Prog rock, British rock drummer/ guitarist.
A fan of Frost*, Joe Satriani, Keith More, Transatlantic, Black country communion, Pink Floyd, Dream Theater, AIrbag and Redemption

Joe Satriani is the world’s most commercially successful solo guitar performer, with six gold and platinum discs to his credit (including one more gold award for the debut album by his band Chickenfoot), and sales in excess of 10 million copies. His forthcoming 15th studio album, Shockwave Supernova (due out July 24, 2015), is already being hailed as yet another creative breakthrough – this for a guitarist who has routinely topped guitar magazine polls since the release of his first full-length album, Not Of This Earth, in 1986.

Since September 18, 1970 (the day his idol Jimi Hendrix passed away), Satriani has dedicated himself to the artistry of instrument. While still a teenager in his hometown of Westbury, New York, he taught guitar to another budding six-string hopeful, Steve Vai. A few years later, Satriani moved to San Francisco and played guitar in a popular new wave band, The Squares, and briefly joined The Greg Kihn Band before the release of Not Of This Earth.

Satriani’s reputation was already growing in guitar circles – along with Vai, some of his other students were Metallica’s Kirk Hammett and Testament’s Alex Skolnick – but in 1987, he broke through to the masses with his second studio full-length, Surfing With The Alien, a massive seller (it hit No. 29 on the Billboard 200) that included the radio hits “Satch Boogie” and the title track. The success of that album caught the attention of Mick Jagger, who asked Satriani to be his lead guitarist on his first-ever solo tour, in 1988.

As a live performer, Satriani has toured the world with each new release (his last concert tour for 2013’s Unstoppable Momentum saw the guitarist touch down in 32 countries). In 1993, he joined Deep Purple as a temporary replacement for Ritchie Blackmore during a Japanese tour. In 1996, Satriani founded the multi-guitarist traveling experience called G3, which has seen him share stages with Vai, Eric Johnson, Yngwie Malmsteen, Robert Fripp, among others. And starting in 2009, Satriani traversed the globe again as a member of Chickenfoot. The all-star band (which also includes singer Sammy Hagar, former Van Halen bassist Michael Anthony and Red Hot Chili Peppers drummer Chad Smith) has issues two albums, their debut and 2011’s follow-up, Chickenfoot III.

Satriani’s solo discography includes a host of classics, including 1989’s Flying In A Blue Dream, The Extremist from 1992, Is There Love In Space? (2004) and 2010’s Black Swans And Wormhole Wizards. His 15 Grammy nominations have been for songs such as “Always With Me, Always With You,” “The Crush Of Love,” and “Summer Song,” as well as full albums like Surfing With The Alien, The Extremist and Super Colossal. 

Satriani has appeared in motion pictures such as Christopher Guest’s 2006 release, For Your Consideration, and the 2011 Brad Pitt starrer, Moneyball. Through the years, he has designed and endorsed guitars, amplifiers and effects pedals for Ibanez, Marshall and Vox. His JS Series of guitars through Ibanez has been one of the company’s most popular and consistent sellers.

Head over to JBONAMASSA.com for the latest updates, official merchandise, and all things Joe! Don't forget to claim your free Bonamassa album download and head over to the JB Official Store to grab a copy the brand new album, Time Clocks!

Steve Lukather’s new album Transition on Mascot Records strikes a perfect balance of style, power and imagination as he takes risks and challenges himself in ways most other players can’t even approach.

That’s been standard operating procedure for this high-wire artist of the six-string for nearly four decades, as his career has gone from the studios of Los Angeles to the world’s biggest concert halls to the helm of the multi-platinum selling group Toto and, recently, to ground-breaking tours with Ringo Starr, guitar geniuses Joe Satriani and Steve Vai, and the reunited Toto, who have scheduled a follow-up 35th anniversary tour for 2013.

“I’ve got a lot to be thankful for, and now is a perfect time for me to take stock of that, which is part of what Transition is about,” Lukather says. 

Over the previous decade a series of trials including divorce, the death of his mother and business hassles had dampened his joy in music making — a passion that drove Lukather to excel since seeing the Beatles on the Ed Sullivan as a seven-year-old growing up in San Fernando Valley. But today the guitar guru is happy, healthy and strongly reconnected to his muse, and the lushly expressive Transition, his second Mascot album, finds him at a creative pinnacle.

“I equate recordings to paintings,” he explains, “ and I wanted to make Transition a big, beautiful album with lots of fine details and shadings and colors. That’s what I do and what my favorite albums — Sgt. Pepper’s, Dark Side of the Moon, Electric Ladyland, Goodbye Yellow Brick Road — are all about. So if it’s a sin to make massive sounding records with huge production values, then I’m going to Hell.”

Fat chance, because Transition’s heavenly sonic architecture — erected with the help of such A-list musical friends as Def Leppard’s Phil Collen, superstar bassists Lee Sklar, Nathan East, John Pierce, and Tal Wilkenfeld, live band members Steve Weingart, Renee Jones, and Eric Valentine, along with mega-drummers Gregg Bissonette, Chad Smith of the Red Hot Chili Peppers, Tos Panos, and Lukather’s longtime keyboard foil and co-writer / co-producer C.J. Vanston — actually weaves a tale of redemption. 

“‘Transition’ is a turning point for the album and a turning point for me,” Lukather explains. “As we were writing the songs, I was thinking about everything I’ve seen — all the people I’ve lost in my life, the great and the difficult experiences I’ve had, and how ultimately it was time to get it together and embrace things for what they are, because we’ve only got one life to live and we’ve got to make the most of it.”

Despite the album’s harmonic depth and sonic surprises, Lukather explains that he kept his guitar sound organic. “These days I like it simple and direct,” he says. “I plugged my new Music Man L-3 signature model guitar straight into a Bogner amp and miked it with an SM-57. Any effects were added at the mixing desk. I used a Kemper Profiling Amp for some of the weird sounds, and that was it. Live these days it’s just my guitar and amp and a couple stomp boxes — and I just go for it.”

“I’ve been working really hard on my vocals,” Lukather attests. “For me, these days it’s all about the song and the performance. I’m not interested in being the fastest gun in the West. I want to make beautiful music that means something.”

Lukather, Weingart and Vanston’s closing instrumental rendition of the Charlie Chaplin classic “Smile” has a very deep connection for the guitarist. “That was my mother’s favorite song,” he relates. “We’ve been playing it as an encore live, and it seemed like the perfect way to close the album, too.”

After seven solo albums, Lukather reflects: “I’d like to say this is the best album I’ve ever made, but that’s a cliché. But I do think I’ve realized my goal of moving forward, so let me say that Transition is possibly the best reflection of who I am in 2012.”

Reuben Cocksedge is following