Antupeñi, hermano del sol en idioma nativo Zézungun, nace de una recopilación de historias expresadas a través del eterno sentir latinoamericano desde su musicalidad siempre presente en nuestras raíces más profundas, hasta aquellas fusiones que surgen al recorrer la vida. Desde el despertar del canto popular chileno hasta mediados del año 2005, fecha en la cual nace Antupeñi de la mano de jóvenes músicos de la zona del Carbón, comienza la exploración por sonidos de ancestros propios, marcados por quiebres sonoros con pretensiones de impredecibilidad. Este grupo cuenta actualmente con 8 integrantes que cruzan su camino musical, rico en variedad y matices que  promueven el desarrollo instrumental y la calidez musical de nuestra siempre vibrante y verde América.



Odio Amor y Guerra

http://www.mediafire.com/download/asyrk70gianlram/PINEDA+PRIDE+ANIMALIBRE+Odio+Amor+y+Guerra.rar

DESCARGA GRATUITA

SE AGRADECE A TODOS LOS COMPAS Q APOYAN LA MUSICA Y LA CULTURA 

ODIO AMOR Y GUERRA , ES UNA RECOPILACION DE TEMAS ECHOS ATRAVES DEL TIEMPO , DEL CRECIMIENTO EN LA CALLE , LA ORGANIZACION Y LA CULTURA COMBATIVA HIP HOP.... NO ES UN DISCO DE RAP CONCIENTE , ES UN DISCO DE ODIO AMOR Y GUERRA ...  POR LO TANTO UNA GUERRRA ENTRE EL INCONCIENTE CON EL CONCIENTE .

DISCO COMPLETAMENTE AUTOGESTIONADO , LA MAYORIA DE LOS TEMAS FUERON GRABADOS EDITADO Y MASTERIZADO POR MI , EN MI PIESA HOMESTUDIOS MAMIAILOVIU "DePerrUnderEsTuDios" CON UN MIC SONNY DE $3500 DE PERRO (deai el nombre dela piesa estudio, y asi es y sera el nombre de cualkier produccion q realize y grabe y edite con mis makinas profecionales o de perro , por q DeperrUnderEstuDios soy .. yo ), 
OTRO EN LA "FABELA RAP" (Q.E.P.D), Y mi alma, bomba , estamos en guerra , y no sabes lo q tienes EN EL HOMESTUDIO DE "Supremir Divina Inspiracion "

LA MAYORIA DE LAS PISTAS FUERON PRODUCIDAS POR MI "Pineda Pride ÁnimaLibre", A ESEPCION DE "El Principe de Percia " Q FUE PRODUCIDA POR "Chico Lirika ", "ÁniMaLdito" Q FUE UN REGALO Q LE REFALARON A  " BuFok Mostra" , "La Muerte es sólo el Inicio" PRODUCIDA POR "Kurku Mc "
, "Bomba" Q FUE UN TRABAJO EN CONJUNTO CON "Supremir Divina Inspiracion", y " Tu Sangre " CON "Mc Paso" Q FUE UN ROBO Q ME PITIE A BLACK MOON ... Q SAEN !!

ARRIBA EL HIP HOP INDEPENDIENTE Y EL TRABAJO AUTO GESTIONADO ...

SALUDOS PA TODAS LAS ORGANIZACIONES Q ME HAN APOYADO EN ESTE VIAJE ESPESANDO POR "UNIÓN ARTE LIBRE " "ARTE SIN MIEDO " RENCA MUNDO" " VECINOS DE PEÑALOLEN" " ASOSIACION ILÍCITA " "LA RUTA DEL HIP HOP " " MELICHAKIMAPU" " MDU" LOS CABROS MAS LINDOS DEL UNIVERSO "ALDEA SINSARGENTO " " RAP AUTONOMO PEÑALOLEN" Y MUCHAS MAS Q SE ME QUEDAN EN EL TINTERO ... VALE CABRSO POR TODO EL AMOR CARIÑO Y RESPETO ... ESPERO SEA DE SU AGRADO ESTE DISCO GRABAO A PURA MOTIVACIÓN , AUTOGESTION Y POR SOBRE TDO MUCHIO LOVE ... BOOM !!! 


RESPETO PA LA CULTURA 




Welcome to the Machine.....
THE MUFFIN MACHINE.
Debut EP in the works spring '13- Stay tuned!

Even when I was a little boy, it was the music that could inspire me the most and from which I could get the largest force. now I'm working on my way to let them feel this power to other by my music.
Maybe you want to like me on Facebook, if you like my stuff? Thats the way you can help me on my mission!
http://www.facebook.com/pages/MusiConstruction/160127714096811


Multiorgasmic EP (DVR004) released on beatport and others by Diversia Record's

Thanks for visiting my page if you need to contact me hit my email musiqhead24@gmail.

My name is Quentin Thomas better known these days as simply "Q" or "MusiQhead." I've been at this music for quite a while now and truth be told, for as long as I can remember. Growing up a "church boy" all of us young shorties wanted to be the drummer. We would turn anything into a drum set. I can vividly remember playing a set of hymn books on my lap pretending to beast out. Fast forward some years (as not to waste you guys time) I eventually got my shot as a drummer and then moved on to the bass guitar (for about a week) and then to piano and organ. My love for all those instruments individually and collectively are what I believe helped shape my role as a "basement boy".

At this point I don't even remember exactly how Portis presented the idea of "tracking", but I do recall our first session. We had no prior experience and if you know us at all, you'll know we weren't asking for help. We figured: "how hard could it be"? Hours later (at the expense of one of our good friends Cedrick Ketton) we had come up with our first beat. It was interesting to say the least...not quite a masterpiece. From that point we went
through different phases of learning by imitation. One week we'd study Timbaland and try and create our version, the next maybe Dr. Dre and many others. I think I still have a copy of a cd full of just Timbaland track snippets. It was like 50 songs long and I played it non-stop for like a month "doing my homework."

Over the couple years it took to get to this point, a few artists/producers have greatly shaped our sound and creative state of mind. Timbaland was the first and by far the biggest influence on our sound. Portis and myself modeled his style while tracking in the early stages. From Timberland we adopted the punch behind our drum tracks. That has been our signature, along with the crazy switch-ups and turn arounds. Then Drake dropped "So far Gone". The vibe on that mixtape was incredible! I listened to it like every night for months. Much of our tracks from those times have a similar vibe. Then...we discover Ryan Leslie. For me personally, the way he creates music is my biggest influence. I've watched hours of youtube footage of him in the lab. I also studied both Ryan Leslie albums front to back. Consequently, I have adopted many of his tactics in my own sound.

Music for me is an extension of who I am as a person. I've always prided myself on being a very versatile person and I think no different of our music. We want to be able to make music not only that we ourselves enjoy and are proud of, but also make something that can be for everybody. As a team I believe we encompass the entire spectrum of hip-hop music. Individually we all bring separate aspects to the table but never value one over the other. It's an in-house movement and we plan to keep that as our foundation. From the time we open the first session, to the mixing, artwork, credits, and whatever else. Between the three of us, we can get it done and in good quality. Make no mistake we haven't arrived but we are well on our way! Be looking out for the "Basement Boyz!"

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