Track 3 from the album 'Kleurtonen'.
You can buy the album at Bandcamp: https://geluidenfabriek.bandcamp.com/album/kleurtonen

About the album:
Working with A=432Hz tuning, for this album, I am exploring the possibilities of sustained sounds and their transcendental character, with repetition and subtile shifts in sounds and timbre.

Instruments used on this album: Sustainer guitar, Acoustic guitar with bow, Acoustic piano, Analog synth (Soma Lyra 8), Weeldophone, Percussion instruments.

Production and mastering: Simon van Weelden

released June 29, 2021

Gebrande Omber

Snake's Wind

2021

In The Desert, Far Away

Morning Kitchen (Demo)

The Assignment: Use probability to remove material from a track.

I made a 3 track piece specifically for this idea instead of using something I already had because I figured it should be done with tracks that always have something happening so the silence is more noticeable/dramatic.  I think the moments where everything cuts out are the most dramatic.  Silence is sort of the 4th track in that sense (or what ever is going on around you when listening).  The piece itself used a fair bit of aleatory.  "Dr Chaos" is a max for live instrument I used with the drum kit.  It plays random samples at a regular beat division (1/8th, 1/16th, etc.). The 2 other tracks are just moving through different interval cycles (minor 3rds and perfect 4ths) at different paces so they create different unpredictable harmonies.  I used Random.org to decide where to cut and how long the cut should be (1-8 beats).  I figured cutting on beats instead of seconds would give the breaks a rhythmic quality.

More on this 586th weekly Disquiet Junto project, Chance the Eraser (The Assignment: Use probability to remove material from a track), at: https://disquiet.com/0586/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0586-chance-the-eraser/

Nothing Hear (disquiet0586)

This is my response to this week's @naviar-records Haiku prompt.

Sound of mountain
sound of ocean
everywhere spring rain.

Sôen Nakagawa was a key figure in the transmission of Zen Buddhism from Japan to the Western world. Author Sean Murphy, in his “One Bird, One Stone: 108 Contemporary Zen Stories”, tells us an interesting story about the Zen Buddhist master during his time in the U.S.:

“Soen loved to walk around New York City. He’d stare at the lighted skyscrapers, at their tops, he claimed he saw Buddha figures in the lights. “Look at the Buddha,” he’d point, “Shining Buddha!” He’d fill the sleeves of his robes with nuts and berries from Central Park or herbs growing in the sidewalk cracks, and add them to his bowl at the next meal. He loved the musical Fiddler on the Roof, and when asked a question about why some particular point of ceremony needed to be performed in a certain way, he might burst into song, responding “Tradition…!”
 
Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 10th May 2023

haiku by Sôen Nakagawa https://tricycle.org/magazine/endless-vow-zen-path-soen-nakagawa/

picture by Guillaume de Germain https://unsplash.com/photos/Z8l4vxWTEiY

spring rain (naviarhaiku487)

Another strange non-local and temporally disparate collaboration between Gonio & Krakenkraft, this time with a lot of modular, samples, granular and whatnot.

Associated bizarre AI video on https://www.youtube.com/watch?v=a0A5HTvh3WE

Also visit Gonios soundcloud: https://soundcloud.com/peter-hostermann/session-60-joint-gonio-krakenkraft

Cover based on a StableDiffusionXL image.

Session 60 Joint

Gonio & Krakenkraft

Session 60 Joint —|—  Gonio & Krakenkraft

lithographics

2023 Christmas Impro #1
Lyrics by me

I let fate take me by the throat
I love to be suffocated 
If fate dares to take my breath 
I will come on its face

Take Me by the Throat

hatching earth- EP ASHBERRY

Corium

Home of sweet home-made diy slow music, sound and art collective by Nukumori Eugene

"edition 1/f" and "A TALE OF OUR CITIES"  are the sound & art collectives founded in Hong Kong and now based in Saitama, Japan,  highlighted the sounds and arts placed between the nature and city's folklore - deconstructive city street culture and urban suburbia - The project is often related to the urban observation research project ~ Research and Practice of Alternative Art Space / Micro-Art Space   

featured projects :  Strange Ordinary Necessities不思議な日用品 / Urban Observational Studies 都市観察学会 / Skmtt /  / HONG KONG SUBURBIA / 3am / Soundscape Saitama 100 / さいたま百景の音風景  Nukumori Eugene / ﾇｸﾓﾘ ﾕｰｼﾞﾝ (Hong Kong - Japan Base Sound Artist, Art Researcher and  Architect)

Morning Kitchen (Demo)

1/f

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