing blend of industrial grit and uplifting energy that captures the complexity of modern relationships. The track’s dark undertones offer a nuanced portrayal of how love can bring both highs and lows, mixing feelings of vulnerability with empowerment. The industrial elements add a raw, edgy texture, giving the song a unique sonic landscape that sets it apart from typical upbeat tracks.

So crank up the volume, and energise your day.

https://christiankrauter.com/release/you-got-me-feel-good/
Thanks for listening and I hope you enjoy the track, my best wishes Christian

You Got Me Feel Good

Tech House Producer & DJ at AAJA Radio & MIX3R Radio.
https://soundcloud.com/djryanroach was instrumental in bringing dance music to the midlands when it was still relatively in its infancy in the early 90’s.

As one of the founding partners of Beyond Reality, one of the first Rave culture organisations, he pioneered the illegal rave and organised regular ticketed events within venues for up to 1000 party goers. It was at these events he honed his DJ’ing style.

Ryan is probably best known for being resident DJ at the infamous Naughty but Nice club nights where he played along side DJ’s such as Carl Cox, Judge Jules and Pete Tong to name but a few in a long, long list of prominent DJ’s. Ryan also held a residency at the London Astoria, one of the most prominent night clubs for house music of the time.

Roulette Radio Takeover #34 (Ryan Roach Guest Mix)

Lyrical Maestro Produced By- GasStudios

SINKING

BAD BOY (Dj'S ) 1994

zonedout - WEBCORE TRACK 382 (prod. phntmzn bR)

You got me baby

“No fake stories. No sob hooks. Just music that speaks for itself. If it bangs, it bangs — if it doesn’t, I’ll make the next one louder.” – Ether Keither
"Landscaper by day, dreamer by night" 

A man on a mission. The true American blue collar story of building one's dreams day-by-day.

You can find him at @EtherKeither on all platforms.