Name: Subharmonicon by Etienne Tremel
Duration: 1 min 56 s
Description: First attempt to use the Moog Subharmonicon, some shimmer effect and a Mother32 to enhance the bass.

✨Kapoor
SC: @kapoormusic

✨нνιтℓιиg
SC: @hvitling

✨AKUMANDRA
SC: @akumandra

✨KataHaifisch
SC: @katahaifisch

Premiere: Kapoor & Hvitling - Predator Prey [AKUMANDRA]

LILITH’S RIB is an electronic female trio led by DJ Patajana, singer/lyricist Antonia Vai and virtuoso flutist Fanni Zahár. Patajana mixes deep and melodic techno from hypnotic 100 to bouncy 130 bpm, Antonia Vai brings dynamic vocals that range from soulful, soft and dreamy to raw spoken word as Fanni Zahar adds enchanting and hauntingly beautiful melodies that rounds off the trio's sound impression. Through the joy of improvisation, deep and progressive rhythms are combined with powerful and haunting live elements. Their empowering female energy leads to a transformative journey and a cathartic dance experience.

____Vocals/lyrics by Antonia Vai, Flute: Fanni Zahár

____Tracklist DJ Set:
Oedipa Maas - Mimesis (Bassara Remix)
ÜNAM - Acid Housewife (Original Mix)
Kalaha Moon - Nangijala (Arteriam & Warte-mal Remix)
Arutani - Begin Again (Original Mix)
Halcyon_feat_Arutani (Original_Mix)
Rapossa - Carouselland (Original Mix)
Temple Tears - Matilde (Original Mix)
AVEM - Shoya (Original Mix)
Vincent Gericke - Immersion (Original Mix)
Coss - Machinations (Original Mix)
Coss- Hal (Iorie Remix)
Think City - Aago (With Guruji Gerhard)
Ivory (IT) - Epic (Original Mix)
Sam Shure - Louna (Original Mix)

"Lilith's Awake" by LILITH'S RIB

Music from the film Do Not Hesitate, in collaboration with Ella van der Woude.

Credits

All the sounds have been heard
And all the dreams have been tried
Now the colours leave like the birds
And in the end even the light
The wind is getting strong
And the sky starts looking cold
Got to find a place for long
The summer is old



✨Saive
SC: https://soundcloud.com/saivemusic

✨Kleiber
SC: https://soundcloud.com/kleiber-music

✨Serafin Audio Imprint
SC: @serafinaudio

✨KataHaifisch
SC: @katahaifisch

Been A Long Time

✨ buy & support

Premiere: Saive & Kleiber - Been A Long Time [Serafin Audio Imprint]

CANCER

Mein Set vom 12.11.2022
Das Leben und die Liebe feiern 2.0💙✨

Verweber @ Das Leben und die Liebe feiern 2.0 12.11.2022

Follow @https://soundcloud.com/acud
Follow @https://soundcloud.com/beatmoertelz

At the end of the summer, Ke // er will present you the new EP "Verbrennungsmotor" of the Berlin based producer Acud and the first own vinyl release on September 7th. Peppered with spicy basses, ckeeky beats and a nice dose of funk, the record takes off for a ride in the depths of DeepSpaceDisco and features old friends and colleagues in the title song with the Beatmörtelz.
Gentle and still rough, Acud seduces us with his voice into an emotional dream world between wit and poetry.

Verbrennungsmotor

Acud & Beatmörtelz - Verbrennungsmotor

Proving that you can also dance on beaches - new remix for 
@iorie & @arutani out on june, 14 2019 on @serafinaudio
enjoy cosy summer vibes!

De la Vida

Vivienda del Marginado (Coss Remix)

Beatport

Arutani & Iorie- Vivienda Del Marginado (coss Remix)

Arutani - Babbelas AEP028
‣ Buy/Stream: fanlink.tv/Arutani_Babbelas_AEP028

Track 1: Babbelas
Track 2: Ndlovu

Arutani
‣  www.soundcloud.com/arutani
‣  www.facebook.com/arutanimusic
‣  www.instagram.com/arutanimusic

Akumandra
‣  www.soundcloud.com/akumandra
‣  www.facebook.com/akumandra 
‣  www.instagram.com/akumandra

Artwork Diego Cintora 
Mastered by Pobla

Buy/Stream

Arutani - Ndlovu

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

Artwork: northor | Layout: Yusuf Etiman

Buy Album

Phase Fatale | Velvet Imprints

First attempt to use the Moog Subharmonicon, some shimmer effect and a Mother32 to enhance the bass.

Subharmonicon

Etienne Tremel

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