Ryuichi Sakamoto - Grasshoppers (1978)

"The End Isn't the End" in which the tapestry woven by the arpeggio of the guitar spreads in the space like a constellation, this song was commissioned by The New York Times and was made for the documentary film below. 

nyti.ms/2pAesVo
https://vimeo.com/298466006

Motohiro Nakashima hails from Fukuyama, a city near Hiroshima. Noted for his fingerstyle guitar, and an experimental, ambient approach to making music, Nakashima debuted from Lo Recordings (Thurston Moore, Susumu Yokota, Luke Vibert) and has three albums from several labels.
Gathering The Light is his most personal work to date. Combining fingerstyle guitar and ambient instrumentation for emotive minimalist soundscapes, the album illustrates the universal search for light in the darkness, beauty in melancholy.

Motohiro Nakashima - The End Isn't the End

심은용 (of JAMBINAI) [눈물이 비처럼, 빛처럼]
작곡 : 심은용
편곡 : 심은용
연주 : 심은용 (거문고), 한솔잎 (철현금)
녹음 : 오혜석, 조상현 @ M.O.L STUDIOS
믹싱 : 조상현 @ M.O.L STUDIOS
마스터링 : 성지훈 @ JFS MASTERING STUDIO

SIM Eunyong (of JAMBINAI) [Tears Like Rain or Light]
Composed by SIM Eunyong
Arranged by SIM Eunyong
Played by SIM Eunyong (Geomungo) and HAN Solip
(Cheolhyeongeum)
Recored by OH Hyeseok and CHO Sanghyun @ M.O.L STUDIOS
Mixed by CHO Sanghyun @ M.O.L STUDIOS
Mastered by SEONG Francis Jihoon @ JFS MASTERING STUDIO

눈물이 비처럼, 빛처럼 (Tears Like Rain or Light)

Tr01. 00:00- | Oct 26 2013 Improvisation "River pt1"	 (Recorded in Kyoto, Japan) 
Tr02. 02:13- | Feb 24 2012 "Bedroom Constellations Sketch #1" (Recorded in Kyoto, Japan) 
Tr03. 04:34- | Nov 05 2013 Live in Perth, Australia pt1 
Tr04. 11:12- | Jul ?? 2012 Improvisation (Recorded in Kyoto, Japan) 
Tr05. 14:07- | Jun 24 2012 Improvisation (Recorded in Takashima City, Japan) 
Tr06. 18:42- | Mar 05 2012 "Bedroom Constellations Sketch #2" (Recorded in Kyoto, Japan) 
Tr07. 19:49- | Apr 19 2013 Improvisation "Olive & Cat" (Recorded in Kyoto, Japan) 
Tr08. 24:42- | Apr 11 2012 Improvisation (Recorded in Kyoto, Japan) 
Tr09. 25:05- | Oct 26 2013 Improvisation "River pt1" (Recorded in Kyoto, Japan) 
Tr10. 29:00- | Nov 05 2013 Live in Perth, Australia pt2

FREE DOWNLOAD here : 
<a href="http://0sound.bandcamp.com/track/0-for-radio-48-personal-piano-recordings-marihiko-hara">http://0sound.bandcamp.com/track/0-for-radio-48-personal-piano-recordings-marihiko-hara</a>


Marihiko Hara
<a href="www.marihikohara.com">www.marihikohara.com</a>



0 (for Radio) #48  Personal Piano Recordings (Marihiko Hara)

Awake In The Web

dialectic

down the rabbit hole

dakota suite & quentin sirjacq
wintersong

12.16.2016 release.(worldwide)

wintersong

wintersong - dakota suite & quentin sirjacq

Itoko Toma, a Pianist and vocalist, releases her second album.
Besides her piano solo works and original songs as same music style as her previous album, but also includes songs composed with chamber music style, which brings more taste in this album.
This album is created with many inspirations from ‘sea’ which she felt in her daily life. It begins with the song “shorebird”, which you will hear a gentle voice brings a bird floating on the sea wind. Also, a supporting piano will draw a flow of waves created with arpeggio sounds of moving from lower tones to higher tones. With this gently played piano without any intonation will show the image very clearly of the waves flowing. Her dreamy and feathery world is expressed in the track “fantasia”, the strings arrangements will widens up the view, and the motif played with piano brings the light as a sea splash. “horse from parallel”, a key track of this album, features a vocal as a major role of this song and a simple chord progression helps the enhancement of melodious sounds. “when the word and the heart will mix well”, an adagio-like composition, is wrapped with heartwarming atmosphere with the daintiness and delicate strings arrangements. The album ends with a gentleness tune of “cantabile”, with a singing of freely played piano, which echoes deeply to bring peacefulness.

For strings arrangement, track #3 done by Akira Kosemura, who is also a producer of this album, and track #9 done by Quentin Sirjacq, a French pianist and composer, who released his album under the same label SCHOLE. Also, Hiroshi Iguchi as a sound engineer who supports the previous releases of Akira and Quentin, and Shin Kikuchi creates MV and designed for album covers using the visuals taken from her hometown, Okayama. The album was produced by viewing Itoko Toma’s world through a SCHOLE filter.

When the world will mix well

when the world will mix well

fantasia - Itoko Toma

Fallen

The Lost See

http://flau.jp/releases/plays-eight-compositions/

ensemble 0 is a band who plays the compositions by its members and music by other living composers. The members can change according to each project. The founding members live in France (Joël Merah), Spain (Stéphane Garin) and Belgium (Sylvain Chauveau), with a rotating set of musicians from Western Europe. In 2016 a section of ensemble 0 has been created in Brussels featuring Florent Garnier, Jean-François Brohée, and Chauveau. This trio has spent one and a half year composing new acoustic pieces, playing them live, recording and mixing them. This is the music for this album on flau: 8 tracks with percussion, harmonium, ebows and guitar, with the addition of Thomas Jean Henri (aka Cabane) and Antoine Pasqualini (aka Monolithe Noir) as guests.

The original idea of the Brussels section of ensemble 0 was to create an acoustic repertoire with few instruments, so that all the equipment could be carried to perform the music anywhere (in the street, in parks, in appartments and in music venues). Finally a few touches of electricity have been added on the album with the presence of Antoine Pasqualini’s modular synth.

ensemble 0 - Florent plays glockenspiel, JF plays ebows & guitar, Sylvain plays glockenspiel...

from 'Window In' [CD|LP|DIGITAL]
Denovali Records · den332
available on all formats at http://denovali.com/michaelvallera

Window In is Michael Vallera’s third full length offering on the Denovali label, following  All Perfect Days (2018) and Vivid Flu (2017).  

The four tracks that compose Window In are an exercise in density, movement, and space. Raw studio recordings of electric guitar were taken as the foundation, then heavily altered and manipulated through sampling, erasing the trace back to origin of the sound. The result is a series of vignettes that are unattached to a particular source but instead exist in an emotive and internal state.

눈물이 비처럼, 빛처럼 (Tears Like Rain or Light)

SIM Eunyong

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