Sans Ti

live dub with Tascam 2400
moog muse
moog matriarch
moog dfam
moog subharmonicon
roland jupiter-xm
erika synths zen delay
make noise resynthesizer

cicada 2

welcome to the labyrith

labyrith drums

This track is part of Disquiet Junto Project #0691: Un-Ravel. Find out more at https://llllllll.co/t/disquiet-junto-project-0691-un-ravel/71303/30.

Escapism 3

Priya

Horus

cramp

ambient trap 79

Bersut

Oteph

Short jam with a Behringer Spice, Microfreak into Monsoon.

Untitled 1

holding hands

The first track I made with the Moog Labyrinth in my setup.

Just Freakin'

Jam Session #1

Jam session #1 was recorded May 11 2025 using the Moog Subharmonicon Semi Modular Analog Synthesizer, Roland TR-08, Roland TR-8S Drum Machines.

This was all performed in real time recorded as is. No post production EQ or Mastering. 
This was performed and manipulated in real time by Studies In Comfort - Ian Levack





Studies In Comfort - Jam Session 1

This is fresh:) Had another version lined up and ready but recorded this yesterday and decided to upload it as my next release (16.08.25). Only a cut mp3 version here, the original is 10.10 minutes;-) Moves at 138 bpm. Play loud!

Technical note: Almost same set up as previous C track except the random Lfo:ed vox patch courtesy of an Arturia Microfreak + occasional Mavis burts:)

C06-C07

C06-C07 (cut)

My reach is limited.
No motive left to want it.

The thought sounds sweet –
to find a path
that holds,
that holds me.

Tired after sleep.
From the very first moment,
unable to expand.

Crystal Sand

This is the first track I recorded with the Eventide Timefactor in my setup. Love the stereo effect of the dual delay.

Ambient Gone Wrong

Uploading this latest C track slightly earlier than usual due to a scheduled change of my internet provider (could take a few days so don't wanna risk it). 
More of an ambient techno vibe here. Made a few different versions of C49-C50 but think this is the best of the bunch despite it being almost 14 minutes in length. Slightly different approach with patching between the 3 moogs as I used two different clocks here:) One of the Labyrinth clocks is controlled by the LFO rate of the Mavis. Not a melody in sight so may include one in the next (and probably last) C upload. 320 kbps Mp3 version. No dropouts this time:) Enjoy!

C49-C50 (3rd mix)

A path breaks off the line,
strays past others,
resistance snaps,
the gaze opens.

No return.
Another way, another beat.
Unasked, unintended,
yet with full force.

Dragged off course.
No more linear.
Step in the strike,
strike in the step.

Where To Stay

Composing with trumpet, cedar flute & analog synthesizers…Though more and more synthesizer these newer compositions.  Love the versatility of my analog collection.  Just adding modular to the studio too.  

Current synth setup with Tascam 2400:
Moog Muse
Moog Matriarch
Moog DFAM
Moog Subharmonicon
Roland Jupiter XM
Make Noise Resynthesizer
Boss Space Echo
Aeros Looper
Erika Synths Zen Delay
Erika Synths LXR-02
Beebo Poly
Roland DJ-505
Arturia Microbrute
Ableton Live

DJ Preet hosts folkdelica on 88.9 fm KPOV Bend, Oregon.  Can listen to the most recent show via www.kpov.org/folkdelica

Open for collaborations (musical), pls get in touch.

I manage all my production, art, etc. so not currently interested in other support, thank you kindly.

Ok facts: DJ - ing für decades and love it… but there is also that other idea of creating music in an electronically way…  part of that journey from absolute beginner in late 2022 where I bought my first gear… now completing equipment and learning…

G3NOT /ˈdʒiːnɑːt/
You read the name. But do you hear it?
I'm not here to fit in - I'm here to short-circuit your algorithm.
Noise with a grin. Silence with intent.
G3NOT: The glitch you can't debug.

/breɪk/

This isn't music - it's sabotage in stereo.
Smile. It's not a mask.
G3NOT - your skip button's existential crisis.

/breɪk/
I am a Klangfurtoniker.
Not a musician. Not a therapist. Not a performer.

I shape moods,
not because they are beautiful,
but because they exist.

I take the moment,
fold it like a piece of paper –
audible.
tangible.
I shape it into a frequency
that fits me.

Not perfect.
Not pleasant.
But real.

The heartbeat as bass,
my breath as a pad,
my smile as a subtle glitch.
And within it all –
a Joker.
Laughing inside me,
because I found the tone
in which I can bear myself.

I don’t project outward.
I let the inside become audible.

I am my own space,
my own speaker,
my own echo.

I am a Klangfurtoniker.
I hear myself –
and keep shaping.

/breɪk/

Electronic. Rough. Probably still far from finished – but who says you have to start quietly?
I make music for myself. And share it, because silence isn’t always the better choice.
Just a beginning. In waves and noises.

Studies In Comfort is the study of ones comfort levels and emotions. 

All forms of art are studies in comfort

Studies In Comfort, a duo which began with Ryan Nyenhuis &amp; Ian Levack, specializing in experimental music and sound manipulation in January 2007, has since become a brand of creative outputs, including: photography, painting, digital art, writing and mixed media.

Studies In Comfort is a registered business with the province of Ontario.

Follow us on Facebook: <a href="http://www.facebook.com/studiesincomfort" rel="nofollow" target="_blank">Studies In Comfort</a>

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm

On my way down the endless rabbit hole into sonic wonderland...

Paul Schaapherder is an amateur semi-modular artist and bass-player from Eindhoven, The Netherlands.
Under the moniker of P@SCH@ I create music that reflects my early journey into synthesis. With a focus on experimentation, my works invite listeners to share in my discoveries within the realm of electronic music and modular synthesis.  

Also featured are some tracks from bands and projects I am playing (or have been playing) with as a bassplayer. Hope you enjoy!

All logo's and artwork for P@SCH@ is created with Microsoft Designer.

New tracks tagged #subharmonicon